What a difference a month makes. Just a few weeks ago I pronounced Seastar Books' new edition of "The Wind in the Willows" the best gift edition of the 1908 children's classic since illustrator Ernest Shephard's classic version, due to the glorious acrylic and watercolor paintings by Mary Jane Begin ("The Porcupine Mouse," "A Mouse Told His Mother"). Yet surprisingly, it has already been surpassed, so I must pass the trophy to Harcourt's new unabridged edition. It's beautifully presented in a wide, landscape format with a satin ribbon bookmark to keep your place when the stories dutifully fulfill their destiny as bedtime reading. The notable source of the book's special appeal, of course, is the charming new artwork by extraordinary English watercolorist Michael Foreman. The pages are filled with gently expressive mixed-media paintings, from the end-papers map of Wildwood and its surroundings, to a rollicking train ride, and the wild rumpus at Toad Hall. And the illustrations are generously plentiful: nearly every two-page spread contains at least one color sketch. The sheer number of illustrations tremendously enriches the story, and the Foreman's light-handed technique, previously apparent in "Michael Foreman's Mother Goose," "Joan of Arc" and "Arthur, High King of Britain" -- is a lovely tribute to the similar style of Shephard himself. Well done.