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There's Nothing I Can Do When I Think of You Late at Night (Weatherhead Books on Asia)
 
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There's Nothing I Can Do When I Think of You Late at Night (Weatherhead Books on Asia) [Hardcover]

Naiqian Cao (Author), John Balcom (Translator)
3.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

0231148100 978-0231148108 May 13, 2009

Set among a remote cluster of cave dwellings in Shanxi province, There's Nothing I Can Do When I Think of You Late at Night is a genre-defying exposé of rural communism. In a series of vivid, interlocking vignettes, several narrators speak of adultery, bestiality, incest, and vice, revealing the consequences of desire in a world of necessity.

The Wen Clan Caves are based on an isolated village where the author, Cao Naiqian, lived during the Cultural Revolution. The land is hard and unforgiving and the people suffer in poverty and ignorance. Through the individual perspectives of the Wen Clan denizens, a complete portrait of village life takes shape. Dark yet lyrical, Cao's snapshots range from pastoral stories of childhood innocence to shocking accounts of brutality and terror. His work echoes William Faulkner's Go Down, Moses and Sherwood Anderson's Winesburg, Ohio, yet the author's depictions of elemental passions and regional mores make the book entirely his own.

Celebrated for its economy of expression, flashes of humor, and an emphasis on understatement rarely found in Chinese fiction, There's Nothing I Can Do When I Think of You Late at Night is an excellent introduction to the power and craft of Cao Naiqian. His vivid personalities and unflinching realism herald the haunting work of an original literary force.

(4/21/09)

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Editorial Reviews

Review

Cao examines the often barbaric side of human nature in the face of stark poverty and extreme necessity.

(Publishers Weekly )

Review

These stories are dark, they are rural, they are moving, even arresting in places, and they are well translated. Cao Naiqian is a master of this subgenre—an intriguing, honest, and courageous chronicler of life in the 'other China.'

(Howard Goldblatt, University of Notre Dame and coeditor of Loud Sparrows: Contemporary Chinese Short-Shorts )

Product Details

  • Hardcover: 248 pages
  • Publisher: Columbia University Press (May 13, 2009)
  • Language: English
  • ISBN-10: 0231148100
  • ISBN-13: 978-0231148108
  • Product Dimensions: 8.4 x 5.8 x 1 inches
  • Shipping Weight: 14.1 ounces (View shipping rates and policies)
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #2,045,374 in Books (See Top 100 in Books)

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1 of 2 people found the following review helpful:
3.0 out of 5 stars Brutal and ugly anthology novel, February 4, 2010
By 
Moheroy (Houston, Texas) - See all my reviews
This review is from: There's Nothing I Can Do When I Think of You Late at Night (Weatherhead Books on Asia) (Hardcover)
This is a book about an extremely poor village of Chinese peasants in Northern China during the Cultural Revolution. It is told through a series of vignettes that are disjointed to say the least, and English translation come across as third rate Faulkner.

The Villagers are presented as simple minded to the point of being animals, to the extent in one story at one point it is hard to tell whether a bull being castrated or a cow herd is the POV character. This is certainly deliberate. The villagers are absolutely obsessed with the most bestial varieties of sex, and spend much of the time either copulating like animals or contemplating such acts. There are multiple incidents of bestiality, incest to various degrees, and lots of really hideous unredeemed brutality. On the whole it is a disgusting book, even if certain sections manage to rise above the basest levels. Sadly these sections are often extremely cliched by the terms of Chinese fiction, but the book is short and I found it not hard to get to the end. However do not expect uplift, after this "Blood Meridian" becomes a tale of the triumph of the human spirit.

If you find profundity in the basest nature of humanity, or you can just not get enough novels about Zolaesque brutality among the peasants of Shanxi, then this book is for you. The jacket compares it to Faulkner's "Go Down Moses" and Sherwood Anderson's "Winesburg, Ohio." It really has nothing to do with either of them, except possibly structurally. At its best, a couple of the vignettes rise to the level of the weaker Dewey Dell portions of "As I Lay Dying," which shows a certain amount of talent on the writer's part.

A Note: According to the introduction, the novel was originally written in an extremely thick peasant dialect of Chinese, so it is sort of hard to judge the original, which is here translated into the most basic English.
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