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Their Eyes Were Watching God Later Printing (20th and over) Edition
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Of Hurston's fiction, Their Eyes Were Watching God is arguably the best-known and perhaps the most controversial. The novel follows the fortunes of Janie Crawford, a woman living in the black town of Eaton, Florida. Hurston sets up her characters and her locale in the first chapter, which, along with the last, acts as a framing device for the story of Janie's life. Unlike Wright and Ralph Ellison, Hurston does not write explicitly about black people in the context of a white world--a fact that earned her scathing criticism from the social realists--but she doesn't ignore the impact of black-white relations either:
It was the time for sitting on porches beside the road. It was the time to hear things and talk. These sitters had been tongueless, earless, eyeless conveniences all day long. Mules and other brutes had occupied their skins. But now, the sun and the bossman were gone, so the skins felt powerful and human. They became lords of sounds and lesser things. They passed nations through their mouths. They sat in judgment.One person the citizens of Eaton are inclined to judge is Janie Crawford, who has married three men and been tried for the murder of one of them. Janie feels no compulsion to justify herself to the town, but she does explain herself to her friend, Phoeby, with the implicit understanding that Phoeby can "tell 'em what Ah say if you wants to. Dat's just de same as me 'cause mah tongue is in mah friend's mouf."
Hurston's use of dialect enraged other African American writers such as Wright, who accused her of pandering to white readers by giving them the black stereotypes they expected. Decades later, however, outrage has been replaced by admiration for her depictions of black life, and especially the lives of black women. In Their Eyes Were Watching God Zora Neale Hurston breathes humanity into both her men and women, and allows them to speak in their own voices. --Alix Wilber --This text refers to an out of print or unavailable edition of this title.
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Top Customer Reviews
In "There Eyes," Hurston tells the life story of Janie, an African-American woman. We accompany Janie as she experiences the very different men in her life. Hurston's great dialogue captures both the ongoing "war of the sexes," as well as the truces, joys, and tender moments of male-female relations. But equally important are Janie's relationships with other Black women. There are powerful themes of female bonding, identity, and empowerment which bring an added dimension to this book.
But what really elevates "Their Eyes" to the level of a great classic is Hurston's use of language. This is truly one of the most poetic novels in the American canon. Hurston blends the engaging vernacular speech of her African-American characters with the lovely "standard" English of her narrator, and in both modes creates lines that are just beautiful.
"Their Eyes" captures the universal experiences of pain and happiness, love and loss. And the whole story is told with both humor and compassion. If you haven't read it yet, read it; if you've already read it, read it again.
One of the issues with reading Hurston's novel is that it's written in dialect--in Hurston's rendition of how Southern Florida black dialect could be spelled out to her. So reading the book is a bit slow; you have to sound out the words in your mind. If this is a problem, then I'd suggest you listen to the book on tape (ably performed by Ruby Dee) and then read the book afterwards.
The story has barely a plot; Janey is a young woman whose grandmother was born in slavery. Her aspirations are no further than the front porch; to live in comfort means being simply able to sit, to sit on the porch and not be in constant motion, working every hour of every day for bare subsistence. She finds an older, established husband for Janey and insists she marry. Janey, then, has a life where, with reasonable work, she can fill her belly and sleep in shelter. Her life is not much better than that of a well-cared-for mule.
One day, Janey runs off with Jody Starks, a man of means who charms her with his worldy ways. This is a man going places. And they do go places; to Eatonville, a town that was chartered as an African-American community. Starks sees opportunity in every corner of dusty Eatonville, buys land, builds a store and a house and installs the beautiful Janey as a symbol of his mastery.
As Mayor, Starks has appearances to keep up.Read more ›
One of the reasons the book resonates today with so many readers is the story's major theme: the difficulty of reconciling the struggle between social approval and well-being, on the one hand, and passion and self-respect, on the other. The heroine, Janie, must often do what is expected of her (by her grandmother, her husbands, or the community) at the expense of her own pleasure.
Yet Hurston intends to do more than tell a simple story of a Southern black woman looking for Mr. Right. The author introduces characters and sketches that have less to do with the advancement of the plot and more to do with creating an environment: what life was like for black communities in Florida during the early twentieth century--the humor and the resentment, the misery and the fortitude, the camaraderie and the backstabbing. Characteristic of this leisurely documentary method is the manner in which the town's older inhabitants razz one another or the tale of Matt and his yellow mule, which manages to be at once funny, appalling, touching, and inspiring. All in all, the use of dialect and the meandering style make this novel not an "easy read" but a rewarding one.Read more ›
Most Recent Customer Reviews
I can see why this novel was not accepted in the 30's when it was written. A great peak into how life was for blacks without any of the bitterness or blame. Read morePublished 8 minutes ago by A. Burton
I ordered this book for my AP Lit class and totally loved it. The writing was way to hard for me to read and understand for the time period we were given to read it so I hear the... Read morePublished 1 day ago by Nicolas
This novel should be more highly revered as an American classic than it now apparently is. Italo Calvino defined a "classic" as "a book that has never finished saying... Read morePublished 1 day ago by W Perry Hall
Very interesting book. it was hard to get used to the accent she wrote in but after a while I forgot about it and just enjoyed.Published 11 days ago by aimee presnell