The Women 2008 PG-13 CC

Amazon Instant Video

Available in HD
(261) IMDb 4.9/10
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Follow the gossip and wisecracks that erupt among a group of friends when their dearest and most envied learns of her husband's marital infidelity at the hands of a shopgirl.

Meg Ryan, Annette Bening
1 hour, 55 minutes

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Product Details

Genres Drama, Comedy
Director Diane English
Starring Meg Ryan, Annette Bening
Supporting actors Eva Mendes, Debra Messing, Jada Pinkett Smith, Bette Midler, Candice Bergen, Carrie Fisher, Cloris Leachman, Debi Mazar, India Ennenga, Jill Flint, Ana Gasteyer, Joanna Gleason, Tilly Scott Pedersen, Lynn Whitfield, Natasha Alam, Emily Seymour, Allison Seymour, Lauren Lefebvre
Studio New Line
MPAA rating PG-13 (Parental Guidance Suggested)
Captions and subtitles English Details
Rental rights 24 hour viewing period. Details
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Instant Video (streaming online video and digital download)

Customer Reviews

Meg Ryan is a great actress.
Betty T. Juan
This movie is worth watching only as a bad example of remakes - a film this awful does exert a kind of fascination: can it really be so bad?
Amazon Customer
A great movie with a great cast.
Mary Gouty

Most Helpful Customer Reviews

56 of 65 people found the following review helpful By Jim Andrews on June 11, 2009
Format: DVD Verified Purchase
The original version of this story remains a film classic, with memorable writing, direction and legendary performances by Norma Shearer, Roz Russell, Mary Boland, Joan Fontaine, Virginia Weidler (at one point Doris Day's sister-in-law), Paulette Goddard and most notably Joan Crawford. That version was witty, wise, bitchy, mean and sympathetic, fast-paced, fun and sophisticated. This version is appalling. This a story which relies on chemistry among the actors above all in this remake the chemistry is zero. Everyone seems to be reciting the script self-consciously, there is not a moment when there's any sense we are watching real life, everything seems calculated and over-rehearsed. It's like a bad community production. How all this happened given the talents of Diane English and everyone else involved is beyond me. Even foolproof Bette Midler and Candace Bergen seem to be repeating themselves with no spark. Only Cloris Leachman emerges unscathed. Actually, there seems to be no movie here, just a parade of scenes on movie sets. Thank God Hedda Hopper will never see it.
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19 of 22 people found the following review helpful By DonMac VINE VOICE on January 2, 2009
Format: DVD
Q: What happens when you take a classic film full of razor-sharp wit, humor, and melodrama and remake it it with none of those ingredients and a group of actresses so bad that your dvd player smells? A: this remake of the Women.

Half of them have so little screen time (I'm talking about you Jada and Eva)that they will live this stinker down better than others. It's primarily the Meg and Annette show.

Poor Meg seems to have done a bunch of really bizarre surgical things to her face and it is really distracting. She looks like Sally left Harry to go to a Halloween party. Annette, for some really bizarre reason that defies logic, seems to be channeling Kim Cattral throughout! That's like watching Sarah Bernhard pretend to be Karen Valentine!

Anyway, other the the title, a couple of stolen lines and character names, purists can rest easy. These two movies have so little in common it's amazing. This is more like The Powderpuff Girls save the world. YUCK!
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30 of 38 people found the following review helpful By Luan Gaines HALL OF FAMETOP 1000 REVIEWERVINE VOICE on July 26, 2009
Format: DVD
When Hollywood remakes a classic, it does so with a vengeance, in this case 1939s "The Women", a tale of New York socialite Mary Haines (Norma Shearer in 1939, Meg Ryan in 2008) whose husband is stolen by an opportunistic hussy. In the original, a careless gossip reveals a scandalous affair, a girl from the wrong side of the tracks poaching the man of a beloved, gentle woman and faithful wife. Like the current remake, no one suffers financial distress in either film. Where such movies served to distract a country burdened by the long years of the Depression, the 2008 version is nothing but a paean to Sex and the City and its ilk.

The crisp, acerbic dialog that fed the drama of a heartless housebreaker determined to secure her future in 1939 has been watered down to support vague cameo appearances, but the context is lost in a twisted mess of improbable solutions and sloppy writing. When Mary Haines gathers with ladies in similar situations getting "quickie" divorces in Reno 1939, the modern group goes to a health farm, where Ryan smokes a joint with Bette Midler and ruminates on where she's gone wrong. While the first film offered fresh faces destined for long term stardom, Eve Arden, Paulette Goddard, Rosalind Russell and Joan Crawford, the new one is a rogue's gallery of cosmetically altered actresses, some more gruesome than others.

Meg Ryan- sporting a mouth that is part Meg, part Calista Flockhart and part Michelle Pheiffer- sullies Shearer's former role with braggadocio about her performance in the bedroom (something about nails and boards) and a hapless Annette Benning apologizes for exposing her friend to the rabid tabloid gossip. Bette Midler makes a bold, if shocking cameo, as though she stumbled onto the wrong set.
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34 of 44 people found the following review helpful By Chris Pandolfi on September 13, 2008
"The Women" is the film "Sex and the City" wishes it was. There are some distinct similarities: both are about a group of female friends living in New York; both feature quirky main characters; both tackle relationship and fidelity issues; both look at life through a very witty filter (mostly to a fault). But "The Women" is the superior film, and that's only partly because of its much more tolerable sense of humor; the characters in this film are examined maturely, allowing us to see them as more than shallow, artificial caricatures. I actually felt something for these women. I cared about them and wondered what would happen to them. While not faithful to either George Cukor's 1939 film or the original play by Clare Boothe Luce, this new film is a delight from beginning to end, and it plays true to its title by not featuring a single male character.

The plot mainly focuses on fashion designer Mary Haines (Meg Ryan), who, in addition to being fired by her own father, discovers that her well-known husband, Stephen, is having an affair with Crystal Allen (Eva Mendes), a perfume saleswoman from Saks Fifth Avenue. Standing by Mary is her best friend, magazine editor Sylvia Fowler (Annette Benning), who had already heard about the affair through a gossipy manicurist (Debi Mazar). Sylvia, as it turns out, is having problems of her own; her magazine isn't selling as well as it used to, meaning she's inches away from being fired. Desperate to keep her career alive, she sells Mary's high-profile story to a tabloid writer (a cameo by Carrie Fisher), which, as you might expect, threatens to destroy their friendship. She's no longer sure she can trust anyone, and this includes her other two friends, writer Alex Fisher (Jada Pinkett Smith), and the ever-pregnant Edie Cohen (Debra Messing).
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