The Way of the Gun
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Top Customer Reviews
I'm just going to add some comments that are lacking or that have been mis-stated.
First, only in the most loose definition of plot twists or subplots, does this film have either. The story is entirely linear, however you have to piece together parts of the story from sparse information. The story begins at least 9 months prior to when the movie starts with the relationship and "deal" between the bagman and the surrogate mother (but you don't know this until nearly the end and it's subtle enough to miss). The film story fully begins with the kidnapping. From that point on the various antagonists all see opportunities and then angle to make it happen, except for the bagman who is protecting more than his employer.
Second, this is not about petty crooks and a botched job. This is a story that involves professional criminals, professional mobsters and professional bodyguards, all of whom show clarity and intelligence beyond typical clever, one-liner, hollywood scripting.
The fact that police are only peripherally involved in any part of the film simply indicates that the dealings are far beyond your average cops and robbers style movie. This is a subculture that is not visible to normal society. The dialogue between Longbaugh and Sarno should illustrate this nicely. There is an understanding between them that goes well beyond the simple words. This is equally true for the relationship between Longbaugh and Parker, and Sarno and Abner - much is conveyed but little is said.Read more ›
Does it matter?
Anyone brilliant enough to write the screenplay for SUSPECTS must have more than one movie in him, and McQuarrie proves he does with this. Some reviewers remarked about how he doesn't make you care for the characters in his film. And I think they missed the point: you're not supposed to. McQuarrie figures out how to make you enjoy watching them without either caring about them or being totally replused by them. He achieves a sacred principle of both writing and directing--making it a lot easier on even great actors like Del Toro and James Caan: freeing you from existential judgment or the self-referentialness lessor screen writers can fall into. This creates room for the nilhist philosophy and betrayal that competes with anything that can be called deep and abiding love whereever it occurs in this film.
EVERYONE in this movie is a "bag man;" even the unborn children. As such McQuarrie is saying something pretty deep about the modern world in total. And yet he does it in the context of not boring us to tears with preaching or burdening our minds with too much philosophy, pertinent or otherwise. All while giving us some of the most innovative car chases and shoot-em-up action scenes done in some time.
This movie came out in 2000, and to see how the actors have evolved since then is refreshing and exhilharating all by itself. Caan looks about ten years younger in the successful NBC-TV show LAS VEGAS of today than he does in this movie; showing off, obviously, the prodigious acting skills that forever remind us that THE GODFATHER was no fluke. (He is acting older and more beat down in this movie than he probably ever has been.) Every actor puts in some serious work in this, and make it worth seeing, and worth owning. And McQuarrie's writing and directing make it worth thinking about afterwards.
Most Recent Customer Reviews
A Quality cultish style film, a unique script and some great moments with good acting....Published 1 day ago by Bryan K.
Sam Peckinpah would love it and so will you. A modern story of two down-and-outers out to make it big in one score. An excellent casrt and sure to be a cult classic.Published 6 days ago by maduce50
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