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The Wolves of Midwinter: The Wolf Gift Chronicles Hardcover – Deckle Edge, October 15, 2013


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Product Details

  • Series: Wolf Gift Chronicles (Book 2)
  • Hardcover: 400 pages
  • Publisher: Knopf; First Edition edition (October 15, 2013)
  • Language: English
  • ISBN-10: 0385349963
  • ISBN-13: 978-0385349963
  • Product Dimensions: 6.6 x 1.4 x 9.6 inches
  • Shipping Weight: 1.6 pounds (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (761 customer reviews)
  • Amazon Best Sellers Rank: #28,136 in Books (See Top 100 in Books)

Editorial Reviews

Amazon.com Review

A Conversation with Anne Rice

Author of The Wolves of Midwinter

Q: It’s been almost two years since The Wolf Gift was published. What has been the most fun for you about writing this new series?

A: The new cosmology is terrific fun. Since this is a brand new series, I’m able to evolve a whole new type of supernatural character—the morphenkind, or man wolf—and make up an origin story for the species and work with what powers these creatures have and so forth. I’ve loved that. But as always the novels are about character, and I do love the new cast—Reuben my youthful hero, his family, and the contemporary setting. As always I like blending a family story with a supernatural story. I’ve done this with the Mayfair Witches and to some extent with the vampires. But the very most fun? I guess the new cosmology—that Reuben the Man Wolf is a comic book hero, living a double life as a reporter and a man wolf.

Q: A defining element of your werewolves is that they are sentient during transformation, but also that they can detect and hunt out evil. How does The Wolvs of Midwinter begin to blur those clear lines of good vs. evil for your main character, Reuben?

A: Well, Reuben and Stuart—both young man wolves—are coming to see the obvious, that there is no real objective standard in the world of what is good or evil, much as we all wish that there was. And in some situations, they do not see clearly what to do. They transform into powerful beast men and can easily kill and punish evil doers, but what happens when the evil doer is contrite and becomes a victim himself? Do they stop in their tracks? Their powers put an immense burden on those human beings who know what they are. Is it moral for a good man to contact Reuben and ask for his help with despicably evil murderers, knowing full well that Reuben has the power to transform into a Man Wolf and bring immediate death to the evil ones? In The Wolves of Midwinter they confront this problem for the first time.

Q: What was it about the unfinished nature of Reuben’s relationship with Marchent that inspired you to bring back her ghost in The Wolves of Midwinter?

A: Marchent was a very strong character and she left the narrative early. She died violently. I thought what if she lingers, confused, uncertain, an earthbound spirit in need of guidance to the light? I think it was her character and how strong she felt to me in the first book that prompted me to bring her back. When I write I believe the old cliché: there are no small parts, only small actors. And so even if a character is going to be in a book for a very short while (as Marchent was in the first book) I’ll go deep into that character, seeking to make that character very real, and then when the character is dispatched, well I miss the character. That’s what happened with Marchent.

Q: The Wolves of Midwinter features the emergence of other “Ageless Ones,” like the Forest Gentry, and the strange servants who serve the Distinguished Gentlemen. How do these new characters allow you build upon the werewolf mythology you’ve created?

A: It’s flat out unrealistic to present a universe in which the morphenkinder are the only preternatural inhabitants. It’s a failure of imagination to not ponder what other supernatural or preternatural beings they might know or interact with. I thought it only natural that immortal morphenkinder would know a lot about spirits, ghosts, and so forth, and other immortals. It was fun to imagine new species. And I love writing about ghosts. I am doing it in other books now as well as in The Wolf Gift Chronicles. I have a mythology of ghosts and spirits that transcends any individual series I’ve written and I just love it. With Reuben and his friends, I feel like I’m just getting started on their world. I may bring in other elements soon. For now though the Forest Gentry and the “strange servants” are really delighting me.

Q: The Wolves of Midwinter also introduces new members of other werewolf packs, suggesting a much larger world exists beyond the Distinguished Gentlemen. Will we learn more about the past history of the Morphenkinder as the series continues?

A: Yes, as the series continues we will learn much more about the history of the Morphenkinder. I already have a big surprise brewing for book three. And of course we have only begun to see in this second book how morphenkinder from other parts of the world can make serious trouble for Reuben, Felix, Margon and the inhabitants of Nideck Point. I feel that in these two Wolf Gift books I’ve opened many doors and I want this to develop into a huge fantasy series.

