From Publishers Weekly
When the World Press Photo organization wanted to issue a commemorative volume that would dynamically trace developments in the last half-century of photojournalism, they had a very good idea: instead of presenting just a selection of memorable images, they would also reproduce the context—the actual pages of newspapers and magazines—in which the images first appeared. The result is a resounding technical success; the volume is big enough to clearly reproduce a variety of formats while remaining comfortable to look through. The book is also exceptionally well edited, with spare but helpful texts, an intelligent mix of the familiar (Salgado's 1987 series of Brazilian miners for the
London Sunday Times) and fairly obscure (Donna Ferrato's powerful
Philadelphia Inquirer series on domestic violence from the same year). Serious topics rub shoulders with comparatively lighthearted but era-defining sequences, like Helmut Newton's 1979 shoot in Berlin for the German edition of
Vogue and Martin Parr's "Sun Kitsch" spread for
W in 1997. The original layouts are highly evocative in themselves, and the reduced format intensifies their graphic power. This book is compulsive reading for anyone interested in how photographers have witnessed history and how their images have entered it.
(Mar.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to the
Hardcover
edition.
Product Description
This paperback edition of the bestselling and award-winning survey, Things as They Are presents the story of photojournalism over 50 years, from 1955 until today. It takes us from the golden era of the illustrated press--the heyday of Life and Picture Post magazines and the moment of The Museum of Modern Art's defining Family of Man exhibition--to the explosion of digital media in the twenty-first century. This history is told through the presentation of 125 photojournalistic features shot and published around the world. The stories are presented in context--reproduced from the pages of the newspapers and magazines where they originally appeared, as their contemporary public would have experienced them. In this way, Things as They Are reveals how the events of the world, the fine art of photography, and the interests of publishers and the press converged on the printed page. It traces how photojournalism has developed over time alongside changing technology, media, fashions in photography--and a changing world. Includes landmark photo-essays by W. Eugene Smith, Sebastiao Salgado, Mary Ellen Mark and James Nachtwey, among others, each accompanied by expert commentary.