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A wickedly fun skewering of corporate greed, THE YES MEN FIX THE WORLD is the true story of two conscientious mischief-makers who pose as the representatives of companies they despise. In this wonderfully therapeutic film, Yes Men Andy Bichlbaum and Mike Bonanno impose cosmic (and comic) justice by any means necessary.
To a television audience of 300 million, Andy (posing as a Dow Chemicals spokesman) announces that Dow will finally compensate the victims of the Bhopal disaster, causing the company s stock to instantly plunge by $2 billion. At an oil industry conference, the Yes Men introduce a wonderful new Exxon miracle fuel made from the bodies of global warming losers.
THE YES MEN FIX THE WORLD 'shines with a raw wit and originality' (Newsweek) as it fearlessly follows the twisted logic of corporate capitalism to its absurd conclusion, exposing the hilarious absurdities and ironies of an economic system that ruthlessly rules the planet.
Part performance art, part political activism, the feats that the Yes Men pull off in their second DVD release, The Yes Men Fix the World, are meant to humorously enlighten their audience about corporate greed and stupidity. While their skits take pontificating from a soapbox to a whole new level, duo Andy Bichlbaum and Mike Bonanno have a self-deprecating, analytical side that makes their approach slightly less threatening and didactic than that of Michael Moore, the director-activist they bear comparison with. As in Moore's documentary Capitalism: A Love Story, the Yes Men here also critique what they call the "free-market cult" of businessmen who value the dollar over human life. In their documentary-style film, they chronicle the challenges, successes, and failures of impersonating high-level executives to mockingly infiltrate conservative systems. The film opens with the Yes Men posing as DOW representatives appearing on the BBC to falsely announce that DOW will pay millions in retributions to comfort Indian civilians following an industrial disaster in Bhopal. Next, they sneak into a petroleum-industry conference as Exxon reps introducing candles made of rendered human flesh as alternative fuel sources. To save wealthy future hurricane victims, they fake a meeting in post-Katrina New Orleans to model ridiculous balloon suits for emergency victims and then pose as HUD members announcing that homeless evicted citizens are welcome back into their boarded-up homes. Humor ensues when businessmen accept their proposals de facto, with no questions or sense of the absurd. For each performance, the Yes Men prep, research, and build elaborate presentations, and best, they ready themselves for press that comes after they're exposed as fakes. Their practice is moralistic and controversial, but they feel it is effective for exposing corruption to enact real change. While the film does focus on the Yes Men and their performances, they have ample documentary footage interviewing citizens reacting to their activism. For the most part, rather than taking offense, people understand and band together, illustrating how the Yes Men's desire to work for the common good is rewarded with real human connection. --Trinie Dalton
Identity Correction: How It Works (Click for larger image)
When it comes to the films being screened at the 2009 Cape May Film Festival, we’ve always said you
can’t see them at the theater or on television (or on DVD! Read more
It was different but only so so. It's also available on Netflix so I wouldn't buy it again. . .Published on February 18, 2013 by Gregory Smith
The Yes Men are back, pulling pranks not for the sake or pranking someone, but with some very real import! Read morePublished on January 8, 2013 by Laura Winton
FOR MOORE FANS AND OTHER LIBERAL COMMUNIST HUMAN RIGHTS HUSSEIN OBAMA VOTERS LEFTISTS AND POTHEADS THIS IS A DELIGHT.NUFF SAID.Published on December 18, 2011 by ben redares
Look, while these guys are 100% correct in their protestation of the WTO and corporate greed, I couldn't possibly disagree more with their predictable assertion that more... Read morePublished on July 5, 2011 by Lloyd Christmas