Product Details

• Actors: James Caviezel, Sean Penn, Nick Nolte, Kirk Acevedo, Penelope Allen
• Directors: Terrence Malick
• Format: Blu-ray, DTS Surround Sound, NTSC, Special Edition, Widescreen
• Language: English
• Region: Region A/1 (Read more about DVD/Blu-ray formats.)
• Aspect Ratio: 2.35:1
• Number of discs: 1
• Rated: R (Restricted)
• Studio: Criterion Collection
• DVD Release Date: September 28, 2010
• Run Time: 170 minutes
• Average Customer Review: 3.5 out of 5 stars  See all reviews (1,014 customer reviews)
• ASIN: B003KGBIRA
• Amazon Best Sellers Rank: #20,416 in Movies & TV (See Top 100 in Movies & TV)
  • #85 in Movies & TV > Blu-ray > Military & War
• Learn more about "The Thin Red Line (The Criterion Collection) [Blu-ray]" on IMDb

Editorial Reviews

Amazon.com

One of the cinema's great disappearing acts came to a close with the release of The Thin Red Line in late 1998. Terrence Malick, the cryptic recluse who withdrew from Hollywood visibility after the release of his visually enthralling masterpiece Days of Heaven (1978), returned to the director's chair after a 20-year coffee break. Malick's comeback vehicle is a fascinating choice: a wide-ranging adaptation of a World War II novel (filmed once before, in 1964) by James Jones. The battle for Guadalcanal Island gives Malick an opportunity to explore nothing less than the nature of life, death, God, and courage. Let that be a warning to anyone expecting a conventional war flick; Malick proves himself quite capable of mounting an exciting action sequence, but he's just as likely to meander into pure philosophical noodling--or simply let the camera contemplate the first steps of a newly birthed tropical bird, the sinister skulk of a crocodile. This is not especially an actors' movie--some faces go by so quickly they barely register--but the standouts are bold: Nick Nolte as a career-minded colonel, Elias Koteas as a deeply spiritual captain who tries to protect his men, Ben Chaplin as a G.I. haunted by lyrical memories of his wife. The backbone of the film is the ongoing discussion between a wry sergeant (Sean Penn) and an ethereal, almost holy private (newcomer Jim Caviezel). The picture's sprawl may be a result of Malick's method of "finding" a film during shooting and editing, and in some ways The Thin Red Line seems vaguely, intriguingly incomplete. Yet it casts a spell like almost nothing else of its time, and Malick's visionary images are a challenge and a signpost to the rest of his filmmaking generation. --Robert Horton

Product Description

After directing two of the most extraordinary movies of the 1970s, Badlands and Days of Heaven, American artist Terrence Malick disappeared from the film world for twenty years, only to resurface in 1998 with this visionary adaptation of James Jones’s 1962 novel about the World War II battle for Guadalcanal. A big-budget, spectacularly mounted epic, The Thin Red Line is also one of the most deeply philosophical films ever released by a major Hollywood studio, a thought-provoking meditation on man, nature, and violence. Featuring a cast of contemporary cinema’s finest actors—Sean Penn (Dead Man Walking, Milk), Nick Nolte (The Prince of Tides, Affliction), Elias Koteas (Zodiac, The Curious Case of Benjamin Button), and Woody Harrelson (Natural Born Killers, The People vs. Larry Flynt) among them—The Thin Red Line is a kaleidoscopic evocation of the experience of combat that ranks as one of cinema’s greatest war films.

