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The Virtues of War: A Novel of Alexander the Great Paperback – September 27, 2005

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Editorial Reviews

From Publishers Weekly

"I have always been a soldier. I have known no other life." Esteemed historical novelist Pressfield (Gates of Fire; Tides of War) crawls inside the brave heart of Alexander the Great in this chronicle of the king's bloody and extraordinary accomplishments and boundless ambition. Presented as Alexander's confessions (and lessons) to his brother-in-law, Itanes, as the Macedonian commander and his increasingly reluctant armies try to figure out how to cross "this river of India" to engage in yet another battle, the novel tells of Alexander's father's last victory (the defeat of the Greeks at Chaeronea) before his assassination; of how, over his father's corpse, Alexander cements his plans for future campaigns; of his struggle with his "daimon," which would call him to glory; of his burning of Thebes; of his march east and his slaughter throughout Asia; of his murder of his friend Cleitus ("I felt his spine shear"). Alexander's voice swoops from high-minded rhetoric to earthy vernacular as he regales Itanes with bloody battle scenes and stories of horror and triumph. For devotees of Alexandrite military history—and there are many—this is a sympathetic if slightly overlong portrait of a man who knew no doubt: "Fame imperishable and glory that will never die: that is what we march for!"
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

From Booklist

Acclaimed historical novelist Pressfield turns his attention to the ever-fascinating life of Alexander the Great. The rapidly paced first-person narrative is distinguished by Alexander's own matter-of-fact voice. The mighty warrior and king candidly relates his amazing exploits in spellbinding detail. The inevitable gore and glory of the many battle scenes ring especially true as one of the greatest military tacticians in recorded history chronicles both his martial successes and failures. Being treated to a firsthand look inside Alexander's mind, the reader is quickly made aware of the multiple contradictions, ambitions, and passions that contributed to the complex sum of the entire man. This splendid fictional biography is calculated to appeal to antiquarians, Grecophiles, and fans of a darn good read. Margaret Flanagan
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.

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Product Details

  • Paperback: 368 pages
  • Publisher: Bantam (September 27, 2005)
  • Language: English
  • ISBN-10: 0553382055
  • ISBN-13: 978-0553382051
  • Product Dimensions: 5.2 x 0.8 x 8.2 inches
  • Shipping Weight: 13.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (134 customer reviews)
  • Amazon Best Sellers Rank: #94,032 in Books (See Top 100 in Books)

More About the Author

Steven Pressfield is the author of Gates of Fire, Tides of War, Last of the Amazons, Virtues of War, The Afghan Campaign, Killing Rommel, The Profession, The Lion's Gate, The War of Art, Turning Pro, The Authentic Swing, Do the Work and The Warrior Ethos.

His debut novel, The Legend of Bagger Vance, was adapted for screen. A film of the same title was released in 2000, directed by Robert Redford and starring Matt Damon, Will Smith and Charlize Theron.

His father was in the Navy, and he was born in Port of Spain, Trinidad, in 1943. Since graduating from Duke University in 1965, he has been a U.S. Marine, an advertising copywriter, schoolteacher, tractor-trailer driver, bartender, oilfield roustabout, attendant in a mental hospital and screenwriter.

His struggles to earn a living as a writer (it took seventeen years to get the first paycheck) are detailed in The War of Art, Turning Pro and The Authentic Swing.

There's a recurring character in his books, named Telamon, a mercenary of ancient days. Telamon doesn't say much. He rarely gets hurt or wounded. And he never seems to age. His view of the profession of arms is a lot like Pressfield's conception of art and the artist:

"It is one thing to study war, and another to live the warrior's life."

Amazon Author Rankbeta 

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#70 in Books > Self-Help
#70 in Books > Self-Help

Customer Reviews

Most Helpful Customer Reviews

129 of 135 people found the following review helpful By E.S. Kraay on October 20, 2004
Format: Hardcover Verified Purchase
In the light of the current world environment, you need to read this book. While Mr. Pressfield played on Sun Tzu's title in his 2002 take-control-of-your-life manual, The War of Art, he goes right to the heart of the matter in Virtues: this book is Alexander the Great's Art of War. Where previous Pressfield novels detailed what the individual combatant was thinking and feeling, Virtues focuses on the leader, the man in charge of it all, logistics, material, tactics, strategy, morale and every other aspect of war.

