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There Will Be Blood
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Guitarist Jonny Greenwood has composed a hauntingly dramatic instrumental score for Oscar nominated writer-director
Paul Thomas Anderson s ambitious new film, There Will Be Blood. An adaptation of the Upton Sinclair novel Oil!, the movie features
Daniel Day-Lewis in what The Hollywood Reporter has described as a powerhouse performance... it s a certain awards contender.
Greenwood s remarkable compositions, written primarily for strings, have already garnered considerable praise in advance reviews.
The score resembles his rock compositions only in the level of daring and inventiveness to be found throughout these tracks and in the unsettling atmosphere he is able to conjure at key moments. Greenwood s score is more indicative of his current collaborations with the BBC Orchestra as Composer In Residence activities closely followed by Pitchfork Media and The Daily Swarm.
In fact, the score incorporates material from two orchestral pieces he created in that position, smear and Popcorn Superhet Receiver,
which will have its U.S. concert premiere this January when Greenwood appears at the Wordless Music Series in New York City.
There Will Be Blood takes Anderson in a radically different direction than his celebrated earlier films, Boogie Nights and Magnolia dazzling, attention-grabbing movies marked by multiple plot lines, ensemble casts and surreal visual elements. His last project,Punch Drunk Love, was a sophisticated comedy-drama with a smart pop score by composer-producer Jon Brion, released on
Nonesuch in 2002. Anderson s new work is a stark period piece filmed on arid Texas plains; critics have likened it to the brilliantly austere work of such revered directors as Stanley Kubrick and Terence Malick (Days Of Heaven). The Hollywood Reporter called Greenwood s score captivating...greatly contributing to the sense that tectonic forces lie beneath the drama.
The soundtrack to There Will Be Blood will appeal to serious movie-music fans, who will appreciate this rare find: an intelligent, beautiful
and deeply cinematic orchestrated score performed by the BBC Orchestra and London Sinfonietta that can hold its own next to the classic work of such composers as Bernard Herrman, Elmer Bernstein and Ennio Morricone.
This album marks Radiohead guitarist Jonny Greenwood's first high-profile soundtrack--and one that's also easily among the most striking offerings of 2007. Music is particularly important for director Paul Thomas Anderson (remember Magnolia and Punch-Drunk Love?) and here, his choice of Greenwood is a gamble that more than paid off. The score is extremely string-heavy, and tension (of which there's plenty in the Upton Sinclair-based movie) derives from them instead of the usual percussive Hollywood tropes (indeed, percussions are almost entirely absent from the CD). "Henry Plainview" and "Proven Lands" are part of a larger piece, Popcorn Superhet Receiver, that Greenwood wrote as Composer-in-Residence at the BBC; both cues display the musician's imaginative use of strings, suggestively scary on the first, pounding and creepy on the second. But Greenwood also knows when to bring in a new instrumental voice, as with the Satie-like piano on "Prospectors Arrive." Equally at ease writing for a string quartet and for a larger orchestra, Greenwood has come up with compositions closer to the new-music world that to the vast majority of scores coming out of Tinseltown--something we should be really grateful for. This is a new, exciting direction for film music. --Elisabeth Vincentelli
|1. Open Spaces|
|2. Future markets|
|3. Prospectors Arrive|
|4. Eat Him By His Own Light|
|5. Henry Plainview|
|6. There Will Be Blood|
|8. Proven Lands|
|9. HW/Hope Of New Fields|
I don't often buy soundtrack movies but when I do it is because the music is so beautiful I just have to have it. Read morePublished 2 months ago by Cecily
I don't think I have seen a movie that has moved me, or has the depth of insights and discovery that this movie has, and Jonny Greenwood has produced what for me is a very... Read morePublished 11 months ago by Traxler
I loved the movie and I really enjoyed the sound track as it was pretty much every piece of music from the movie.Published 17 months ago by Jeff Anderson-Lester
The standard actors seemed to set as near perfection was (is) Brando. When you watch Daniel Day Lewis YOU are watching a level of performance which I believe is the new standard of... Read morePublished 24 months ago by Jf
Brand new. Great soundtrack. Big fan of Radiohead's Jonny Greenwood. Fantastic shipping. I believe it was to me in just a couple of daysPublished on July 1, 2013 by David Lowry
i love this movie and the score was great. i love being able to listen to it whenever I want.Published on June 5, 2013 by a concerned customer
I love this music and I know nothing about this type of music. I bought it because the film moved me. I thought it wouldn't have succeeded so well without the sound. Read morePublished on January 30, 2013 by Jack Spraker
I couldn't believe how much I enjoyed the score for this film. The music is dissonant, staccatoed, and visceral chords straight out of a nihilist nightmare. Read morePublished on June 13, 2008 by George
|Topic||From this Discussion|
The only songs I can think of that would be missing would be Greenwood's "Smear" and "Popcorn Superhet Receiver" along with the edit of "Convergence" that had "There Will Be Blood" soaring on top of the beats. Now, as far as that edit goes, I don't know of... Read More
Apr 20, 2008 by J. Boles | See all 2 posts
|Do you think this soundtrack is better then then In Rainbows?||
I liked the soundtrack. But it's in a pretty different league from the new Radiohead album. Even the quiter, more thoughtful songs aren't this erie.
Mar 12, 2008 by J. GARRATT | See all 2 posts
|what is the classical piece when they set the dereck working?||
Final movement of the Brahms Violin concerto. Not sure who is playing it though... sounds like an older recording.
Feb 10, 2008 by Dan R | See all 6 posts
The song you are referring to was not originally written for There Will Be Blood. It was written by Jonny Greenwood for Bodysong (his first score and the one that caught PTA's attention) and can be found on that soundtrack -- the track is called Convergence. It's the highly percussive song where... Read More
Jan 19, 2008 by J. Y. Lee | See all 9 posts