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The World Without You: A Novel Hardcover – Deckle Edge, June 19, 2012
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Featured Guest Review: Hannah Tinti
Joshua Henkin is an expert at capturing the complicated dynamics and intricate nuances of family relationships, examining the bonds that bind and fray between husbands and wives, sisters and brothers, as well as parents and children—first in his novels Swimming Across the Hudson and Matrimony, and now with The World Without You.
Set in 2005, over the Fourth of July holiday, The World Without You follows the Frankel family as they gather at their summer home in the Berkshires to memorialize Leo, their youngest son, who was killed while working as a journalist in Iraq (in a situation reminiscent of Daniel Pearl’s 2002 murder in Pakistan). One year after Leo’s death, his wife is taking the first steps towards a new relationship, his parents Marilyn and David are on the brink of divorce, and his sisters are struggling too: Clarissa with infertility, Noelle (a born-again Orthodox Jew) with her identity, and Lily with the anger she is carrying over the loss of her brother. As the Frankel family takes their first, tentative steps out of mourning, each tries to find a new place in a world, while understanding that Leo’s death has changed them, and their family, forever.
The World Without You asks important questions: how do we move on after losing someone we love? And how do we love again? Joshua Henkin, that giving-tree of a writer, skillfully leads us through the ups and downs of his characters’ emotional worlds, understanding that moments of kindness can refill us with hope, and that family is a bond that can weather any storm.
“Henkin is the master of the post-modern domestic novel. . . . [The World Without You] is a novel of brilliant insinuation, portraying the complex interiors of its characters and the worlds they inhabit. . . . [Henkin] has reinvented the domestic novel and in the process crated a work that gives coherent voice to the cacophony in the hearts and minds of a family torn by grief and divided over their Judaism.”
—The Jerusalem Report
“Insightful. . . . Poignant. . . . [Henkin]move[s] elegantly from one perspective to another. . . . Although the cast is large, you get to know them deeply, like real people. . . . Henkin brings them to a moving resolution that feels authentically possible. . . . The World Without You shows how loss forces people to reconceive of themselves, a painful but necessary transformation.”
—The New York Times Book Review
“Pleasingly old-fashioned. . . . Henkin never lets [his] story turn into a debate about the war in Iraq or the merits of Orthodox Judaism. What interests him is the texture of everyday existence and the constantly shifting human relationships embedded in it: the slip of the tongue over a child’s name that stakes a grandmother’s claim, the collective solving of a crossword puzzle that infuriates a slower-witted in-law, a brutally competitive tennis match that unexpectedly reconfigures the family dynamic. Those who have resorted to such passive-aggressive tactics with their own relatives will laugh and wince in recognition at Henkin’s perfectly calibrated measurements of intramural jockeying. . . . [A] warm-hearted novel.”
—The Washington Post
“[I]t's damn difficult to make the basic unhappy-family novel distinctly one's own. Henkin does so with a one-two combination of strengths: psychological empathy for his realistic characters, and an expository modesty that draws attention away from the skilled writing itself . . . in order to focus, with great care, on the subtleties and complications of familial love. . . . Tenderness spills from these pages.”
—Lisa Schwarzbaum, Entertainment Weekly
“Heart-searing, eye-tearing, and soul-touching”
—Nina Sankovitch, The Huffington Post
“Blazingly alive. . . . [Henkin] grounds his novel in both time and place, creating a living, breathing world. . . . Gorgeously written, and as beautifully detailed as a tapestry, Henkin delicately probes what these family members really mean to one another. . . . [C]ompassionate, intelligent, and shining”
—Caroline Leavitt, The Boston Globe
“A more bittersweet version of Jonathan Tropper’s This is Where I Leave You or a less chilly variation on Jonathan Franzen’s The Corrections, Henkin . . . tenderly explores family dynamics in this novel about the ties that bind, and even lacerate.”
—Publishers Weekly (starred review)
“[A] densely detailed and touching portrait”
“The World Without You gives us a welcome portrait of the repercussions of faraway wars on people who usually consider themselves to be spectators. . . . [P]owerful and unexpected . . . compassionate and beguiling.”