Q: So much of the setting and atmosphere of The Wolves of Midwinter is tied to traditional Christmas holiday rituals. What experiences and research did you draw from to create such a rich setting? Were you inspired by European holiday festivals? What was your favorite part of creating the Festival in Nideck Point?

A: I am enthralled with Yuletide customs the world over but particularly those of Europe and America. I did intensely research them, seeking for material everywhere. have used intense Christmas symbols and mythology in The Witching Hour and in Lasher, and I am very interested, as you can see, in delving into it with the wolves. I am intrigued as to why our heritage includes belief in ghosts walking at Christmastime and so many Christmas ghost stories, like those written in Victorian England, for instance. I’m intrigued with the ancient European custom of people dressing as beasts and in animal skins around Christmastime—with customs involving bonfires and echoes of human sacrifice. Clearly the feast of midwinter was serious business in our past, a time when we celebrated the cycles of the earth, the desperate hope that the warm spring and summer sun would return, in spite of the ice and snows, and that we would see light and growth and possibility again. That’s in our blood as human beings. And to me all this is related to the very idea of the man wolves—that we humans remember on some level when we were very primitive and closer to the animal world than we are today, that our nature is always animal and divine mixed together, that we are mammals with souls. Christmas is the great feast at the very heart of our cultural experience of these mysteries. God becoming man in the Christ Child in the dark of winter is a potent symbol for all of us—human beings who are spiritual as well as physical—and for our great need to control our animal nature while never forgetting it.

From Publishers Weekly

Reuben Golding is a new werewolf (following the events of 2012's The Wolf Gift). He now lives in a Northern California mansion with his mentor, Felix, and other shapeshifters, occasionally killing evildoers as the vigilante called Man Wolf. Readers expecting urban fantasy action will be surprised: this is mostly a moody family drama, as Reuben plans for the birth of his child by his ex-girlfriend Celeste and copes with the transformation of his new lover, Laura, into a shapeshifter. Reuben and his brother, Father Jim, a priest, also struggle with issues of faith, justice, and the afterlife. Meanwhile, Felix plans a giant Christmas celebration for the entire village and frets about his ghostly niece, Marchent. New conflicts and antagonists are introduced and dealt with in a late rush, and Reuben's forays as Man Wolf are perfunctory, taking up fewer pages than the party planning. Still, the book is not without charm: Reuben and Felix are sympathetic protagonists, and the series mythology, suggesting that the fair folk may be evolved human ghosts, is fascinating. (Oct.)

More About the Author

Anne Rice was born and raised in New Orleans, Louisiana. She holds a Master of Arts Degree in English and Creative Writing from San Francisco State University, as well as a Bachelor's Degree in Political Science. Anne has spent more of her life in California than in New Orleans, but New Orleans is her true home and provides the back drop for many of her famous novels. The French Quarter provided the setting for her first novel, Interview with the Vampire. And her ante-bellum house in the Garden District was the fictional home of her imaginary Mayfair Witches.

She is the author of over 30 books, most recently the Toby O'Dare novels Of Love and Evil, and Angel Time; the memoir, Called Out of Darkness;and her two novels about Jesus, Christ the Lord: Out of Egypt and Christ the Lord: The Road to Cana. (Anne regards Christ the Lord: The Road to Cana as her best novel.) ---- Under the pen name, A.N. Roquelaure, Anne is the author of the erotic (BDSM) fantasy series, The Sleeping Beauty Trilogy. Under the pen name Anne Rampling she is the author of two erotic novels, Exit to Eden and Belinda.

Anne publicly broke with organized religion in July of 2010 on moral grounds, affirming her faith in God, but refusing any longer to be called "Christian." The story attracted surprising media attention, with Rice's remarks being quoted in stories all over the world. Anne hopes that her two novels about Jesus will be accepted on their merits by readers and transcend her personal difficulties with religion. "Both my Christ the Lord novels were written with deep conviction and a desire to write the best novels possible about Jesus that were rooted in the bible and in the Christian tradition. I think they are among the best books I've ever been able to write, and I do dream of a day when they are evaluated without any connection to me personally. I continue to get a lot of very favorable feedback on them from believers and non believers. I remain very proud of them."

