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The Way of the Gun

194 customer reviews

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Editorial Reviews

The Way Of The Gun

Special Features

  • Cast and crew interviews
  • Isolated Music Track with Commentary by Composer
  • Storyboards and scripts of a deleted scene
  • Cast and crew information

Product Details

  • Actors: Ryan Phillippe, Benicio Del Toro, Juliette Lewis, Taye Diggs, Nicky Katt
  • Directors: Christopher McQuarrie
  • Writers: Christopher McQuarrie
  • Producers: Kenneth Kokin, Russell D. Markowitz
  • Format: Anamorphic, Color, Dolby, Widescreen, NTSC
  • Language: English (Dolby Digital 5.1)
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: Live / Artisan
  • DVD Release Date: January 2, 2001
  • Run Time: 119 minutes
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (194 customer reviews)
  • ASIN: B000053V7A
  • Amazon Best Sellers Rank: #154,242 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "The Way of the Gun" on IMDb

Customer Reviews

Most Helpful Customer Reviews

19 of 21 people found the following review helpful By James Andresen on September 10, 2000
I have to say, walking into this film, I was expecting more, but that can only be because of the fine credits of the writer/director. I mean, of course you're going to have to expect double and triple crosses and enough plot twists for ten movies when you go and see a movie from the man who wrote The Usual Suspects. However, I have to say that even though I was at first dissapointed, that quickly went out the window as I got into this terrific action/noir piece by Christopher McQuarrie. His barage of bullets and profanity is some of the best stuff to come out of Hollywood in recent years. The story, which I'm not going to spoil, is a work of criminal genius, and the acting is very good (even Ryan Phillipe!). This film crosses Pekinpah's The Wild Bunch with Butch Cassidy & The Sundance Kid (through with huge nods are made) and a little bit of 40's noir. The two antiheros are by far some of the best written characers in recent months, and the two actors tacked on to play them are great. The supporting cast, which consists of James Caan, Taye Digs, Nicky Katt, and Juliette Lewis is masterfully crafted and very low key, which is necessary when trying to make a film of this manner. There is not a single over the top performance, which gives a sort of cohesion among the ensemble. Benicio del Toro gives the films best, and sometimes most hilarious performance and has been given some of the best lines to work with. Phillipe actually does a good job with his role, considering how few lines, besides the narration, that he has. His boyish charm works perfectly as a man who doesn't give a damn and is extremely mature for his young appearance. To me, the only thing that was lacking in this film was the direction.Read more ›
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35 of 42 people found the following review helpful By H. J. Seeley on December 8, 2004
Format: DVD
First off if you're considering buying this movie, definitely read at least three pages of the reviews here and more if possible. You'll get a good feel of the film that way. Some folks get this movie and some have no clue at all.

I'm just going to add some comments that are lacking or that have been mis-stated.

First, only in the most loose definition of plot twists or subplots, does this film have either. The story is entirely linear, however you have to piece together parts of the story from sparse information. The story begins at least 9 months prior to when the movie starts with the relationship and "deal" between the bagman and the surrogate mother (but you don't know this until nearly the end and it's subtle enough to miss). The film story fully begins with the kidnapping. From that point on the various antagonists all see opportunities and then angle to make it happen, except for the bagman who is protecting more than his employer.

Second, this is not about petty crooks and a botched job. This is a story that involves professional criminals, professional mobsters and professional bodyguards, all of whom show clarity and intelligence beyond typical clever, one-liner, hollywood scripting.

The fact that police are only peripherally involved in any part of the film simply indicates that the dealings are far beyond your average cops and robbers style movie. This is a subculture that is not visible to normal society. The dialogue between Longbaugh and Sarno should illustrate this nicely. There is an understanding between them that goes well beyond the simple words. This is equally true for the relationship between Longbaugh and Parker, and Sarno and Abner - much is conveyed but little is said.
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15 of 17 people found the following review helpful By Earl Hazell on October 5, 2005
Format: DVD
Does this movie compare to THE USUAL SUSPECTS?

Does it matter?

Anyone brilliant enough to write the screenplay for SUSPECTS must have more than one movie in him, and McQuarrie proves he does with this. Some reviewers remarked about how he doesn't make you care for the characters in his film. And I think they missed the point: you're not supposed to. McQuarrie figures out how to make you enjoy watching them without either caring about them or being totally replused by them. He achieves a sacred principle of both writing and directing--making it a lot easier on even great actors like Del Toro and James Caan: freeing you from existential judgment or the self-referentialness lessor screen writers can fall into. This creates room for the nilhist philosophy and betrayal that competes with anything that can be called deep and abiding love whereever it occurs in this film.

EVERYONE in this movie is a "bag man;" even the unborn children. As such McQuarrie is saying something pretty deep about the modern world in total. And yet he does it in the context of not boring us to tears with preaching or burdening our minds with too much philosophy, pertinent or otherwise. All while giving us some of the most innovative car chases and shoot-em-up action scenes done in some time.

This movie came out in 2000, and to see how the actors have evolved since then is refreshing and exhilharating all by itself. Caan looks about ten years younger in the successful NBC-TV show LAS VEGAS of today than he does in this movie; showing off, obviously, the prodigious acting skills that forever remind us that THE GODFATHER was no fluke. (He is acting older and more beat down in this movie than he probably ever has been.) Every actor puts in some serious work in this, and make it worth seeing, and worth owning. And McQuarrie's writing and directing make it worth thinking about afterwards.
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