4 of 4 people found the following review helpful:
5.0 out of 5 stars
Collection of best early work by Ahdaf Souif, May 4, 2008
This review is from: I Think of You: Stories (Paperback)
Brilliant collection of Short Stories by Ahdaf Souief. I bought the book thinking it was new collection of short stories but as I read the stories felt familiar. After a while I realized this is just the American publishing of Ahdaf's short stories from her very first book Aisha and also from Sand Piper.
As I read or re-read these stories, I thoroughly enjoyed them. Most of the characters were later resurrected, or rather fully developed, in Ahdaf Souif's masterpiece "In the Eye of the Sun".
What I love about Ahdaf Souief the most, is that she appear to write mostly for herself, she is not a marketing oriented author, she is not writing to be accessed by as large an audience as possible. You need to want to get into her own world; you need to try to understand her language, her pace and her approach. The reader needs to work at it to get to see the beauty of her lyrical language, the characters and ultimately the novel. I have never read anyone better than Souif when it comes to a true and genuine bi-cultural sensibility, her skill with the language and her intelligence in writing are truly remarkable.
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4 of 6 people found the following review helpful:
3.0 out of 5 stars
Stories set in Egypt and the UK, April 5, 2007
This review is from: I Think of You: Stories (Paperback)
Ahdaf Soueif's first fiction offering since The Map of Love, which was shortlisted for the 1999 Man Booker Prize, is actually a repackaging of nine stories originally published between 1983 and 1996.
Set primarily in Egypt and the United Kingdom, each of the stories features a female character. Throughout the collection Soueif focuses on the interior life of her protagonists and the ordering of the stories lends some sense of a progressively maturing voice. The collection, however, does seem a bit uneven. With the first five stories developing two specific characters, the protagonists of the final stories seem comparatively inchoate.
The first three stories--"Knowing," "1964," and "Returning"--show three different epochs in the life of Aisha, an Egyptian woman who immigrated to the United Kingdom in her teens. "Mandy" and "Satan" feature Asya, a woman separated from her husband who is dealing in different ways with the repercussions of their broken marriage and his philandering.
In the title story, which is arguably the collection's strongest, the unnamed first-person narrator has been hospitalized due to a high-risk pregnancy. With her husband in London unable to get a visa, and her family in Cairo, she is alone, the only patient not observing purdah. She survives her hospitalization by invoking an elderly friend, confidante, and role model who died of cancer.
If the stories have a unifying theme it is that of estrangement; estrangement (both emotional and physical) from husbands, as well as from the homeland and the culture of one's childhood. While I think of you lacks the refinement of Soueif's later work, it is nevertheless worth reading. Her stories are touching, nostalgic, but never overly so. Soueif's prose is lyrical and this collection is buoyed by her ability to give her readers an extraordinary sense of place.
Armchair Interviews says... I think of you will transport readers, but it cannot compare to The Map of Love.
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