From School Library Journal
Grade 8 Up-Johanna, 16, is a straight-A student with near perfect SATs. She adores Paul, a handsome senior, from a shy, self-conscious distance. When he begins to return her affections, she's dumbfounded and ecstatic. Then he hits her. Scared, she leaves him. He promises to change. Her heart and fragile ego win over her brain and self-respect and she takes him back. All the while he drinks and writes maudlin, self-pitying letters to his dead dad. As Janet Tashjian did in Fault Line (Holt, 2003), Jones adds an abusive father to give his teenage abuser pathos. The great difference between the two stories is in the deftness with which Tashjian created a truly charming abuser. Jones states over and over that Paul is funny, but often fails to show this in his interactions with Johanna. His quips are so smarmy and ingratiating that readers doubt her intelligence just because she laughs. The characters often speak without contractions, so the dialogue can be more stiffly editorial than believably teenage. Images are repeated as motifs, but most are more tiresome than meaningful. The constant references to Bruce Springsteen, which may confuse or annoy a 2004 teen, fail to move the plot or establish mood; the music serves only as a cheap symbol of Paul's anger. Johanna's struggle, pain, and final liberation are more convincingly written, and the novel shines in her scenes with Kara, a popular girl who suspects Paul's abuse. An earnest though clumsily told story.
Johanna Lewis, New York Public LibraryCopyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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Gr. 8-11. Sixteen-year-old Johanna has always been "daddy's perfect tough little Marine girl"--a determined student who usually gets what she wants. Now she has her first boyfriend, Paul, the disturbing, anger-filled student body president. As Johanna and Paul become more involved, Johanna's grades drop, her relationships with her parents and best friend are compromised, and her life is jeopardized. From the opening sentence, "I want you to kiss me," to the ominous conclusion, this is a compelling novel about teen dating, violence, and the tangled web of love and pain that permeates such dangerous relationships. Paul's pinning the blame on his violent father, who died long ago, may seem pat, and angry, poignant letters to his dad seem contrived, but readers will easily understand Johanna's excitement and attraction, as well as her need for love and security. Jones, the author of a number of professional materials for YA librarians, avoids didacticism in a debut novel that is both forceful and cautionary. For YAs wanting still another book on the subject, suggest Sarah Dessen's
Dreamland (2000).
Frances BradburnCopyright © American Library Association. All rights reserved
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