Anne is very active on her FaceBook Fan Page and has well over a million followers. She answers questions every day on the page, and also posts on a variety of topics, including literature, film, music, politics, religion, and her own writings. Many indie authors follow the page, and Anne welcomes posts that include advice for indie authors. She welcomes discussion there on numerous topics. She frequently asks her readers questions about their response to her work and joins in the discussions prompted by these questions.

Her latest novel, "The Wolves of Midwinter," a sequel to "The Wolf Gift" and part of a werewolf series set in Northern California in the present time, will be published on October 15, 2013. In these books --- The Wolf Gift Chronicles -- Anne returns to the classic monsters and themes of supernatural literature, similar to those she explored in her Vampire Chronicles, and tales of the Mayfair Witches. Her new "man wolf" hero, Reuben Golding, is a talented young man in his twenties who suddenly discovers himself in possession of werewolf powers that catapult him into the life of a comic book style super hero. How Reuben learns to control what he is, how he discovers others who possess the same mysterious "wolf gift," and how he learns to live with what he has become --- is the main focus of the series. "The Wolves of Midwinter" is a big Christmas book --- a book about Christmas traditions, customs, and the old haunting rituals of Midwinter practiced in Europe and in America. It's about how the werewolves celebrate these rituals, as humans and as werewolves. But the book also carries forward the story of Reuben's interactions with his girl friend, Laura, and with his human family, with particular focus on Reuben's father, Phil, and his brother, Jim. As a big family novel with elements of the supernatural, "The Wolves of Midwinter" has much in common with Anne's earlier book, "The Witching Hour." Among the treats of "The Wolves of Midwinter" is a tragic ghost who appears in the great house at Nideck Point, and other "ageless ones" who add their mystery and history to the unfolding revelations that at times overwhelm Reuben.

In October of 2014, with the publication of "Prince Lestat," Anne will be returning to the fabled "Brat Prince" of the Vampire Chronicles, catching up with him in present time. This is the first of several books planned focusing on Lestat's new adventures with other members of the Vampire tribe. When the publication of "Prince Lestat" was announced on Christopher Rice's "The Dinner Party Show," a weekly internet radio broadcast, it made headlines in the US and around the world.

Anne's first novel, Interview with the Vampire, was published in 1976 and has gone on to become one of the best-selling novels of all time. She continued her saga of the Vampire Lestat in a series of books, collectively known as The Vampire Chronicles, which have had both great mainstream and cult followings.

Interview with the Vampire was made into a motion picture in 1994, directed by Neil Jordan, and starring Brad Pitt, Tom Cruise, Kirsten Dunst and Antonio Banderas. The film became an international success. Anne's novel, Feast of All Saints about the free people of color of ante-bellum New Orleans became a Showtime mini series in 2001 and is available now on dvd. The script for the mini series by John Wilder was a faithful adaptation of the novel.

Anne Rice is also the author of other novels, including The Witching Hour, Servant of the Bones, Merrick, Blackwood Farm, Blood Canticle, Violin, and Cry to Heaven. She lives in Palm Desert, California, but misses her home in New Orleans. She hopes to obtain a pied a terre in the French Quarter there some time in the near future.

Anne has this to say of her work: "I have always written about outsiders, about outcasts, about those whom others tend to shun or persecute. And it does seem that I write a lot about their interaction with others like them and their struggle to find some community of their own. The supernatural novel is my favorite way of talking about my reality. I see vampires and witches and ghosts as metaphors for the outsider in each of us, the predator in each of us...the lonely one who must grapple day in and day out with cosmic uncertainty."

Customer Reviews

Great story lines and characters.
Lae881
I am enjoying this series and look forward to reading the next book in the series.
Patricia Garrison
I can't wait to get started on the next book.
Shirley Teresa Wilson

Most Helpful Customer Reviews

24 of 26 people found the following review helpful By Valerhon on January 20, 2014
Format: Hardcover
With her "The Wolf Gift", Anne Rice introduced us to Reuben Golding, a journalist whose routine coverage of a grand historical house in Northern California (Nideck Point) leads him to a brief intense love affair with its elegant owner, Marchent Nideck. Reuben finds himself in the wrong place at the wrong time when Marchent is attacked in the middle of the night. Reuben is attacked as well, bitten by a Morphenkinder, a supernatural race of wolf shapeshifters.

