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Special Features
- Gorgeous new 16:9 transfer, created from hi-def elements
- Original theatrical trailer
- Video interview with film critic Jonathan Rosenbaum
- On-set photo gallery
- Production notes by director Jia Zhangke
- Character sketches and an essay on the real World Park
Editorial Reviews
Amazon.com
One of the year's most highly praised pictures, Jia Zhangke's ravishing epic opens in a rush of color and sound. Here's young China in action, optimistic and bursting with life. First there's yelling (for a badly-needed Band-Aid), then music--gurgling synths atop a pan-ethnic beat--as the sequin and feather-bedecked performers of the "Five Continents" company take the stage of the real-life World Park. As the ads say, "See the world without ever leaving Beijing," and 106 of the globe’s major sites are recreated in miniature, like a third-scale Eiffel Tower and mini-Lower Manhattan--complete with Twin Towers. Doll-faced Tao (Tao Zhao), ever-present cell phone in hand, is at the center of the maelstrom. Her boyfriend, Taisheng (Taisheng Chen), is a security guard with a sideline in fake IDs (and infidelity). When some Russian guest workers join the troupe, Tao's increasingly insular world briefly expands. She and Anna (Alla Shcherbakova) don't speak the same language, but do what they can to communicate. Tao envies her new friend’s "freedom"--she's never been beyond China's borders--unaware that Anna's nomadic existence is by necessity rather than choice. When she finds that Anna has become an escort, Tao's world snaps back to its previous dimensions, ultimately shrinking down to nothing. The World is unambiguously ambitious, with elaborate dance sequences, animated text messages, and tragic subplots. Unlike 2000's Platform, Zhangke's fourth feature isn't set in the past or the provinces, but he surpasses that success with his finest--and most cynical--film to date. --Kathleen C. Fennessy
Product Description
Acclaimed Chinese writer-director Jia Zhangke (PLATFORM, UNKNOWN PLEASURES) casts a compassionate eye on the daily loves, friendships and desperate dreams of the twenty-somethings from China’s remote provinces who come to live and work at Beijing’s World Park. A bizarre cross-cultural pollination of Las Vegas and Epcot Center, World Park features lavish shows presented amid scaled-down replicas of the Taj Mahal, the Eiffel Tower, St. Mark’s Square, the Pyramids and even the Twin Towers. From the sensational opening tracking shot of the young performer’s backstage quest for a Band-Aid to poetic flourishes of animation, clever use of text-messaging and a rapturous electronic score by frequent Hou Hsiao-Hsien musical collaborator Lim Giong (GOODBYE SOUTH GOODBYE, MILLENNIUM MAMBO), Jia pushes past the kitsch potential of this surreal setting—a real-life Beijing tourist destination. THE VILLAGE VOICE called Jia Zhangke "the world’s greatest filmmaker under forty," and THE WORLD is his funniest, most inventive and touching work to date.
Customer Reviews
Most Helpful Customer Reviews
16 of 18 people found the following review helpful
By Amor Fati
Format:DVD
I'm shocked by some of the reviews here, but not necessarily surprised - The average filmgoer/dvdwatcher has the attention span of a small child on crack & the intellectual curiosity of those small dustbunnies that collect under old furniture. Still, I expect more from you people.
I thoroughly enjoyed this film - & yes, I wasn't actually expecting to. In fact I bought it more than a month ago & kept making up excuses not to watch it. Imagine my surprise when I found myself intrigued by some of the relationships in the film. Tao's boyfriend who mysteriously returns at the beginning of the film then disappears for the duration. Or her strange relationship with the Russian woman Anna. Even more interesting was the relationship between Niu & Xiaowei - why did they end up getting married considering Niu's jealous behavior (he set himself on fire for godssake)? Who knows, but these details make for a supremely fascinating character study IMHO. Like real life, this film demonstrates that our relationships can be extremely complex & often unpredictable. We make friends with the most unlikely people in the bizarrest of situations - maybe we're lonely or just sense something of ourselves in them. We get involved with people we know will hurt us (over & over again). We often feel like we can't fully understand the person we're with & their motives...
