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They Don't Play Stickball in Milwaukee
  
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They Don't Play Stickball in Milwaukee [Paperback]

Reed Farrel Coleman (Author)
5.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

March 1998
On the trail of a missing nephew, Dylan Klein, a former insurance investigator who's now a noir novelist, finds himself on the campus of an upstate New York college engaged in some highly inventive _ sex with Kira Watanabe, a Japanese girl half his age, who seems determined to recreate a steamy chapter from one of Klein's own books. He ought to be a happy man. But his nephew Zak is still missing, and the girl might just be a high-priced whore hired to watch Klein by the drug dealers on whom Zak claims to have a computer disc full of information. The novel provides Klein with a fuller sex life than is granted most tired-out 40-year-olds, the narrative pace never lets up and the caper has plenty of unusual angles. Johnny MacClough is Klein's best pal, a former cop once disgraced by a questionable arrest and subsequent death. Valencia Jones is a young student arrested for possession of a designer drug. It's her plight that sends Zak into hiding. A drugged-out ski bum is murdered on a ski slope owned by the college, the dean of which takes a very dim view of Klein's sleuthing efforts. This is Coleman's third Klein caper (Life Goes Sleeping and Little Faster), and, allowing for the florid bed scenes and a singularly unconvincing moment when Klein gets sloshed and questions his love for the alluring Kira, it's an exceedingly handsome effort.
--This text refers to the Kindle Edition edition.

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Editorial Reviews

From Library Journal

When ex-insurance investigator Dylan Klein, now a detective story writer, searches for a favorite nephew missing from his college near the Canadian border, he encounters all kinds of grief: ransacked rooms, evasive school officials, suspicious deaths, a drug king-pin's daughter, even a scary little romance with a hip friend of his nephew who may know more than she's letting on. With the help of pal Johnny, an ex-cop, Dylan wades through the false leads. Crisp prose, entrancing plot, and a unique pair of protagonists make this well worth reading. From the author of Little Easter (Permanent Pr.,
Copyright 1997 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Kirkus Reviews

It's been one of those weeks for Dylan Klein. He's called home from Hollywood, where his pitch for a movie based on his latest detective novel has been going nowhere, to his father's funeral, and then he's called away from the funeral to search for his AWOL nephew Zak. Dylan's the natural person to look for Zak, because the two have always marched to the same different drummer, but now things aren't looking so good for anybody on Zak's wavelength. Valencia Jones, one of Zak's fellow students at Riversborough College, has been railroaded into a serious drug charge, courtesy of a killer cache of a new designer drug called Isotope, not to mention that a retired cop who's been nosing around her case turns up dead. When Zak asks too many questions at Riversborough without saying please, he's locked up with a cellmate who's obviously coasting on Isotope and feels so good that he won't mind becoming the next casualty. Meantime, Dylan gets the word that Zak's ex-lover Kira Wantanabe, the Riversborough student who's jumped Uncle Dylan's bones, may be a working-girl. Should he ask for her hand (and so on) in marriage, or turn her over to the vice squad? For the first half of Dylan's third manic saga, Coleman (Little Easter, 1993, etc.) spins out lovely, dirty complications with a fine sense of galloping paranoia. It's only when the bill for all this binge plotting comes due that the tale falls short. -- Copyright ©1997, Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 208 pages
  • Publisher: Permanent Pr Pub Co (March 1998)
  • Language: English
  • ISBN-10: 1579620167
  • ISBN-13: 978-1579620165
  • Product Dimensions: 8.3 x 5.4 x 0.6 inches
  • Shipping Weight: 9.6 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #2,590,472 in Books (See Top 100 in Books)

More About the Author

Called a hard-boiled poet by NPR's Maureen Corrigan, Reed Farrel Coleman is the former executive vice president of Mystery Writers of America. He has published twelve novels in three series, and one stand-alone with award-winning Irish author Ken Bruen. His books have been translated into seven languages, and the Moe Prager character in his current series is one of the most engaging in crime fiction. "His bone-deep world weariness and mordant sense of humor should enthrall lovers of old-school, tough-talking, loner private eyes," says Booklist.

Reed is a three-time winner of the Shamus Award for Best Detective Novel of the Year. He has also received the Barry and Anthony Awards, and has been twice nominated for the Edgar® Award. He was the editor of the anthology Hard Boiled Brooklyn, and his short fiction and essays have appeared in Wall Street Noir, The Darker Mask, These Guns For Hire, Brooklyn Noir 3, Damn Near Dead, and other publications.

Reed is an adjunct professor at Hofstra University, teaching writing classes in mystery fiction and the novel.

His standalone novel, GUN CHURCH, is exclusive to Audible.com, and his seventh Moe Prager novel (HURT MACHINE) has been winning accolades from the likes of Publishers Weekly, Kirkus, and others.

 

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Most Helpful Customer Reviews

4 of 5 people found the following review helpful:
5.0 out of 5 stars A great read!, February 22, 1998
By A Customer
I loved this book; I couldn't put it down! Both my husband and I read it in one sitting. The plot was compelling, a real roller coaster ride with lots of complications and surprises.The characters were real and likable. I particularly liked the interactions between Klein and MacClough, and the bedroom scenes with Kira were...umm...attention getting! I was moved to tears at several different points, and laughed aloud at others. Coleman writes in a style reminiscent of Lawrence Block, with some Chandler and Hammett thrown in for good measure. Great dialogue,too! Check it out!!
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