3 of 3 people found the following review helpful:
5.0 out of 5 stars
clear-eyed, honest, and rare, June 28, 2007
This review is from: Thick As Thieves: A Brother, a Sister--a True Story of Two Turbulent Lives (Hardcover)
I read a few pages of "Thieves" in the bookstore and was gripped, which hasn't happened to me in years. The story isn't "about" a drug-addicted alcoholic bum and his jail & travails; it's about turns not taken, words left unsaid, connections lost out of ignorance ... and the redemption, at least partial, that's available as long as there's life. Geng tells his tale with a near-total lack of sentimentality, the kind that can crack the heart. The book is also a sweet, achingly distanced portrait of his gifted sister, Veronica. I just finished reading it last night. I think I'll start again.
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2 of 2 people found the following review helpful:
4.0 out of 5 stars
An honest account of a lifetime of hedonism, September 6, 2007
This review is from: Thick As Thieves: A Brother, a Sister--a True Story of Two Turbulent Lives (Hardcover)
Steve Geng's wasted future may have been written in his DNA. Geng grew up in Philadelphia in the 1940's and early 50's. Before he was ten he was stealing and smoking and quaffing beers on the sly and setting things on fire. He spent his adolescence whoring and sliming around jazz clubs in Paris. (Geng's father, a colonel in the Quartermaster Corps, was stationed in Europe for six years beginning in the mid-50's.) With adulthood came addictions to heroin and alcohol, numerous arrests for shoplifting and stints in prison, estrangement from his family, an AIDS diagnosis, and relationships that ended with him being attacked with a claw hammer and set on fire.
There were a couple bright spots in Geng's life: a period in the 80's during which he was drug-free and enjoyed some success as an actor; a relationship with a woman who might have saved him from himself if his health hadn't got in the way. But throughout his life, Geng nearly always made the wrong choices, opting for the easy fix, easy women, and easy money. What's incredible about his story is that he lived long enough to tell it. Clean now since the late 90's and living in New York, Geng has discovered a purpose in helping other addicts in recovery.
Geng isn't the only author in his family. His older sister was Veronica Geng, a longtime writer and editor for the New Yorker, who died of a brain tumor in 1997. Geng's book is in part a love letter to Veronica, whom he'd put on a pedestal since they were children. In following the trajectory of his own life, he always brings the story around to her--what she was doing at the time, how he craved her approval--though very often, given the long periods they spent apart, he is unable to tell us much. Geng watched his sister's success in life from the outside, wondering always how she could excel in normal society while he couldn't get through the day without a fix.
Geng's idolization of his sister at times borders on the incestuous. Veronica "looked angelic in her Sunday dress," he tells us, when they went to church together as children. She was attractive in college as well: "I'd always been fond of her delicate features. Now there was a sharper arch to her eyebrows and a wry downward tug at the corners of her mouth, a new haughtiness that pushed out at the space around her and made for a protective cocoon." Elsewhere he describes a "longing" he feels for her, or perhaps for the sort of life she represents, from which he is excluded:
"A hundred things flashed through my head that I wanted to say to her, but the sudden intimacy had made us both very uncomfortable. I sat there stupidly rereading the damned story, hoping she wouldn't see in me the terrible mixture of pride and longing I felt for her as I read it again and compared her life with mine."
Geng writes well. He is good at evoking the feel and look of a place, though he is sometimes overly descriptive. The story is slowed by passages detailing musical performances, for example, or describing characters in the background of events he's narrating:
"All the way in the back of the dining area, four somber Africans sat silently at one of the tables. They were all dressed alike--black suits of some shiny fabric like sharkskin, with high, white celluloid collars and black knit ties. They had all their forearms braced on the table showing several inches of snow white cuff, and their eyes gleamed white out of round, ebony faces. They sat so still I first thought it was a painting or some sort of freestanding sculpture. Spooky."
Though over-heavy in detail, Geng's account is worth the read. Finishing it one feels some of the weight of his existence. And if it is difficult to like the author because of his lifetime of selfish hedonism, our antipathy is in fact a tribute to the honesty of his account. In the end, one can't help but respect him for that, and for finally managing to beat back his demons. Hopefully for good.
-- Debra Hamel
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1 of 1 people found the following review helpful:
4.0 out of 5 stars
A family story that is sad, but true, June 11, 2007
This review is from: Thick As Thieves: A Brother, a Sister--a True Story of Two Turbulent Lives (Hardcover)
After the fiasco of James Frey's book, Million Little Pieces, one tends to be skeptical of the memoir genre. We read these books with a part of us wondering if the tales of the writer's drug addiction are true.
Thick as Thieves in many ways is no different but it doesn't seem to be as important. There are other plot lines in this well-written novel that matter more. This is a story of an older sister, Veronica Geng, the well-known New Yorker writer, and her younger brother Steve Geng. Children of a colonel in the Quartermaster Corps and a stay-at-home military mother, Veronica takes a path to success and Steve takes a path of self- destruction.
Steve Geng chronicles his life as a beatnik, jazz enthusiast, criminal, actor and junkie. He does so with passion and a certain rawness that makes you feel both empathy and rage.
Thick as Thieves answers the question: How do two children growing up in the same family turn out so different? They both had the same set of parents with the same set of opportunities. Veronica graduated from an Ivy League school while Steve Geng received his education from the streets of Paris and New York City. Veronica went on to become a successful writer for a well-known publication, and Steve Geng went on to be a career criminal spending time in jail and in rehab.
Ironically enough Steve outlived his sister. The fact that he lost touch with her in her final year of her life haunts him to this day. So to repair the damage he caused his family, he goes back to AA and becomes an active member of the recovery community in Manhattan. He did so in his fifties, the time of his life when he wrote this novel.
Mr. Geng includes an author's note at the end of this book. I suggest he move it to the beginning to take away the skepticism of the potential reader who was damaged by James Frey.
Armchair Interviews says: A family story without a happy ending.
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