Of course, The World's relationship angle is also used in a much broader sense: the employees of Beijing's amusement park & their relationship with China & in turn, China's relationship to the rest of the world. It seems to me that as China becomes more capitalistic this movie will gain in popularity with people who wish to understand these people better. Like most of us, they don't quite know where they fit in the world & although they work in a park that offers a scaled-down glimpse of the world outside Beijing, most of them will never get to see that world first hand.
I thoroughly enjoyed this film - & yes, I wasn't actually expecting to. In fact I bought it more than a month ago & kept making up excuses not to watch it. Imagine my surprise when I found myself intrigued by some of the relationships in the film. Tao's boyfriend who mysteriously returns at the beginning of the film then disappears for the duration. Or her strange relationship with the Russian woman Anna. Even more interesting was the relationship between Niu & Xiaowei - why did they end up getting married considering Niu's jealous behavior (he set himself on fire for godssake)? Who knows, but these details make for a supremely fascinating character study IMHO. Like real life, this film demonstrates that our relationships can be extremely complex & often unpredictable. We make friends with the most unlikely people in the bizarrest of situations - maybe we're lonely or just sense something of ourselves in them. We get involved with people we know will hurt us (over & over again). We often feel like we can't fully understand the person we're with & their motives...
Of course, The World's relationship angle is also used in a much broader sense: the employees of Beijing's amusement park & their relationship with China & in turn, China's relationship to the rest of the world. It seems to me that as China becomes more capitalistic this movie will gain in popularity with people who wish to understand these people better. Like most of us, they don't quite know where they fit in the world & although they work in a park that offers a scaled-down glimpse of the world outside Beijing, most of them will never get to see that world first hand.
25 of 31 people found the following review helpful
By selffate
Format:DVD
giving this 2 STARS on AVERAGE????? Perhaps you should spend more time at 25 theater GOO-GOO PLEX watchin a Michael Bay Marathon or something. GET YOUR MIND OUT OF THE GUTTER!!! GO SEE SOME REAL CINEMA!!!! THINK FOR A CHANGE!!!
For those who felt this deserved 2 stars or less I recommend the following: Cache, Raise The Red Lantern, Yi yi, anything by Kurosawa. oh sorry.. these aren't playing along with all the Adam Sandler films you wanted to see next to the Cold Stone Creamery and the ruby Tuesday you wanted to visit afterward???
WELL TOUGH!!!! you need a friggin education..
review below.. read it ... you might learn something.
How can you truly show disconnection. I think I have truly seen a master in action with Shijie, a film that takes place in a world theme park (this place does really exist) in China.
Zhang Ke Jia is a masterful director. His use of colour and character direction is unreal. One of the things he uses to great effect are arches and hallways. Characters appear in them, or look out of them in what is some of the most visual photography I have ever witnessed. There is also a great conversation scene between two characters who don't share the same language, and the use of reflected light that is truly remarkable, make sure to watch for this scene. But it doesn't end there.
Zhang also does something so miraculous that I thought would be impossible. He borrows heavily from Ozu, particularly a scene that is reminiscent of Tokyo Story and makes something that is uniquely his own.
The basic synopsis of "The World", is of the lives of the workers in the theme park. Some romances develop, a foreign Russian worker Anna is introduced to the group even though she and another Chinese girl Tao don't share the same language. Everyday trials and tribulations happen for these young adults who are trying to work in the 'New China'.
Somehow though with all the issues involved, rural people coming into the cities, technological communication, the erosion of China's agrarian past, the fakeness of place, the exploitation of workers and lead up to prostitution, the camaraderie of friends, the cheapness of life.. somehow all of these themes are jumbled into a glorious presentation that you can't take your eyes off of.
The film is beyond surreal, its real setting makes it all more spectacular and that more effective. I had a hard time separating the actors from the characters, at times I thought I was watching a documentary and I prayed or hoped for someone to do well and be happy and find themselves thinking that these were real people in harsh sometimes difficult situations. "The World" has this effect on you, you can't begin to believe the beauty and harshness it shows, and it tricks you in the most crafty way.
The World is a truly fantastic small place in more ways than one...
For those who felt this deserved 2 stars or less I recommend the following: Cache, Raise The Red Lantern, Yi yi, anything by Kurosawa. oh sorry.. these aren't playing along with all the Adam Sandler films you wanted to see next to the Cold Stone Creamery and the ruby Tuesday you wanted to visit afterward???
