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The times and species have been changing at a rapid rate, and the social compact is wearing as thin as environmental stability. Adam One, the kindly leader of the God's Gardeners--a religion devoted to the melding of science and religion, as well as the preservation of all plant and animal life--has long predicted a natural disaster that will alter Earth as we know it. Now it has occurred, obliterating most human life. Two women have survived: Ren, a young trapeze dancer locked inside the high-end sex club Scales and Tails, and Toby, a God's Gardener barricaded inside a luxurious spa where many of the treatments are edible.
Have others survived? Ren's bioartist friend Amanda? Zeb, her eco-fighter stepfather? Her onetime lover, Jimmy? Or the murderous Painballers, survivors of the mutual-elimination Painball prison? Not to mention the shadowy, corrupt policing force of the ruling powers...
Meanwhile, gene-spliced life forms are proliferating: the lion/lamb blends, the Mo'hair sheep with human hair, the pigs with human brain tissue. As Adam One and his intrepid hemp-clad band make their way through this strange new world, Ren and Toby will have to decide on their next move. They can't stay locked away...
By turns dark, tender, violent, thoughtful, and uneasily hilarious, The Year of the Flood is Atwood at her most brilliant and inventive.
When Oryx and Crake came out, it seemed to many like science fiction--way out there, too weird to be possible--but in the three years that passed before I began writing The Year of the Flood, the perceived gap between that supposedly unreal future and the harsh one we might very well live through was narrowing fast. What is happening to our world? What can we do to reverse the damage? How long have we got? And, most importantly--what kind of "we"? In other words, what kind of people might undertake the challenge? Dedicated ones--they’d have to be. And unless you believe our planet is worth saving, why bother?
So the question of inspirational belief entered the picture, and once you have a set of beliefs--as distinct from a body of measurable knowledge--you have a religion. The God’s Gardeners appear briefly in Oryx and Crake, but in The Year of the Flood, they’re central. Like all religions, the Gardeners have their own leader, Adam One. They also have their own honoured saints and martyrs, their special days, their theology. They may look strange and obsessive and even foolish to non-members, but they’re serious about what they profess; as are their predecessors, who are with us today. I’ve found out a great deal about rooftop gardens and urban beekeeping while writing this book!
Another question frequently asked about Oryx and Crake concerned gender. Why was the story told by a man? How would it have been different if the narrator had been a woman? Such questions led me to Ren and Toby, and then to their respective lives, and also to their places of refuge. A high-end sex club and a luxury spa would in fact be quite good locations in which to wait out a pandemic plague: at least you’d have bar snacks, and a lot of clean towels.
In his book, The Art Instinct, Denis Dutton proposes that our interest in narrative is built in--selected during the very long period the human race spent in the Pleistocene--because any species with the ability to tell stories about both past and future would have an evolutionary edge. Will there be a crocodile in the river tomorrow, as there was last year? If so, better not go there. Speculative fictions about the future, like The Year of the Flood, are narratives of that kind. Where will the crocodiles be? How will we avoid them? What are our chances? --Margaret Atwood
(Photo © George Whiteside)--This text refers to an out of print or unavailable edition of this title.
I was deeply impressed with how engaging and interesting “The Year of the Flood” this book was from the very first chapter. Read morePublished 3 days ago by Annie
Margaret Atwood’s “Year of the Flood” focuses on the story of an environmentalist cult, many of whose members will ultimately survive the plague wreaking havoc, for a variety of... Read morePublished 3 days ago by Deirdre Shavon
Loved how the story wove back into oryx and crake. You could enjoy it without reading the first. An enjoyable read that makes you think. Sleepy because I couldn't put it down.Published 4 days ago by Teresa Barrow
More, more, more! Margret yoyu are such a great writer i get something new out nof everyrereading of your books. this dystopian series was as good as The Handmaid Tales.Published 9 days ago by Doe the book devourer
I liked Atwood's approach. Breaking down each book in the trilogy into main characters and how they all intersected was intriguing. Read morePublished 15 days ago by John R. Kavaller
Excellent book telling the distropic future of human racePublished 16 days ago by Alejandro Maznano Marín
Book two of the 'Maddaddam' trilogy, this is an incredible piece of speculative fiction that should be read by any and all fans of dystopian literature.Published 17 days ago by Briana Manoli