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The Writing Life Paperback – November 12, 2013


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Product Details

  • Paperback: 111 pages
  • Publisher: Harper Perennial (November 12, 2013)
  • Language: English
  • ISBN-10: 0060919884
  • ISBN-13: 978-0060919887
  • Product Dimensions: 8 x 5.3 x 0.3 inches
  • Shipping Weight: 4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (102 customer reviews)
  • Amazon Best Sellers Rank: #10,074 in Books (See Top 100 in Books)

Editorial Reviews

Amazon.com Review

Annie Dillard has spent a lot of time in remote, bare-bones shelters doing something she claims to hate: writing. Slender though it is, The Writing Life richly conveys the torturous, tortuous, and in rare moments, transcendent existence of the writer. Even for Dillard, whose prose is so mellifluous as to seem effortless, the act of writing can seem a Sisyphean task: "When you write," she says, "you lay out a line of words.... Soon you find yourself deep in new territory. Is it a dead end, or have you located the real subject? You will know tomorrow or this time next year." Amid moving accounts of her own writing (and life) experiences, Dillard also manages to impart wisdom to other writers, wisdom having to do with passion and commitment and taking the work seriously. "One of the few things I know about writing is this: spend it all, shoot it, play it, lose it, all, right away, every time. Do not hoard what seems good for a later place.... Something more will arise for later, something better." And, if that is not enough, "Assume you write for an audience consisting solely of terminal patients," she says. "That is, after all, the case.... What could you say to a dying person that would not enrage by its triviality?"

This all makes The Writing Life seem a dense, tough read, but that is not the case at all. Dillard is, after all, human, just like the rest of us. During one particularly frantic moment, four cups of coffee and not much writing down, Dillard comes to a realization: "Many fine people were out there living, people whose consciences permitted them to sleep at night despite their not having written a decent sentence that day, or ever." --Jane Steinberg

From Publishers Weekly

"In this collection of short essays, the author of Pilgrim at Tinker Creek and An American Childhood probes the sorcery that levitates her own writing, discussing with clear eye and wry wit how, where and why she writes," said PW .
Copyright 1990 Reed Business Information, Inc.

More About the Author

Annie Dillard is the author of ten books, including the Pulitzer Prize-winner Pilgrim at Tinker Creek, as well as An American Childhood, The Living, and Mornings Like This. She is a member of the Academy of Arts and Letters and has received fellowship grants from the John Simon Guggenheim Foundation and the National Endowment for the Arts. Born in 1945 in Pittsburgh, Dillard attended Hollins College in Virginia. After living for five years in the Pacific Northwest, she returned to the East Coast, where she lives with her family.

Customer Reviews

I don't like all of Annie Dillards stuff, but I do love this book.
Denise Wells
It is exactly what it says it is - a book about the writing life, what living is like for a writer.
Night Owl Scholar
I have read this book at least three times now -- and will read it again yet.
Maureen Earl

Most Helpful Customer Reviews

130 of 133 people found the following review helpful By Todd C. Truffin on August 22, 2000
Format: Paperback
All of the negative reviews of this book I've seen so far mention that it's not a "how-to" book. Very good! You got the point. Dillard writes about writing, what it means to write, what happens when you write. Sure, there are insights into writing that others may use just as a book about someone's life might produce some insights into living. However, this book never claims and never is a "how-to" book. There are enough cheezy "here are the secrets to writing" out there; Dillard knew better than to add to the drivel. Instead she gives us a brilliant look at the life that one writer leads.
Don't judge this book for being something that it isn't. That would be like saying an orange didn't perform so well at being pasta.
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59 of 63 people found the following review helpful By Peggy Vincent on April 2, 2003
Format: Paperback Verified Purchase
If someone of Annie Dillard's stature can write like this while claiming to abhor the whole process, then there's hope for all of us writers. Writing is a lonely process, as I quickly learned when I began writing my memoir, Baby Catcher (Scribner 2002). It helped considerably to know that the agonizing moments I experienced while trying to craft just the right phrase, the perfect sentence, the hang-together paragraph were shared by Ms. Dillard and, by extension I suspect, most other serious writers as well.
As we authors and as-yet unpublished writers sit alone and get RST of wrists and fingers and forearms from incessant pounding of the keyboard, staring out the window at a telephone wire or a bare tree or a garage wall, it's immeasurably helpful to know that Annie Dillard is sitting in a remote cabin somewhere, doing the same thing. It makes it possible to go on and get down to the business of writing for yet another day.
Now: if only I could write as beautifully and with such seeming lack of effort as she does...
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22 of 22 people found the following review helpful By Grace Everett on December 21, 2004
Format: Paperback
I loved this book. I read it slowly, savoring it like dense, good chocolate.