This introductory novel follows the traumatic upheaval of Reuben's life as he tries to adapt to his new powers, identity and reality. Rice puts her usual spin on the werewolf legend by bridging monster and humanity, evolving Reuben into a vigilante superhero whose acute senses can literally detect evil and ignite a fierce desire to track down, kill, and devour that evil's source.

In the maelstrom of chaos that engulfs his life, and the secrets that permeate the mysterious mansion at Nideck Point, Reuben finds solace in confessions to his brother Jim, who is a Catholic priest. He finds his way out of the engagement to his passive-aggressive (and thoroughly unlikable) fiance, Celeste. He meets the enigmatic Distinguished Gentleman, a group of Morphenkinder entwined in the history of the house who become his mentors. And he falls in love with a naturalist named Laura who lives in a house in the woods. The strength of the novel, as in most of Rice's work, is an intimate view of a human being pulled out of the ordinary world into the supernatural one and watching that person adapt.

The novel's sequel, "The Wolves of Midwinter" picks up where its predecessor left off.
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47 of 55 people found the following review helpful By Brett Benner VINE VOICE on October 23, 2013
Format: Kindle Edition Verified Purchase
I'd probably land this book somewhere between three and four stars, because while I did ultimately enjoy it, it made me also lament a bit the Anne Rice of the past. I guess part of my problem is the Vampire Books, as well as the Witches and even 'Cry To Heaven" and 'A Feast of All Saints' were written with a timeless appeal. They were richly atmospheric, which she does in this as well, but without the modern constant references to iphones and the like. This, coupled with the, 'all is wonderful, money is no object, beauty is in everything conceit', made this feel like simply a supernatural Romance novel, a kind of Twilight for the over thirty crowd, and not a genre breaking piece of literature which is what I used to think she wrote.
Conflicts are set up in the story, but they're crisis of conscience like about how to help a wandering spirit, and not so much how to wrestle with the idea of killing people for all eternity like Louis in the Vampire Chronicles. Much of the first half of the book leads up to the Midwinter festival and the preparations for it are described in loving detail. Yet it's frankly the same type of event that happens almost weekly on,"The Vampire Diaries", and with little that actually happens of importance. Characters fight and then immediately make up and are absorbed into a growing collection of essentially interchangeable werewolves, leaving at this juncture no clear antagonist like a Lestat. At times it's almost like reading someones detailed diary entries with intricate minutiae about food, decorations and dress . I think there's much to admire in Rice. Her messages of acceptance of self, as well as treating each other with love and respect, and the need to eradicate evil are worthy things. I just wish it didn't feel as obvious now, and so beautifully wrapped in a Currier and Ives bow.
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51 of 62 people found the following review helpful By Joshua Converse on October 19, 2013
Format: Hardcover Verified Purchase
I won't spoil anything for you here. It's all unveiled masterfully in the novel's own good time.

The Wolves of Midwinter is as sumptuous, as chilling, as engaging, as tender, as terrifying a book as you could hope to find in a hundred years. I enjoyed The Wolf Gift and one should read it first. This isn’t always the case with Rice’s books, some of which can be read entirely out of order without a tremendous loss of orientation to the reader. I recommend you read The Wolf Gift, both because it establishes relationships and a context that becomes important in The Wolves of Midwinter, but more importantly because there were promises made, it seems to me, in the first book that were not only fulfilled in the second, but Rice’s delivery surpassed her first book’s promises.
The Morphenkinder continue to grow in complexity throughout the book, and while more is steadily revealed their mystery consistently deepens. Even familiar characters harbor secrets often surprising and unguessed-at but always somehow rewarding, while new characters surface with suspicious and perhaps malicious motives. Even the servants appointed to assist the “Distinguished Gentlemen” of Nideck Point are more than they appear, curious and strange, yet fascinating despite their seemingly innocuous role.
Careful readers will notice old themes returning, themes notably from The Vampire Lestat and Queen of the Damned (and many others)that ponder not only the nature of evil (and slaying the Evil Doer), but how should an immortal predator live ethically among (or away from) humanity? How close is too close? Is the Wolf Gift a curse to the innocent lives it touches?
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