—Jane Ciabattari, NPR Books
“Point this one out to contemporary fiction fans of Jonathan Franzen's The Corrections, or the works of Rick Moody, Richard Russo, Philip Roth, and John Updike.”
“Could be the plot of a Chekhov play or a Woody Allen movie. . . . [The book explores] with subtlety and feeling the meaning of family, both those we are born with and those we choose, those we leave behind and those with whom we soldier on.”
—Marion Winik, Newsday
“Pleasingly old-fashioned. . . . [A] warm-hearted novel.”
—Wendy Smith, The Washington Post
“[A] moving novel.”
—Elissa Schappell, Vanity Fair
“[D]eeply felt . . . striking . . . vivid. . . . [T]he novel is permeated with small moments of restored intimacy. There’s a lot of tender feeling here for the American family, on the ropes for sure, but well worth fighting for, Henkin’s heartfelt novel insists.”
—Andrew Furman, The Miami Herald
“The members of the Frankel family seem unhappy enough, in their own individual ways, but it also seems as if happiness has never really been an option for them, as if it were an item that had somehow been left off the menu of life. . . . [The] little details, in fact, the bits and pieces of choice and circumstance, fortune and misfortune, that make up the mosaic of each individual's life, is what this subtle and ingenious novel is about. . . . [A] novel for mature readers — those who like fiction providing insight into how people actually live.”
—Frank Wilson, The Philadelphia Inquirer
“[I]ntimate and insightful. . . . In The World Without You, Henkin . . . reminds us that families are icebergs, with nine-tenths of their emotions just below the surface, capable of wreaking havoc when struck.”
—Glenn C. Altschuler, San Francisco Chronicle
“Henkin juggles [his] large cast of characters with ease, telling a poignant story while maintaining each unique identity. This is no small trick, as the characters are neither perfect nor perfectly unlikeable. They are, in the end, a family. They do what families do, which is a complex dance of happy and sad, of distance and intimacy.”
—Robin Vidimos, The Denver Post
“[A] poignant and moving novel. . . . Henkin is a polished writer with an eye for detail . . . but where he really shines is in how he tenderly reveals each character’s complex personality, layer by layer. . . . [A] moving story and a good read, and, from start to finish, deeply honest.”
—Abigail Pickus, The Times of Israel
“Henkin is a master at letting his characters emerge in subtle but captivating ways. . . . [A] deeply woven and affecting novel about grief.”
—Wingate Packard, The Seattle Times
“In 2005, if a novelist had published a book that hinged on the murder of a Jewish American journalist by Islamic terrorists in Iraq, it would have been read as a political novel, a war novel, a post-9/11 novel—and, of course, a roman a clef about Daniel Pearl, who died in 2002 in Pakistan. Seven years later, Joshua Henkin has published just such a book in The World Without You, which is set in 2005 on the anniversary of the murder of Leo Frankel, whose story closely mirrors Pearl’s. . . . Yet the passage of time has made it possible for Henkin to turn this headline-news premise into a book that is quiet, inward-turning, and largely apolitical. . . . Henkin is a novelist of distinguished gifts.”
—Adam Kirsch, Tablet
“Henkin inhabits each character with ease and vibrancy.”
—New York Daily News
“Henkin's prose is as smooth and clear as a morning lake. You want to dip back in for the specificity of detail and feelings evoked. . . . The World Without Youis a study of close relationships, typified by warmth and wit. The characters are sympathetic and flawed, drawn with compassionate strokes. . . . [T]he narrative builds tiers of tension that break unexpectedly into dramatic action, like blocks in a Jenga tower.”
—Jackie Reitzes, Minneapolis Star Tribune
“Henkin has achieved something uncommon with The World Without You: a 21st-century novel that deals with contemporary politics in a sensitive and dignified way without being cynical, bombastic or melodramatic. . . . Its backdrop is current, but its focus − the bonds and rifts that make family life meaningful − is timeless.”
—Shana Rosenblatt Mauer, English-Language Haaretz
“Compelling and insightful”
“Few American novelists, living or dead, have ever been as good as Henkin at drawing people.”