Most Helpful Customer Reviews

182 of 203 people found the following review helpful

5.0 out of 5 stars Video Poetry June 19, 2001

By A Customer

Format:DVD

The same week I saw 'Saving Private Ryan', I saw 'The Thin Red Line'. I left the theater both times with the same reflective shock; silent for the drive home despite the questioning of my friends. In hindsight, I could have told you who would say what about these two films. 'Ryan' would attain wide commercial success, and 'Line' would be missed. Most, including anyone who reviews this film poorly, did not get it. This film is Video Poetry. In the same way that e.e. cummings would capitalize the letters R O U N and D through that wonderful poem about the round moon, the director laces the obvious bits of typical film (dialogue, acting) with constant thematic visual reinforcement. Man and nature are compared and contrasted. Just watch as the sun catches the blowing grasses in spectacular fashion before the field becomes a massacre. Our aims as a socitey are impeached. See the change in attitude between the native people and the formerly AWOL soldiers. There is an ugliness about it that you cannot help but feel. Something is intuitively wrong with everything going on, and the subtle suggestion of this fact is presented with difinitive dilligence. The sleeper of this film is the masterfully placed musical score- seamlessly woven through the fabric of tension and release- sometimes a backdrop, sometimes running thick over the dramatic action for reinforcement. Go buy the CDs- both are fantastic! I cannot believe that every soldier hazards the thoughts expressed in this film. Nor would I suppose it impossible that some in fact did. The war, however, is simply a device for the expression of some very valid points. If it makes you reconsider your preconceptions of what goes on in GI Joe's mind, all the better. If you are after an easily accessable night in front of the boob tube, go for Private Ryan. If you'd like something to think about for months to come, spend a few hours with The Thin Red Line.

108 of 122 people found the following review helpful

5.0 out of 5 stars Criterion hits it out of the park with this Blu-Ray September 30, 2010

By Jonathan Rimorin

Format:Blu-ray|Amazon Verified Purchase

I already loved the film, so waited so patiently for Criterion to come out, as it simply HAD to come out, with a definitive edition. I read and posted on the various fora, sent the emails, re-tweeted the enigmatic and happy Twitpic that Criterion posted, jumped all over the Criterion newsletter when they came out with their gnomic icon confirmation. I got the Blu-Ray the day it dropped, and have spent the subsequent couple days in a kind of reverie. I just watched the film -- which is, full stop for effect, absolutely STUNNING in Blu-Ray. Every technical aspect, from the color to the surround-sound (I so love the use of Charles Ives' "The Unanswered Question" in the middle of a battlefield atrocity), is reference-quality AWESOME. I've yet to experience the commentary, but I've watched the insightful feature on James Jones and the novel from his daughter and listened to the chants; there's still the 15 deleted scenes and the wartime newsreels on Guadalcanal to go through, plus some other extras I'm sure. The essay is wonderful. If you think you experienced a religious ecstasy the first time you saw The Thin Red Line, just experience it again on this Criterion Blu-Ray and undergo true cinematic rapture.

** UPDATE ** I've watched all of the extra features, which are uniformly insightful and superb.

Commentary: This is by cinematographer John Toll, production designer Jack Fisk, and producer Grant Hill. Criterion commentaries are usually of three breeds, I find: hit-or-miss commentaries by film scholars (Peter Cowie's Bergman commentaries would be hits, the dull "you see the door in that shot? that door represents an opening" commentary on Solaris would be a miss), idiosyncratic commentaries by directors (Edward Yang, Jim Jarmusch), and then incredibly detailed production commentaries by people who worked on the production (The Last Metro, both Malicks). I like the director commentaries the most, since they usually combine both interpretation and production stories. The Thin Red Line commentary is completely about the production of the film, suffused with an almost worshipful regard for Terrence Malick. I found it a little dry. I would've liked discussion about, say, the poetry of the film -- the beautiful scene of Witt's mother dying, for example, which is like a Renaissance painting. Instead you hear that that scene was one of the last ones filmed.

Actors: An almost 30 minute featurette, featuring interviews with Sean Penn, Kirk Acevedo, Thomas Jane, Elias Koteas, Dash Mihok and Jim Cavaziel. I didn't find this particularly interesting; the actors uniformly fawn over Malick's genius and basically congratulate themselves for participating in the film.

Casting: A twenty minute featurette with the casting director, Diane Crittenden, featuring many audition tapes. Pretty interesting to see now well-known actors audition in the beginning of their careers (Nick Stahl, especially). Thomas Jane was quite the rockabilly.

Music: Hans Zimmer talks about his ambitious (he calls it "pretentious") ideas for the soundtrack of the film, particularly the idea that the music "should keep asking questions." I didn't realize that Zimmer had done the thoughtful music for Thin Red Line: it's so different from the sonic bombasts he's been doing lately.

Editing: Malick's team of editors, Billy Weber, Leslie Jones and Saar Klein discuss their work on their film. I found this feature to be the most interesting of the lot, particularly their discussion of how Malick pared the original 5-hour cut of the film (which, according to them, was plot-heavy, expository and filled with dialogue) into its current form, which is essentially a silent film layered with voiceover. Apparently Malick watched the assemblies with the soundtrack out, listening instead to Green Day. Who knew Terrence Malick liked Green Day?

