Here is Elizabeth Enright's classic story of a long and glorious summer in the country with the resourceful, endearing Melendy bunch.
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But "Then There Were Five" remains my favorite of the four. It is the most like a "real" (grownup) novel in its plot, in the way the characters grow and change, and in the very vivid scenes set throughout. I still get shivers from the description of Mark and Rush spying on Oren and his pals at their illegal still, and especially from the chapter about the fire that sends a homeless Mark to live with his friends, the Melendys. The dark edges, to me, are what make this book the most compelling of the series. Yet it also brims with all the familial love and good-natured humor of the other Enright works.
This book, which originally ended the Melendy series ("Spiderweb for Two" came years later), is the one that stands out as a truly dimensional narrative work. I've always thought it would make a terrific family film, if one could only be made that was faithful to the World War II period and to the characters as well as the basic plot.
One of the things I love about Elizabeth Enright is how she educates her young readers while she entertains them. In "The Saturdays," I learned a bit about Wagner's "Siegfried" through Rush's trip to the Metropolitan Opera, and what petits fours were through Randy's tea with Mrs. Oliphant. In "The Four-Story Mistake," through Mona's radio acting job, I learned that radio was just as important to the 1940s as TV to the 1960s. In "Then There Were Five," thanks to Mark's homegrown talent for natural history, I learned about the Perseids meteor showers that come every August, and that an amanita mushroom is pale poison. (I also learned, thanks to Mona and Randy's kitchen disasters, that canning tomatoes isn't nearly as easy as it looks.) And I found out an amazing number of things about moths from Oliver's hobby of collecting caterpillars.
These are great books. Find them, buy them, read them!