WELL TOUGH!!!! you need a friggin education..
review below.. read it ... you might learn something.
How can you truly show disconnection. I think I have truly seen a master in action with Shijie, a film that takes place in a world theme park (this place does really exist) in China.
Zhang Ke Jia is a masterful director. His use of colour and character direction is unreal. One of the things he uses to great effect are arches and hallways. Characters appear in them, or look out of them in what is some of the most visual photography I have ever witnessed. There is also a great conversation scene between two characters who don't share the same language, and the use of reflected light that is truly remarkable, make sure to watch for this scene. But it doesn't end there.
Zhang also does something so miraculous that I thought would be impossible. He borrows heavily from Ozu, particularly a scene that is reminiscent of Tokyo Story and makes something that is uniquely his own.
The basic synopsis of "The World", is of the lives of the workers in the theme park. Some romances develop, a foreign Russian worker Anna is introduced to the group even though she and another Chinese girl Tao don't share the same language. Everyday trials and tribulations happen for these young adults who are trying to work in the 'New China'.
Somehow though with all the issues involved, rural people coming into the cities, technological communication, the erosion of China's agrarian past, the fakeness of place, the exploitation of workers and lead up to prostitution, the camaraderie of friends, the cheapness of life.. somehow all of these themes are jumbled into a glorious presentation that you can't take your eyes off of.
The film is beyond surreal, its real setting makes it all more spectacular and that more effective. I had a hard time separating the actors from the characters, at times I thought I was watching a documentary and I prayed or hoped for someone to do well and be happy and find themselves thinking that these were real people in harsh sometimes difficult situations. "The World" has this effect on you, you can't begin to believe the beauty and harshness it shows, and it tricks you in the most crafty way.
The World is a truly fantastic small place in more ways than one...
8 of 9 people found the following review helpful
By LGwriter
Format:DVD
The World is aptly named; it's set in Beijing's World Park--a real theme park in China's capital, complete with miniature versions of landmark buildings and monuments from all over the world including, in this film, the often-mentioned Eiffel Tower, as well as the pyramids of Egypt, the Leaning Tower of Pisa, Moscow's Red Square, the Taj Mahal, and so on.
The director, Zhang Ke Jia, focuses on a number of younger people (in their 20s) who work at World Park, interleaving their lives with each other to ultimately present a vision of 21st century urban China. This has a markedly different feel and tone from his earlier Unknown Pleasures, set in a rural provincial area, and from my point of view, is all the better for that change of setting.
The underlying thematic feel of the film is the inevitability of ephemeral relationships given not so much the availability of current technologies like the cell phone, but more so the reliance on them and, maybe most importantly, the enormous degree to which people's psychologies have been changed by these technologies. In fact, this short-lived nature of relationships, indicates Zhang, is inextricably enmeshed in the existence of World Park itself. People want to see and hear the world, all of the world, as quickly as possible, and World Park gives them that opportunity, even if in a fake kind of way--just like cell phones give people the opportunity to connect to anyone anywhere at any time, just as the Internet itself does.
But it's this instant "connectability" that also fosters relationships that cannot last. Tao, the female lead and a dancer at the World Park, has a strong emotional connection with her boyfriend Taisheng, a security guard in the same place. But he cannot commit; he cheats on her; she finds out. Meanwhile, another relationship is characterized by a boyfriend who always wants to know where his girlfriend has been, always asking her the same question--as if desperately trying to reverse this instant "everywhere at once" psychology that current technologies--and World Park itself--perpetuates.
This is a truly intriguing film, because it probes more deeply than a lot of other films have managed to do the nature of how globalization has effected a paradigm shift in how we think about our relationships with others, how we see ourselves--or maybe don't see ourselves too well at all--in the context of the world, and how we cope with those around us who have, just like us, changed--likely in the same way we have.
Highly recommended. A real find and worthy of the high praise it's received from a number of critics.
The director, Zhang Ke Jia, focuses on a number of younger people (in their 20s) who work at World Park, interleaving their lives with each other to ultimately present a vision of 21st century urban China. This has a markedly different feel and tone from his earlier Unknown Pleasures, set in a rural provincial area, and from my point of view, is all the better for that change of setting.