In six short years since the publication of his classic Gates of Fire, Steven Pressfield has set a new standard for historical fiction and sits firmly entrenched at the top of a list of talented writers in that genre. The master's attention to detail through diligent research is without equal. As importantly to his readers, Mr. Pressfield weaves a tale that keeps us hooked on his work from first to last page. His details do not detract or bog down the telling of the tale but serve it. Like it's predecessors, The Virtues of War left me satiated if not emotionally drained when I read its final words:

"The sarissa's song is a sad song

He pipes it soft and low.

I would ply a gentler trade, says he,

But war is all I know.

The wind rose in that moment, lifting the corner of Alexander's cloak. I saw his heel tap Corona's flank. He reined-about and started for the camp, surrounded by his officers."

All of the Pressfield Greek Histories as I've come to call them are narrated. In his previous work, Last of the Amazons, Mr. Pressfield took a big chance and told much of the story through the words of a woman, no small task for a man who did spend time in the U.S. Marine Corps.
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60 of 66 people found the following review helpful By C. W. Richards on November 2, 2004
Format: Hardcover
If you are looking for a historical novel of great psychological depth that explores the complexities of one of history's more enigmatic figures, look elsewhere. Alexander the Great was not a personality of more complexity than any one of us. The only subject he excelled at, the only one he showed any interest in, was war. Pressfield has no gripping passages describing an anguished Alexander locked in a moral debate with himself over the justness of his cause or the legitimacy of his methods, because there is no historical evidence that Alexander had any such doubts. "Since I was prepared to pay with my own life," Pressfield's Alexander tells his father early in the novel, "so I was sanctioned to take the life of the foe."

It would be wrong, though, and Pressfield conveys this well, to conclude that Alexander lacked human feelings or emotion. Within his realm of war Alexander comes across as a believable human being, perhaps much like Patton or Guderian had they been absolute rulers of their countries instead of merely talented generals. Alexander, in the speech just quoted, is not justifying butchery, but explaining to a skeptical father how he can fraternize with members of the enemy's elite fighting units, even exchange gifts with them, and then slaughter them quickly and efficiently the next day.

Indeed, creating strong emotional bonds was and is the foundation of a unit's fighting power. So Alexander can trade barracks banter with sergeants one minute and bawl tears with his senior commanders the next. He sleeps on a rude campaign cot and shares all the privations of the march. At one point near the end of their 22,000 mile campaign, he bares his chest and asks if any of his now reluctant compatriots can show more battle scars than he.
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23 of 25 people found the following review helpful By Oceanus Gregory on September 8, 2005
Format: Hardcover
This novel is a worthwhile entertainment. Pressfield remains one of the more interesting writers dealing with ancient warfare. He has his strengths and weaknesses, but over all he's worth a reader's time. This is not a definitive treatment of Alexander. There are quite a few aspects of his life that Pressfield chooses not to deal with, probably because others have already done so, like Mary Renault and Valerio Massimo Manfredi. This is okay by me in that he gives you a pretty streamlined novel here. Pressfield is a writer that works with an audience in mind. I've heard him say that Tides of War was his favorite novel, but it was also one of his less successful. Readers seemed to tire of the slow pace of it, the back and forth of its political machinations and perhaps an unsatisfying resolution.

So Pressfield hasn't repeated that here. He starts the novel strongly and moves straight ahead with an even pace. I think his weaknesses are in terms of character complexity and development. Alexander is a confusing figure; this novel doesn't do anything to change that, although Pressfield seems to want to. Some of his speeches fell strangely flat to me, more like television bravura than the true words of the world's greatest general. And at times he does say and do things that seem to smack of twentieth century, romanticized ideology. Pressfield is no master of form. He chooses to tell the whole story in first person, creating the rather artificial proposal that we're actually hearing Alexander tell his story to a young man who's writing it all down. This doesn't really hold up to scrutiny - nobody tells a story like this, with exact dialogue, with careful authorial details and complete chronological order - but perhaps the point is that we're not supposed to scrutinize.
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