Arthur Miller is one of the most important and enduring playwrights of the last fifty years. This new edition of The Theater Essays has been expanded by nearly fifty percent to include his most significant articles and interviews since the book's initial publication in 1978. Within these pages Miller discusses the roots of modern drama, the nature of tragedy, and the state of contemporary theater; offers illuminating observations on Ibsen, Strindberg, Chekhov, O'Neill, and Williams; probes the different approaches and attitudes toward theater in Russia, China, and at home; and, of course, provides valuable insights into his own vast dramatic corpus. For this edition the literary chronology and cast and production information have been updated, and an extensive new bibliography has been added. The Theater Essays confirms Arthur Miller's standing as a brilliant, eloquent commentator on drama and culture. No one interested in theater should be without this definitive collection.
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About the Author
Robert A. Martin is professor of English at Michigan State University. Steven R. Centola is professor of English at Millersville University in Pennsylvania.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars
Classic essays on the nature of drama,
By Michael Wells Glueck "EditAndPublishYourBook.com" (Nantucket, Massachusetts, U.S.A.) - See all my reviews
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This review is from: The Theater Essays Of Arthur Miller (Paperback)
These collected essays, first published in such periodicals as The New York Times, The New York Herald Tribune, or Atlantic Monthly, trace the origins of modern drama in Greek tragedy and comedy. At least four of them should be required reading in any introductory course in British and American literature: The Salesman Has A Birthday; Tragedy And The Common Man; The Nature Of Tragedy; and The Family In Modern Drama. The last of these contains a memorable phrase that furnished the title of the selection of the late U.S. journalist Daniel Pearl's essays, At Home In The World. One brief quotation from Tragedy And The Common Man that seems especially relevant to the present era will suffice: "The Greeks could probe the very heavenly origin of their ways and return to confirm the rightness of laws."
5 of 6 people found the following review helpful:
5.0 out of 5 stars
Wonderful compilation of Miller's thoughts,
This review is from: The Theater Essays Of Arthur Miller (Paperback)
This book is an incredible trip through out Miller's ideas. The essays on the book are very well selected and disposed in a good way for the readers to understand what Arthur Miller is all about. There's no better way to know somebody other than this persons' own words. And this is what's so special about this book. We get to know Arthur Miller through his own special words. The first essay, "Tragedy and the Common Man" is already classical for its contents. Most of the books about Arthur Miller talk about it, but this very book happens to be the only way for us to actually read the whole text. Summing up: if you're willing to go to the bootom of this very important writer, this is the book you must choose.
0 of 1 people found the following review helpful:
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The Theater Essays of Atrhur Miller,
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Unfortunately, after waiting over a month, sending numerous emails, and getting several promises, I still haven't received the book. I guess I'll never know how good the book is, but I do know how disappointed I am with Amazon.
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Inside This Book
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First Sentence:
IN this age few tragedies are written. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
unpublished radio play, fabulous appetite, majority theater, inaudible question, subsidized theater, theater essays, theater language Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, The Crucible, Arthur Miller, All My Sons, Willy Loman, United States, Lincoln Center, Memory of Two Mondays, Tennessee Williams, Collected Plays, Soviet Union, Doll's House, National Theatre, Clifford Odets, Lee Cobb, Eddie Carbone, John Proctor, Maxwell Anderson, The Archbishop's Ceiling, The Misfits, Brooks Atkinson, Hopwood Awards, Mark Twain, Peter Brook, The Golden Years New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
IN this age few tragedies are written. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
unpublished radio play, fabulous appetite, majority theater, inaudible question, subsidized theater, theater essays, theater language Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, The Crucible, Arthur Miller, All My Sons, Willy Loman, United States, Lincoln Center, Memory of Two Mondays, Tennessee Williams, Collected Plays, Soviet Union, Doll's House, National Theatre, Clifford Odets, Lee Cobb, Eddie Carbone, John Proctor, Maxwell Anderson, The Archbishop's Ceiling, The Misfits, Brooks Atkinson, Hopwood Awards, Mark Twain, Peter Brook, The Golden Years New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 50
books:
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36
books
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- Death of a Salesman (Cliffs Notes) by Jennifer L. Scheidt on 32 pages
- After the Fall: A Play in Two Acts (Penguin Plays) by Arthur Miller on 20 pages
- A View from the Bridge (Penguin Plays) by Arthur Miller on 16 pages
- An Enemy of the People: A New Version by Christopher Hampton (Faber plays) by Henrik Ibsen on 13 pages
- All My Sons (Penguin Classics) by Arthur Miller on 11 pages
See all 50 books this book cites
- Understanding Arthur Miller (Understanding Contemporary American Literature) by Alice Griffin on 4 pages
- Arthur Miller : death of a salesman by Georges-Michel Sarotte in Front Matter, and Back Matter
- Eugene O'Neill's Century: Centennial Views on America's Foremost Tragic Dramatist (Contributions in Drama and Theatre Studies) by Richard F. Moorton on page 16, and Back Matter
- American Avant-Garde Theatre (Theatre Production Studies) by Arnold Aronson in Back Matter (1), and Back Matter (2)
- Congressional Theatre: Dramatizing McCarthyism on Stage, Film, and Television (Cambridge Studies in American Theatre and Drama) by Brenda Murphy in Back Matter (1), and Back Matter (2)
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