The underlying thematic feel of the film is the inevitability of ephemeral relationships given not so much the availability of current technologies like the cell phone, but more so the reliance on them and, maybe most importantly, the enormous degree to which people's psychologies have been changed by these technologies. In fact, this short-lived nature of relationships, indicates Zhang, is inextricably enmeshed in the existence of World Park itself. People want to see and hear the world, all of the world, as quickly as possible, and World Park gives them that opportunity, even if in a fake kind of way--just like cell phones give people the opportunity to connect to anyone anywhere at any time, just as the Internet itself does.
But it's this instant "connectability" that also fosters relationships that cannot last. Tao, the female lead and a dancer at the World Park, has a strong emotional connection with her boyfriend Taisheng, a security guard in the same place. But he cannot commit; he cheats on her; she finds out. Meanwhile, another relationship is characterized by a boyfriend who always wants to know where his girlfriend has been, always asking her the same question--as if desperately trying to reverse this instant "everywhere at once" psychology that current technologies--and World Park itself--perpetuates.
This is a truly intriguing film, because it probes more deeply than a lot of other films have managed to do the nature of how globalization has effected a paradigm shift in how we think about our relationships with others, how we see ourselves--or maybe don't see ourselves too well at all--in the context of the world, and how we cope with those around us who have, just like us, changed--likely in the same way we have.
Highly recommended. A real find and worthy of the high praise it's received from a number of critics.
Most Recent Customer Reviews
4.0 out of 5 stars
Excellent
This is a great movie and one of this director's best. A real microcosm, this movie is about China, the world, the experiences of migrants, and life. Read more
Published 4 months ago by TJOBUONO
4.0 out of 5 stars
Two errors made by two reviewers
The DVD lists 143 minutes, so this is the longer international version. The WOrld Park is set outside Beijing, not Hong Kong, as one reviewer wrongly maintains. Read more
Published 7 months ago by Orson Welles
5.0 out of 5 stars
Wonderful film
A look at the transformation of China to a capitalist system and its effects on the inhabitants of a theme park. I've seen this 3 or 4 times now, and never tire of it.
Published 17 months ago by Chocolatier
3.0 out of 5 stars
China in the World
It is a movie about modern China where mosaic of characters' interactions has been assembled on a landscape of The World Park presenting iconic landscapes from around a globe.
Published 18 months ago by Michael Kerjman
4.0 out of 5 stars
Correct location of the film is Shenzhen, not Beijing.
This review is a correction that may help search engines.
The location of the movie is "Window of the World" park, in Shenzhen. Shenzhen is next to Hong Kong. Read more
The location of the movie is "Window of the World" park, in Shenzhen. Shenzhen is next to Hong Kong. Read more
Published on June 16, 2009 by D. Gworek
2.0 out of 5 stars
A great location in search of a movie
Zhang Ke Jia's The World is a great location in search of a movie. Set in a Chinese theme park recreating the major cities of Europe dominated by a one-third scale replica of the... Read more
Published on August 24, 2008 by Trevor Willsmer
3.0 out of 5 stars
Colorful, but sad
This film starts out with a great deal of gusto - unfortunately, too many underdeveloped characters are introduced into the story which makes it progressively slower and less... Read more
Published on July 7, 2008 by Kelley Hunt
3.0 out of 5 stars
Ponderous
This movie is set in a theme park in China, where some of the more famous monuments of the world (the Eiffel tower, the Statue of Liberty) are reproduced in a much reduced scale. Read more
Published on January 25, 2007 by Andres C. Salama
2.0 out of 5 stars
visually stunning but dramatically inert
**1/2
The Chinese film "The World" is set in an amusement park that offers its patrons the opportunity to "experience the whole world without ever leaving Beijing. Read more
The Chinese film "The World" is set in an amusement park that offers its patrons the opportunity to "experience the whole world without ever leaving Beijing. Read more
Published on January 2, 2007 by Roland E. Zwick
4.0 out of 5 stars
The New Capitalism
Chinese from the provinces live in the new capitalist world of Beijing. It is not so much represented by economic growth as by symbolic and material change, specially the use of... Read more
Published on July 24, 2006 by Pablo Martin Podhorzer
