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The Theory of Light and Matter: Stories (Flannery O'Connor Award for Short Fiction)
 
 
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The Theory of Light and Matter: Stories (Flannery O'Connor Award for Short Fiction) [Hardcover]

Andrew Porter (Author)
4.8 out of 5 stars  See all reviews (8 customer reviews)

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Book Description

Flannery O'Connor Award for Short Fiction October 15, 2008
These ten short stories explore loss and sacrifice in American suburbia. In idyllic suburbs across the country, from Philadelphia to San Francisco, narrators struggle to find meaning or value in their lives because of (or in spite of) something that has happened in their pasts. In Hole, a young man reconstructs the memory of his childhood friend's deadly fall. In The Theory of Light and Matter, a woman second-guesses her choice between a soul mate and a comfortable one. Memories erode as Porter's characters struggle to determine what has happened to their loved ones and whether or not they are responsible. Children and teenagers carry heavy burdens in these stories: in River Dog, the narrator cannot fully remember a drunken party where he suspects his older brother assaulted a classmate; in Azul, a childless couple, craving the affection of an exchange student, fails to set the boundaries that would keep him safe; and in Departure, a suburban teenage boy fascinated with the Amish makes a futile attempt to date a girl he can never be close to.

Memory often replaces absence in these stories as characters reconstruct the events of their pasts in an attempt to understand what they have chosen to keep. These struggles lead to an array of secretive and escapist behavior as the characters, united by middle-class social pressures, try to maintain a sense of order in their lives. Drawing on the tradition of John Cheever, these stories recall and revisit the landscape of American suburbia through the lens of a new generation.



Editorial Reviews

From Publishers Weekly

The narrators of Porter's Flannery O'Connor Award–winning collection tend to be young and clear-eyed beyond their years as they give voice to the secrets—family, their own—that haunt them. In the opening story, Hole, the narrator ruminates on the loss of a childhood friend and the slippery nature of guilt, memory and truth. In Storms, a young man considers his relationship with a troubled sister, who abandoned her fiancé in Spain without a passport or money. The narrator of River Dog wonders if he should or could hate his brother for the things he did to other people, and for what they did to his brother. In the title story, a young woman ponders the nature of a May/December romance. If the events and secrets of these characters' pasts have not overtaken their lives, then their reverberations still threaten to corrupt the years yet to come. Throughout, Porter shows how love and pain often come hand in hand. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

Some writing is like taking a sip of the clearest mountain spring water: quenching, even though you’ve had water before. There are no new themes or revelations in Porter’s debut, winner of this year’s Flannery O’Connor Award for Short Fiction—just the dalliances of suburban couples, the reminiscences of childhood, middle-class boredom, and academic affairs. Luckily he rescues his characters from the short-story doldrums, where plots might otherwise be known by rote. With clear, strong prose marked by devious underpinnings, Porter’s style is straightforward, his characters careful narrators treading above a murky pool. “Hole” recounts a shocking accident: two boys, summertime chores, and a sudden death in an illegal manhole. The two teenage boys in “Departure” spend a summer making idle attempts to date beautiful Amish girls; and in the title story, a college student is torn between the boy she hopes to marry and the secret, innocent affair she is having with an older professor. What these stories share is the haunting lull of memory and its deceptive, shadowy recall. --Emily Cook

Product Details

  • Hardcover: 232 pages
  • Publisher: University of Georgia Press; 2nd edition (October 15, 2008)
  • Language: English
  • ISBN-10: 0820332097
  • ISBN-13: 978-0820332093
  • Product Dimensions: 8.1 x 5.5 x 0.8 inches
  • Shipping Weight: 12 ounces (View shipping rates and policies)
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #1,399,238 in Books (See Top 100 in Books)

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Customer Reviews

8 Reviews
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Average Customer Review
4.8 out of 5 stars (8 customer reviews)
 
 
 
 
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7 of 7 people found the following review helpful:
5.0 out of 5 stars Radiant contemporary fiction, December 1, 2008
By 
E S "chic angeleno" (Los Angeles, CA USA) - See all my reviews
This review is from: The Theory of Light and Matter: Stories (Flannery O'Connor Award for Short Fiction) (Hardcover)
I had the pleasure of meeting Andrew Porter at a book reading/signing for this collection and I was quietly blown away. I had to buy the book right then and there, to find out what happens with his characters. In particular, I loved the title story, in which the protagonist (a young college girl) is torn between a deep sense of intimacy and longing for a professor and the safety of her same-age college boyfriend. Porter writes with a subtle danger, not unlike Raymond Carver or John Cheever, intoning the internal struggles of suburbia. I felt as though his characters could be walking next to me on the street or passing me in the store. They are like anyone we know, with deep wells of passion and hurt hidden away. "Hole" is a heightened "what if" story of regret for a boy who witnessed a tragedy and could have, possibly, stopped it from happening; "Azul" examines what happens to a marriage when a foreign exchange student becomes a surrogate child; "River Dog" explores the narrator's uncomfortable gut instinct that his older brother may have been involved in an assault; and "Departure" follows a teenage boy through his fascination with an Amish girl. Often, I've found contemporary short story collections to be saccharine-sweet or predictable, so "The Theory of Light and Matter" has been a treasure of a find for me. Highly recommended!!
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2 of 2 people found the following review helpful:
5.0 out of 5 stars Fantastic story collection that makes you think and feel..., February 27, 2010
By 
It's ironic--some of the best books I've read have titles that are scientific or mathematic in nature, although most of the time they have nothing to do with either subject. Add The Theory of Light and Matter to the list of best books I've read, as well as those with ironic titles. What a fantastic short story collection this was!! Andrew Porter is an absolutely phenomenal writer.

