Amazon.com: They Drew Fire: Combat Artists World War II [VHS]: Jason Robards, Franklin Boggs, Howard Brodie, Manuel Bromberg, William Draper, Richard Gibney, Robert Greenhalgh, Edward Reep, Eleanor Roosevelt, Jon Else, Michael Chin, Brian Lanker, Victor Livingston, Bonni Cohen, Jamie Stobie, Nicole Newnham, Jonathan Halperin: Movies & TV

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They Drew Fire: Combat Artists World War II [VHS]
 
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They Drew Fire: Combat Artists World War II [VHS] (1999)

Jason Robards , Franklin Boggs , Brian Lanker  |  NR |  VHS Tape
4.5 out of 5 stars  See all reviews (2 customer reviews)

Price: $20.65 & eligible for FREE Super Saver Shipping on orders over $25. Details
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Product Details

  • Actors: Jason Robards, Franklin Boggs, Howard Brodie, Manuel Bromberg, William Draper
  • Directors: Brian Lanker
  • Writers: Jonathan Halperin
  • Producers: Brian Lanker, Bonni Cohen, Jamie Stobie, Nicole Newnham
  • Format: Closed-captioned, Color, NTSC
  • Rated: NR (Not Rated)
  • Number of tapes: 1
  • Studio: Homevision
  • VHS Release Date: June 16, 2000
  • Run Time: 56 minutes
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
  • ASIN: 0780023129
  • Amazon Best Sellers Rank: #116,519 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Amazon.com

This well-researched documentary revolves around interviews with seven artists who were commissioned either by the U.S. military or the Army magazine Yank to document World War II. A group of nearly 100 war artists produced more than 12,000 paintings and drawings, which have been in storage and largely unseen by the general public since the end of the war. Thomas Hart Benton and Jacob Lawrence are among the best-known artists in this one-hour 1999 production, superbly directed by Pulitzer Prize-winning photojournalist Brian Lanker. Historical footage of the war, all of which is in black and white, is juxtaposed with the color-filled scenes rendered in the artworks. Most of the artists were also trained for combat, so they experienced the war firsthand. The paintings and drawings vary in style and subject matter, but all are profoundly evocative--the depictions of soldiers' feelings are particularly moving, capturing moments of compassion, shock, misery, despair, and tenderness. Equally intense are the verbal descriptions of the seven surviving artists about their experiences during the war. This program is highly recommended for all audiences, although some may find the depictions of real combat harrowing. --Anne Barclay Morgan

Product Description

Through the eyes of seven WWII artists, They Drew Fire shows an intimate and often startling look at combat, and the task of transforming the horrors of war into stark, revealing, and enduring works of art. Soldiers, sailors and airmen created mor

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4.5 out of 5 stars (2 customer reviews)
 
 
 
 
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2 of 2 people found the following review helpful:
5.0 out of 5 stars They Drew Fire, January 19, 2009
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This is an outstanding and unusual video. It shows the artist/soldiers who were fighting the war and also drawing the scenes they had just participated in. I've never seen a video that depited the brutal scenes of war so vividly. We have watched it many times and have purchased many of these videos to give to others. It is amazing. I was particularly impressed by their honesty, admitting their fears and even questioning their courage. As a rifleman in Pattons Ghost Corps 94th Div. who was wounded in an assault crossing of the Saar river against the Siegfried Line, I can testify to the reality 0f the film. It should be bought and viewed by everyone in America.
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1 of 5 people found the following review helpful:
4.0 out of 5 stars Artists in Unlikely Places, May 5, 2007
By 
Jeffery Mingo (Homewood, IL USA) - See all my reviews
(REAL NAME)   
Some say humans have a need to produce art. Prisoners make it; rural people with few resources produce it. Thus, it may be unsurprising that soldiers would produce art. However, the jaw-dropper for me was that Eisenhower and top military officials sought out artists and that the American people bought or supported their creations. At a time when both photography and film were available, the country encouraged soldiers to produce paintings and drawings. Wow!

The artists asked and debated questions that even dove artists and citizens have. They asked must one live a scenario in order to render it artistically. Some say no soldier can make art in the middle of an event, but one artist said that's when he'd produce his best work.

This is not a documentary with much narration or a slew of academics. It was mostly film of the war and comments from the artists themselves. Seeing them alive with missing teeth, Parkinson's disease, or legal blindness really helps to date them and may remind many viewers of their older, male relatives. This was not full of the propaganda that you would see in the Bugs Bunny or Popeye cartoons of the time. The artists drew what was around them, not devilish pictures of the enemy's leaders.

They mention a painter "from Harlem" and one painting vaguely included a Black man. However, all the interviewees were white men. Though the military was technically integrated due to the activism of civil rights leaders of the time, many historians say white and Black soldiers would fight each other more than the enemy. This documentary never asks or answers whether Black soldiers were asked to paint as their white counterparts were. The military was beginning to accept women at the time and they are not included here either.

For the most part, these artists said they could portray what they wanted. One man mentioned that his drawing of an executed German soldier was hidden from the public. However, another man said he was ordered to paint no (male) soldier in the nude. He and others said soldiers went nude due to the heat and not because of sexual reasons. Too, the documentary showed paintings where male figures were nude. Still, I wonder if the military was banning nudity in the art in order to erase or avoid homoeroticism. One painter said he painted a nude woman for a fellow soldier and that art was never censored. The American military's anti-gay ban was in effect in the 1940s and the work could have dug deeper into the homophobia of the time, but did not.

On the one hand, this may help Tom Hanks' efforts to honor World War II vets. However, I have a friend who attended West Point and criticized military recruiters for telling recruits they could draw for the military when most likely they're going to be cleaning latrines and worrying about landmines. Most artistic people in the American military will not get the opportunity these featured artists had, so I hope this work, though excellent, does not become a modern recruitment tool.
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