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Things then progress from a series of seemingly mundane reports about odd atmospheric disturbances taking place on Mars to the arrival of Martians just outside of London. At first the Martians seem laughable, hardly able to move in Earth's comparatively heavy gravity even enough to raise themselves out of the pit created when their spaceship landed. But soon the Martians reveal their true nature as death machines 100-feet tall rise up from the pit and begin laying waste to the surrounding land. Wells quickly moves the story from the countryside to the evacuation of London itself and the loss of all hope as England's military suffers defeat after defeat. With horror his narrator describes how the Martians suck the blood from living humans for sustenance, and how it's clear that man is not being conquered so much a corralled. --Craig E. Engler --This text refers to an out of print or unavailable edition of this title.
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In each case, Wells uses the trappings of science-fiction and popular literature to lure readers into what is essentially a moral lesson. THE TIME MACHINE is essentially a statement on the evils of the English class system. THE INVISIBLE MAN addresses the predicaments of the men and women to whom society turns a blind eye. And THE WAR OF THE WORLDS is a truly savage commentary on British imperialism and colonialism.
This is not to say that it isn't science-fiction--for it most certainly is, and moreover it is science-fiction well grounded in the scientific thinking of its day: intelligent life on Mars was believed to be entirely possible, and Wells forecasts the machinery and weapons that would soon become all too real in World War I. Set in England about the beginning of the 20th Century, the story finds a strange meteor landing near the narrator's home--and from it emerge Martians, who promptly construct gigantic and powerful killing machines and set about wiping the human population of England off the face of the earth. The Martians and their machines are exceptionally well imagined, the story moves at a fast clip, and the writing is strong, concise, and powerful.
... Read more ›"The War of the Worlds" has been interpreted as an allegory of imperialism. Just as the British took over other countries to make them part of the Empire, so too is the Earth being taken over by the Martians. They even bring their own plant life with them, the "Red Weed". The Martians see us as vermin, trying to wipe us out with heat rays and poisonous black gas. Thats's what makes the story so much fun. It is frightening in a cosy sort of way. We read the story in a safe, comfortable room, while the narrator talks of all the death and destruction he sees.
An interesting point that Issac Asimov once brought up was that if alien intelligence did exist, their advanced evolution would also mean they would be emotionally superior to us. They would not act like barbarians, as war is a primitive thing. When people write alien invasion stories, they are really saying something about us. We are destructive and aggressive by nature. Our history has been one long story of conquest, slavery and even genocide. So HG Wells has put a little bit of us into his Martians. Both metaphorically (as imperialists), and literally (as food).