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24 of 25 people found the following review helpful:
4.0 out of 5 stars
Short story gems, July 4, 2009
These are beautiful, whimsical stories of culture shifting, of the intersection of differing African cultures with each other and in particular, the intersections of Nigerian culture, beliefs and experiences with that of the US. Ngozi Adichie's characters are poor, struggling housemaids, young African authors trying to make it as writers with the doubtful aid of English "African literature lovers", Big Men grown fat and over confident with power, influence and wealth, poor students trying to make their way in Western universities, retired academics waiting patiently, but without faith, for their pensions to be paid. Her best characters are the barely noticeable outsiders, those treading the at time treacherous, at times pitiful borders between Africa family and tribal norms and the consumer driven West. The wars, massacres and revolutions here are not those of Old Europe, but of Young Africa yet they have the same, stark effect of those who remember and mark their lives by these epoch-making events. These stories reward and enrich at a number of levels and provoke reflection long after the book is read.
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15 of 16 people found the following review helpful:
5.0 out of 5 stars
Snapshots into the lifestyles of Nigerians at home and in diaspora!, July 15, 2009
Nigerian writer Chimamanda Ngozi Adichie's newest novel is a collection of 12 short stories, some of which have been previously printed in journals under different names ("The arrangers of marriage" was published as "New husband" in Iowa Review). Written in her trademark fluid and highly descriptive style (akin to fellow Nigerian Chinua Achebe's), they tell tales familiar to most Nigerians; Cult activity in Nigerian universities, late (or no) pension payments to retired civil servants, a husband's affair and the troubling effect on the wife, Religious riots in a Northern Nigerian city and their aftermath, a morning at the US embassy, a US visa lottery winner's experience in the US, sibling rivalry, and a new bride's awakening after an arranged marriage to mention a few. Much like her previous books, the tales usually feature some strong female character (or some seemingly weak and docile female who develops strength over the course of the tale) and are set in reference to some real life occurrences in Nigeria; a plane crash that occurs on the same day as the first lady's death after plastic surgery, living under an oppressive military regime, etc. My only complaint is that a few of the stories seem to grind to an abrupt halt just when you are expecting them to take further flight. She is just as pretty in the flesh as she appears in photos, I saw her at a book reading and signing for this book last week. Another literary classic!
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10 of 11 people found the following review helpful:
4.0 out of 5 stars
AN ACCESSIBLE WRITER, November 18, 2009
Chimamanda is a very accessible writer. She presents a beautiful collection of tales, with African women, especially Igbo women, at the centre of the tales. Her style is free-flowing, highly redolent of one who has mastered the art of story telling.Her diction is not too facile or incomprehensible. This serves to engage the reader fully, and one gets to appreciate the plainness, simplicity, strength, and beauty of her prose. The story I loved the most was "Ghosts", followed by "The Headstrong Historian".Most of the other stories were good but some did not resonate well with me.I felt they were a bit weak in content, and the themes were lost on me.However this is not to take away any credit from Chimamanda. She pits Western ideals against traditional Igbo values, and leaves the reader to judge which is better. However, in some instances,I believe she tacitly admits that the Igbo norms and cultures are superior to Western ways with their detachment from communal norms, a lack of respect for age, religious morality etc.The African is presented most times in the best possible light,but this does not mean an abdication of blame in the ills that forever plague us in the developing parts of the world.In some stories, the inane practices of pre-existing traditional societies is mentioned e.g curbing promiscuity by insertion of herbs into the female.It would have been nice to see a condemnation of such practices.However, that was not the point of that particular story. There is an overt feminist tone in most of the stories, which is quite understandable .And I commend her depiction of strong, feminine characters, the situations they encounter, and how they are dealt with in every facet of daily existence. As an African, and Nigerian, I am proud of Chimamanda's achievements so far, and hope that her success will open the doors for other young, fledgling writers in Nigeria, who are seeking an avenue to be read by the rest of the world.Indeed, there are more stories in that part of the African continenet waiting to be told.
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