Carolyn M. Jupp, fellow reviewer, wrote that she felt disappointed in the lack of practical writing advice. Certainly, this is not a book filled with writing excercises, stylistic suggestions, or even much in the way of encouragement. Rather, it's a peek into the mind of a profoundly talented artist and I found it infinitely more helpful than the dozens of practical writing guides I've read in the past year.

Dillard's book is filled with gorgeous metaphors, and if you look closely enough, and then maybe look up to see a cloud passing by, you will learn from them. I promise.
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37 of 40 people found the following review helpful By Joanne Jerrell on May 21, 2001
Format: Paperback Verified Purchase
Most writers avoid writing because they are afraid. My writing career came to an abrupt pause in high school when a English teacher read my anon piece and proclaimed it poetry without an explanation. What did that mean? Annie Dillard's Writing Life speaks to the poet in me. It speaks to the writer's avoidance I see in myself and fellow writers. It talks of other writer's who have also had such difficulties. It talks about writer's writing spaces. It told me how writers that I admired were able to hold down normal jobs and still be prolific writers. I consume books about writing, this is the only book, small and sweet which spoke to my heart. I bought it because it was a book about writing, but found that it was a book about life.
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24 of 26 people found the following review helpful By David Stith on December 11, 2003
Format: Paperback
Do not read this book if you expect that your motor will be awakened for the first time; look elsewhere if you've not been an exhausted writer, humiliated in your attempts to lay down a long line of text. She didn't write this book for you. This book was written for they who have entered that room and turned their backs on it. To all others, she urges you to go and learn a useful trade. Sorry.
The Writing Life is comfort for the writer: that "It takes years to write a book--between two and ten years. Less is so rare as to be statistically insignificant". In this book, Annie lays out the long labor of writing good work. It's not a text book, it's not 'writing for dummies'. It is beautifully stark and powerful writing, laced with the same brilliance that fills her novels. She doesn't aim to teach you how to crank out 5 pages a day, 25 a week, three books a year, a career of comfort and success--she stares the word white in the face, says it's useless to tame it, it's useless to expect--and still the words come. She says slow at first, and slow in the middle and end. Always slow, one sentence at a time. She says: "Get to work. Your work is to keep cranking the flywheel that turns the gears that spin the belt in the engine of belief that keeps you and your desk in midair".
Tired writers, find some rest here and then move on: inward and upward. This book is so full of joys and wisdom, I read it through once, and opened it again. I'm now on my second read in a week and finding the desire to write ever stronger in my hands and my gut.
It's great. Go read.
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14 of 14 people found the following review helpful By Athena Lam on February 2, 2004
Format: Paperback
This book was not meant to inspire writers who are aiming for three books a year, and a story a day. It is not a how-to book.
It is an autobiography. More, I think it is a message from one writer to another. It's like a "hey, we all go through this."
The book itself is well written. The grammatical errors irritated me at times, but it was written in a casual tone. The practical tone it was written is nice. It's more factual than "you must do this and this and this". I enjoyed the narratives: they have opinions, and hinted ideas and suggestions, but often times you as the reader get to decide.
What i found most enjoyable about this book is actually the ironic humour. It is not "hahaha" humour. It is simply interesting reading about a fellow writer's frustrations. Indeed, Dillard's self-contempt at times can be hillarious.
I would believe that this book is meant more for those who write or have written. It's something for writers to connect with each other. It's like a mountain biker talking to another mountain biker. A baseball player would not be able to fully appreciate the difficulties and the experiences.
This is a great book though. But it's got a certain audience.
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