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Special Features
- Contains four films on two discs
- Commentary by film historian Tom Weaver
- Documentary on the making of The Wolf Man
Editorial Reviews
Customer Reviews
The Wolf Man has exerted a huge influence on the art of horror for over six decades now, thanks to the heralded make-up prowess of Jack Pierce, the tight and powerful script of Curt Siodmak, some impressive photography work, a moving musical score, and wonderful performances from a truly stellar cast of actors and actresses (including Claude Raines in the role of Larry Talbot's father, Maria Ouspenskava as the gypsy woman and surrogate mother figure to Larry, and the great Bela Lugosi in a somewhat minor yet crucial role). Chaney's Wolf Man appearance is amazingly vivid and, one supposes, somewhat frightening to moviegoers of the early 1940s. His emotional performance adds to his character's tragic status; his strange and slightly awkward manner, tempered by a sort of gentle slowness always leaves me mesmerized.
With the success of The Wolf Man in 1941, it didn't take Universal long to trot out a sequel; the following year, Frankenstein Meets the Wolf Man not only capitalized on the success of everybody's favorite werewolf, it also brought in Frankenstein's monster, thus becoming one of the first Universal monster cross-over films. Lon Chaney, Jr., returns as the ill-fated Larry Talbot, and the legendary Bela Lugosi dons the makeup of the Frankenstein monster - this fact alone makes the film intriguing. Talbot, now afraid he cannot die, longs to be killed and put out of his misery. He ends up at the castle of Frankenstein, where a helpful young doctor promises to help him and destroy Frankenstein's monster in the process - things don't quite work out that way, and the film ends with a monster grudge match between the Wolf Man and Frankenstein's Monster.
Werewolf of London (1935) and She-Wolf of London (1946) could not be more different, and both are unmistakably distinct from the Universal werewolf films starring Lon Chaney, Jr., yet I think they both work marvelously. Many fans don't care for them, especially She-Wolf in London, but I find both films quite compelling. They differ significantly from the storyline running through Chaney's Wolf Man films, but these two films have a great deal of their own to offer fans. Often overlooked and unduly dismissed by some reviewers and horror fans, these are two classic werewolf films.
In terms of extras, you get trailers for three of the four films, a truly excellent commentary of The Wolf Man by film historian Tom Weaver, a well-made 1999 documentary called Monster By Moonlight, and comments on the Wolf Man character by Van Helsing director Stephen Sommers. With only four movies and relatively few extras, The Wolf Man Legacy Collection falls a little short in the value department compared to the Dracula and Frankenstein Legacy Collection sets, but nothing can change the fact that this is must-have material for fans of classic horror movies.
1) The Werewolf of London (1935)
2) The Wolfman (1941)
3) Frankenstein Meets The Wolfman (1943) By the way is actually
a sequel to both The Wolfman (1941) and The Ghost of Frankenstein (1942), continuity wise.
4) She-Wolf of London (1946)
5) a 45 minute documentary, Monster By Moonlight. Pretty much a
history of Universal's Wolfman mixed with actual Werewolf lore.
6) Tom Weaver does commentary on a separate audio track of The Wolfman (1941). Extremely interesting P.O.V..
7) A neat peek at Van Helsing's homage to Universal's classic
Wolfman.
All in all I really enjoyed this set. I just can't wait until
Universal raids their Atomic Age Monster vaults like this. Til'
then, ENJOY.
The story is a familiar one: Larry, the son of esteemed Sir John (Rains) returns home to Wales after many years in America, is bitten by a werewolf (well played by Bela Lugosi), and becomes a werewolf himself. What's extraordinary is the fact that the film can be so effective today.
The biggest reason for this is the acting. Some classic films, pre-Actor's Studio, look pretty pathetic when it comes to realistic characterization. Not so THE WOLF MAN. Curt Siodmak's excellent screenplay (likened to a Greek Tragedy) provides a vehicle for the stars to be at their best, and, boy, do they shine: Rains a tower of strength as the proud father; Ankers hitting just the right note as the torn female lead; Maria Ouspenskaya as the Old Gypsey Woman whose words prefigure Larry's doom....
But the standout is Lon Chaney Jr. A definite mixed-bag as an actor, he is perfect here--and this is a role calling for the use of all human emotions (unlike later Wolf Man films, where Talbot's head-pounding becomes monotonous). In fact, seeing THE WOLF MAN recently has convinced me that Chaney would have made the ideal screen Phillip Marlow (and I'm not forgetting Bogie)--big, tough, surly, yet charming when need be (a highlight early in WOLF MAN is Larry's attempts at flirting with Ankers; Chaney does the surprisingly playful dialogue with just the right touch). There's no doubt that his performance would merit accolades even today.
This is not to say that there aren't problems in the film. The continuity is off in a number of places (Chany transforms into the Wolf Man at one point wearing a sleeveless undershirt; in the very next scene, he's wearing a neatly buttoned Dickey), and there's a scene or two that's completely inexplicable (e.g., why DOES the Wolf Man pass out when caught in that trap?)....
But overall, the pace, lighting, cinematography, excellent musical score, and strong story propel the film through these rough spots, the 70-minute ride leaving the viewer wanting more. For these reasons, THE WOLF MAN is a classic....and a DVD worth buying (the extra werewolf films, particularly FRANKENSTEIN MEETS THE WOLF MAN, are entertaining as well).
The 1st pkage I bought - the DVD's would play. Same thing w/ the 2nd. Read more
Lon Chaney Jr. Read more
yes, i would tell you to buy
The Wolf Man's atmospheric lensing is awesome; Lon Chaney is the The Wolf Man, in more ways than one. Read more
This product has two DVDs with four monochrome movies from the 1930s and 1940s. Read more
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