I've been reading a lot of short story collections lately, and while it appears I've gotten lucky in finding some great collections, there is not one clunker in this entire book. From the title story, which tells of a college student's not-quite infatuation with her much-older physics professor, to those that chronicle everything from realizing your parents have a far more complex relationship than you can imagine to the aftermath of a friend's death when you're younger, this book hit me on so many levels. Nearly every one of these stories could be expanded into a novel I'd love to read, and it's not often I can say that. If you're looking for a great book, look no further. And if you do read it, let me know so we can discuss it!
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Brilliant Collection of Short Stories, November 26, 2009
This review is from: The Theory of Light and Matter: Stories (Flannery O'Connor Award for Short Fiction) (Hardcover)

"The hole was at the end of Tal Walker's driveway. It's paved over now. But twelve summers ago Tal climbed into it and never came up again."


'The Theory of Light and Matter' is Andrew Porter's debut book of short stories. Mr. Porter is a graduate of the Iowa Writer's Workshop and his debut collection has already received the 2007 Flannery O'Connor Award for Short Fiction. Originally published by the University of Georgia Press, it will be republished in a much larger edition by Vintage Books in January 2010. Hopefully, it will find the audience it deserves.

The stories in this collection take place in suburbs across the country - in hallways, backyards, stairwells, schoolrooms, universities, junk yards. The collection is populated by the affluent, the impoverished, the middle class. It is a cross-current of our nation and the people who live here. There are the single, the married, the straight, the gay, the mentally ill, the young and the old. Porter is able to see deeply into the heart and culture of so many different types of lives. That is only one of the things that make this book remarkable. His style of writing is engrossing in every story in the collection. Usually, in a short story collection, one or two stories stand out. In this collection, every one is a winner; each one remains with you and takes a piece of your heart after you close the book.

'Hole' is the story of two boys who take money from an older brother to mow a lawn. During the mowing of the lawn, one of the boys falls down a hole and dies. The boy who survives spends much of his life thinking about the twists and turns of that day, trying to remember what really happened and what are figments of his memory.

'Coyotes' tells about a young man who watches as his parent's marriage falls apart. He believes that his father is a failed documentary film maker which, in a sense, he is. However, his father has serious psychiatric issues that his mother hides from their son who is too young to realize what is actually occurring.

In 'Azul', a childless couple take in an exchange student and are very poor about setting limits and boundaries for him. Since they have no children of their own, they develop a vicarious family with him, only his role in the dynamic is very indistinct. Mainly, it catalyzes latent issues that already exist between the husband and the wife.

The title story of the book, 'The Theory of Light and Matter', is about a female college student who is drawn to her elderly physics instructor who is about thirty years her senior. This is despite her being in love with a young man her own age. Initially, as the story opens, all the students in the physics class are taking an impossibly difficult physics test. The young woman is the only student who completes the test and hands it in. The professor invites her for tea and she accepts. This begins regular meetings and dates between them. The professor propels her to question herself and her life, to veer off center. Perhaps his goal is similar to Heisenberg's, to help her realize that one can't always know two determinate values at the same time. Her love for him is consuming but she gives him up for a life of inevitability and sustainability.

In a Pennsylvania village, the Amish teen-agers spend Friday evenings at a strip mall. They depart from their usual outfits and activities. The elders realize that this departure is necessary for them in order to do self-eploration. The elders hope that the self-exploration will result in more of the youngsters remaining with their families and on the farms. The local teen-agers go there to watch and interact with the Amish, the different ones. Some do this is out of curiosity, some out of meanness, some just to experiment with differentness. Other begets other as each group reinvents itself. Reinvention carries with it hubris, experimentation, fun, fear, challenge and even death.

'Skin' is a lovely tale, written in two pages, that juxtaposes life's dreams of perfection, idealism and happiness versus the truths of cruelty and pain that naturally will occur in the future.

In Connecticut, a young doctor has a mental breakdown and goes to live on an island. His wife, daughter, and son remain in their home located in an upscale Connecticut suburb. One day, the son observes his mother in an intimate act with a female neighbor and is not sure what to do with that information though he is sure that they are passionate and in love. His mother's lover leaves her and he watches his mother grieve. Years later, his father returns home and the mother becomes caretaker for him.

'River Dogs' is one of a group of stray dogs that live in tall grasses by a local town dump. The protagonist's brother is a 'stray', "not right was the term people used for him". The protagonist feels invisible and out of touch with others, sometimes like an offshoot of his brother. He hears other kids talk about his brother, stories that repulse him or about horrifying acts that his brother is said to have committed. His 23 year-old brother can not hold a job, still hangs around the high school and dates a high school girl. At one point in the book, the young brother tries to make right something that his older brother did. A man turns to him and says, "This has nothing to do with you son." But ask yourself, doesn't everything always have to do with your older brother when you're in high school, especially if your brother is a scary, geeky, freak whose shadow rests over your own?

These stories transported me. I found myself completely immersed whether I was in Texas, Connecticut, or traveling on a plane. I was inside the stories, inside the characters themselves - - of them. I loved this book and can't wait for Mr. Porter's next publication. I understand he is under contract for a novel by the Knopf Group. I will be one of the first to pre-order this novel as soon as I can.
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