With These Hands [Extra tracks, Original recording reissued, Original recording remastered]

Alejandro Escovedo | Format: Audio CD

Product Details

• Audio CD (November 4, 2003)
• Original Release Date: 1996
• Number of Discs: 2
• Format: Extra tracks, Original recording reissued, Original recording remastered
• Label: Rykodisc
• ASIN: B0000DIMON
• Also Available in: Audio CD
• Average Customer Review: 4.8 out of 5 stars  See all reviews (9 customer reviews)
• Amazon Best Sellers Rank: #155,406 in Music (See Top 100 in Music)

Track Listings

Disc: 1

1. Put You Down

2. Slip

3. Crooked Frame

4. Pissed Off 2am

5. Nickel And A Spoon

6. Little Bottles

7. Sometimes

8. Guilty

9. Tired Skin

10. With These Hands

See all 11 tracks on this disc

Disc: 2

1. Can't Take It

2. Put You Down

3. Crooked Frame

4. With These Hands

5. Slip

6. Pissed Off 2am

7. One More Time

8. The En

9. Put You Down

10. Crooked Frame

See all 14 tracks on this disc

Customer Reviews

Most Helpful Customer Reviews

21 of 23 people found the following review helpful:

5.0 out of 5 stars Alejandro Escovedo - With These Hands (with bonus), August 10, 2004

By 

M. Short (London, UK) - See all my reviews
(REAL NAME)   

This review is from: With These Hands (Audio CD)

Alejandro Escovedo is a master at writing what might best be called the epic ballad. Conventionally we are used to `epic' songs being long affairs, with majestic lyrics talking of grand ideas complemented by overstated guitar solos and a dense sound. What is this all in the name of? Power. But as Escovedo shows in his recently re-released album With These Hands, there are more interesting ways to make powerful music.

A classic case in point is the album's emotional centre-piece, Pissed Off 2am. Normal song classification would have this number down as a ballad. As with most ballads, it has subject matter which is sad, it is slow-paced, it has sweet but not cloying harmonies, and it is full of the language of loss, drink, and lack of meaning. It touches the listener, and creates a visual image - the two protagonists are there, right in front of you, you feel like you know everything there is to know about their story, you share the singer's despair...ultimately you begin to identify with him, however silly and inappropriate this is. But this song has something else - it has a subtle but clearly present force, which drives the song in a way which sets it apart from most ballads. It is difficult to pin down exactly how Escovedo achieves this. As with all good epics, there is a piano - but it isn't ostentatious plonking in the best Meat Loaf style, it is more a series of delicate whispers, just in the right place, adding to the melody rather than disguising the lack of one. The lyrics also play their part in creating such a unique song - they are not the simple platitudes of loss, but something far more complex. Escovedo doesn't just have to fight the reasons given to him for the changes in his life - there are also "barricades", real obstacles, which he tries to knock down merely by denying their meaning. But the barricades appear again and again in the song, and the story remains unfinished, the suffering unresolved.

That, in fact, is the theme of the album - a yearning for times past, a realisation that times have changed in irreversible ways, and, at times, an uncertain hope that things will be happy in new ways. The initial rumblings and catchy bass riff of the opening song, Put You Down, give way to a description of a love that the singer just cannot relinquish, and then we are away - eleven songs of what might be called `Americana' music if only because that term means so little and encompasses so much. Acoustic folk, rustic country, Latino, rock and roll...actually that last term is sufficient on its own. The Band's film The Last Waltz contains a revealing interview with Levon Helm, in which he describes how lots of different musical genres come together in Tennessee, as it is geographically the heart of the United States. The result? "Rock and roll". Escovedo's album is a classic exposition of this fusion. The song which sounds most like a rock and roll song is probably Guilty. Unlike most of the song on the album, it is not in the first or second person - it tells a story of someone else, a man who lost his way, wrapped up in shame. But this is not just a token loud, pull-out-all-the-stops, rocker. It has a superb hook - that moment in the chorus where the lyrics are perfectly matched by the melody, and where the band comes together and feels the movement, the change, in the song.

Towards the end of the album, there is another epic ballad, and this time the power of the song is more easily identifiable. The theme of loss and renewal is poetically exposed at the outset: "Take this old and very tired skin / wrap up a newborn baby and keep her warm again". Judged on paper, the words have the potential to sound trite, but with the warmth and sincerity of the vocals, the song sounds natural and almost unassuming. The ability of music itself to rejuvenate is also recognised: "Take this old and worn out violin and hold it in your arms / and make it sing".

By the time we reach the album's title track, the record is almost complete - this is a song Escovedo wrote for his father, and the life of this brilliant but only moderately successful songwriter is put in context by the line "They say death's the only peace the poor understand". The song builds in intensity as it re-acquaints us with the restless growls of the opening number, and we see the light, it moves "faster, howling like the wind blows"...and the singer tells us that the water of the river will heal our wounds - because once again, although the song is not about us, we feel what he is saying. Finally, the album ends and we are reminded that it contains no clear message, just some themes which point the songs in particular directions - because over some more fantastically shimmering piano work, Tugboat ends by reminding us that "Gone gone those days are gone / gone gone gone". With Escovedo now seriously ill with hepatitis C, these thoughts move beyond being simply poignant and assume the weight of real tragedy.

This being a re-release, it comes with a variety of bonus tracks and live performances of the album's songs and others, and they too are well worth hearing - the variety of Escovedo's performances is just as evident live as it is in the studio. With These Hands is not an album to be enjoyed just by fans of alt-country, Americana, or any other label. It is an album to be enjoyed by those who like good quality songs and near-perfect performance. It is a set of songs that music fans will relish.

11 of 12 people found the following review helpful:

5.0 out of 5 stars Holy Alejandro! This disc ROCKS!, February 25, 2004

By 

"zoellapop" (Indianapolis, Indiana USA) - See all my reviews

This review is from: With These Hands (Audio CD)

I already knew Alejandro could write weepers and rockers. In fact, I already owned the previous version of With These Hands, which I've nearly worn out. Intrigued by the extra tracks on this one (mostly live), I jumped on the "remaster" bandwagon. This is one FANTASTIC release, and the live tracks, extremely well-recorded, prove Al's live muscle once again. Easily the best of the Alejandro remasters, this is a must for any Alejandro junkie, and a great place to start for any interested takers. Artistry and beauty set to rock and roll. IF YOU EVER GET THE CHANCE, GO SEE AL LIVE!

7 of 7 people found the following review helpful:

4.0 out of 5 stars Thoughtful play loud drink whiskey with lights low, August 10, 1999

By A Customer

This review is from: With These Hands (Audio CD)

A varied and interesting program, although "Crooked Frame" is a better song to play when you're pissed off at 2am than "Pissed Off 2am." A songwriter who doesn't get cute for the sake of cuteness or lean heavily on the ever-growing choss pile that is alt-country-Austin cliche, Escovedo knows what he's doing. What I play when I'm driving across Wyoming.