Deleted Scenes: These fourteen minutes of deleted scenes show what a different movie The Thin Red Line could have been: they're basically straightforward dialogue and action scenes, with little or no voiceover or music. One of the events that actually happened to James Jones that he put into the novel -- he was surprised by an enemy soldier while taking a crap, and managed to kill him -- turns out to have been filmed after all. Another scene shows George Clooney displaying some fine actorly chops.

Kaylie Jones: James Jones' daughter talks about her father and the writing of The Thin Red Line in an illuminating featurette.

Newsreels: Ten 2-minute newsreels from 1942 talk about the American involvement in the Solomon Islands and Guadalcanal in an incredibly gung-ho, Celebrate Our Boys fashion. It's an amazing counterpoint to the film.

Melanesian chants: Audio-only feature on the native chants used in the film.

Trailer: Watch this after you've seen the film, since like most trailers it completely gives everything away.

108 of 125 people found the following review helpful

4.0 out of 5 stars A very moving war film! June 7, 2001

By D. Litton

Format:DVD

"The Thin Red Line" had the severe bad luck of being released in the shadow of one of the most favored modern war films of all time, "Saving Private Ryan." Oscar buzz was all the rage for that film, which focused on the war in Europe as well as patriotism and courage. "The Thin Red Line" chooses to focus more on the human beings at war than the country or mission for which they are fighting. It dives deep into the subconscious of its characters, exposing their feelings in the face of battle and carnage. Though heavily stylized, director Terrence Malick knows where the movie is going, and takes it there in stride.

Spanning a running time of just short of three hours, we're taken on a journey to Guadalcanal, where American troops are landing on the sandy beaches only to encounter a foe that, for a while, seems unbeatable. Their mission: to take over an airstrip and give America an advantage in the Pacific War. It is here that the characters are established: First Sergeant Welsh (Sean Penn), whose only wish is to lose all feeling for the events he experiences; Lt. Colonel Tall (Nick Nolte), obsessed more with his image than with actual victory; Private Witt (Jim Caviezel), a quiet, almost spiritual soldier with a soft yet firm heart; and Private Bell (Ben Chaplin), whose memories of his wife are what fuel his drive to fulfill his mission so he may return home.

Like "Ryan," this film has intense images of graphic violence associated with war and battle. While Malick does not use the same technique as Speilberg, whose film is gritty and never without unsteady camera shots, his slow-motion captures, cut to the powerful score of Hans Zimmer, are just as moving and powerful. Scenes that stick out in the mind are the Americans' capture of a Japanese bunker on a hill, while their raiding of an enemy camp is one of the most moving pieces of cinematic masterpiece I've ever seen in any film.

The second half of the film takes us to where the real focus of the movie has been all along. After their mission is accomplished, the regiment is given a week of rest, during which time each of the characters is given a chance to reflect on the experiences of the previous day. Some of them question their own existence in the face of such brutality, while others try to cope with the fact that they have committed murder. The movie is brilliant for its ability to separate one's feeling of victory with their latter realizations of the acts they have taken part in.

One right after another, the movie brings out unheard of emotions that will stir even the hardest of cynics and critics. The images of war, people crying out for help, breathing their last, and just the frenzied, frantic bravura of it all is deeply moving, one of the best war portrayals to date. The psychological examinations are also very heartfelt, establishing the soldiers as characters, and more than mere pawns in a game of war. Each of them has a monologue that plays during the movie, their thoughts and feelings put into poetry for the screen.

While the movie is particularly preferential in its choice of which characters deserve more screen time, the performances turned in by each actor are masterpieces in themselves. Penn is forceful as the hard yet movable Welsh, while Nolte is believably stern and unrelenting as Col. Tall. Ben Chaplin is perhaps the most emotional character, Private Bell, who is haunted by thoughts of his wife back home. And Caviezel is an incredible addition to the cast as Witt, whose simplistic view of the world sets the mood for some of the movie's most powerful scenes and monologues.

Even those not partial to war films may favor the grandeur and spectacle of "The Thin Red Line." A stirring war epic and an intense journey into the mind are swirled into an engrossing movie that tugs at the heartstrings with such a grip you have no choice but to go along with it.