“The World Without You, Joshua Henkin’s new book, is that rare breed: the twenty-first century domestic novel. . . . Powerful.”
“An immeasurably moving masterpiece”
—Heidi Julavits, author of The Vanishers
“I can't imagine a world without Joshua Henkin.”
—Gary Shteyngart, author of Super Sad True Love Story
“This book is a triumph and an important novel about America.”
—Yiyun Li, author of Gold Boy, Emerald Girl
“Henkin is a writer of voluminous heart, humanity, and talent.”
—Julia Glass, author of The Widower's Tale
“Marvelous on the solitudes that exist even within the strongest and most compassionate of families.”
—Jim Shepard, author of You Think That's Bad
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Top Customer Reviews
The Frankel family, including the parents, David and Marilyn and their three daughters Clarissa, Lily, and Noelle, will be memorializing the death of their beloved son and brother, Leo, one year after his tragic demise. They each descend upon the site of so many previous family gatherings, knowing full well that the memories from the past will accompany them as they take this journey without their fallen son and brother.
As the family gathers, bringing them all from their respective homes and lives, the reader learns a bit about each of them and what issues and struggles define them; we also discover how the loss of Leo redefines who they are in relation to one another and how their lives now look in his absence. Clarissa and her husband are struggling with fertility issues; Lily has asked her partner not to come, so she can vent her anger and just be who she is; and Noelle, who has been living in Israel with her husband and four children and practicing Orthodox Judaism, has some uncertainties of her own.
Also joining them is Thisbet, Leo's widow, and their son Calder. Always feeling a bit like an outsider, Thisbet's journey from California brings with it a residue of these emotions, along with a secret she plans to share.
What will happen to each of them now that they have to go on without Leo? Will the siblings somehow reunite and grow close again, forgetting about the things that have divided them over the years? Or will they forever be changed, and not for the better?
A journalist, Leo's capture and killing in Iraq has also brought up strong feelings about the political aspects of the war for several family members.Read more ›
The story revolves around three sisters,all with differing personalities that one wonders if they really are related--one is trying to conceive, another has become an Orthodox Jew living in Israel with four young sons and a somewhat abusive husband, and another seems to have a happy relationship. Add to this, their parents who are planning a divorce after years of marriage,a dead son whose memorial service all are attending a year after his death, his "grieving" widow and their young child and you have the makings of a fine story. But, the author, instead of allowing the reader to "feel" the emotions of the various characters, "tells" in minute detail what they are feeling. This led to my thinking "is the end soon?" Sorry, but I can't recommend this book.
You've seen this family before in domestic dramas: the 21st century elite, pedigreed, liberal, secular family with a few black sheep conservatives. Just about all the Ivy League or first tier colleges are represented, and those who didn't obtain their PhDs or MDs are smarter than the ones who did.
One of the three beautiful daughters, Noelle, seems overtly fabricated. Henkin is trying to convince the reader that Noelle was once a sex-obsessed alley cat who moved to Israel and, par to the characteristic flip side of the personal coin, became an Orthodox Jew, with the support of her American husband, also turned Orthodox Jewish. A portrayal of two extremes in one person is not an unusual profile, and in fact is a prevalent human composition.
However, I was not convinced that first-incarnation Noelle was anything but a free spirit--refreshing and curious, independent and phase-healthy. Her morphing into a compulsive Orthodox, adhering so rigidly that they even bring their own Kosher food from Israel to this weekend, rejecting the Kosher food offered by her parents, was patently unbelievable.Read more ›
Most Recent Customer Reviews
Started out liking the family, but as the book wore on, lost interest quickly. Book seemed to be written in real time, and it. Became tedious and boring. Read morePublished 11 months ago by Frannie Kessler
This was hundreds of pages about roughly a week long time span in a family's life. The author describes every single setting- what the characters are wearing, what background... Read morePublished 13 months ago by Jennifer
Boring story...kept waiting for something to happen...or for some solid lesson to be learned that never presented itself...but the author described setting and characters well.Published 15 months ago by Oscar50
This was a wonderful exploration of the impact the death of one member has on the dynamics of a family. Read morePublished 17 months ago by bookbroad