An anthology of writings on exhibition practice from artists, critics, curators and art historians plus artist-curators. It addresses the contradictions posed by museum and gallery sited exhibitions, as well as investigating the challenge of staging art presentations, displays or performances, in settings outside of traditional museum or gallery locales.
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About the Author
Reesa Greenberg is Associate Professor of Art History at Concordia University.
Bruce W. Ferguson is Director of SITE Santa Fe. Sandy Nairne is Director of Public and Regional Services at the Tate Gallery, London.
Bruce W. Ferguson is Director of SITE Santa Fe. Sandy Nairne is Director of Public and Regional Services at the Tate Gallery, London.
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Inside This Book
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First Sentence:
'The museum is a house for art', according to Harald Szeemann, the independent Swiss exhibition designer, well known for such events as documenta 5 (Kassel, 1972), Junggesellenmaschinen (Bern, 1975) and Der Hang zum Gesamtkunstwerk (Zurich, 1985). Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
son accrochage, exhibitionary disciplines, first documenta, exhibitionary complex, fair zones, monographic exhibitions, carceral system, exhibiting art, installation view, musée imaginaire, curatorial practices, exhibition curator, empty gallery, alternate spaces, exhibition designers, white cube Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Latin American, United States, Museum of Modern Art, North American, Jac Wall, First Nations, National Gallery of Canada, Harald Szeemann, Centre Pompidou, East Village, Vietnam Veterans Memorial, Centre Georges Pompidou, Los Angeles, Louise Lawler, Andy Warhol, Metro Pictures, Sandy Nairne, Daniel Buren, Douglas Crimp, Great Exhibition, One-Picture Gallery, Arts Lab, Judith Barry, Rudi Fuchs New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
'The museum is a house for art', according to Harald Szeemann, the independent Swiss exhibition designer, well known for such events as documenta 5 (Kassel, 1972), Junggesellenmaschinen (Bern, 1975) and Der Hang zum Gesamtkunstwerk (Zurich, 1985). Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
son accrochage, exhibitionary disciplines, first documenta, exhibitionary complex, fair zones, monographic exhibitions, carceral system, exhibiting art, installation view, musée imaginaire, curatorial practices, exhibition curator, empty gallery, alternate spaces, exhibition designers, white cube Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Latin American, United States, Museum of Modern Art, North American, Jac Wall, First Nations, National Gallery of Canada, Harald Szeemann, Centre Pompidou, East Village, Vietnam Veterans Memorial, Centre Georges Pompidou, Los Angeles, Louise Lawler, Andy Warhol, Metro Pictures, Sandy Nairne, Daniel Buren, Douglas Crimp, Great Exhibition, One-Picture Gallery, Arts Lab, Judith Barry, Rudi Fuchs New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 100
books:
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45
books
cite this book:
See all 45 books citing this book
- The Order of Things: An Archaeology of the Human Sciences by Michel Foucault on page 110, page 215, and page 216
- The Origins of Museums The Cabinet of Curiosities in Sixteenth- and Seventeenth-Century Europe by Oliver Impey on page 99, page 110, and Back Matter
- Charles Baudelaire by Walter Benjamin on page 111, page 129, and page 347
- Native American Art (Art in History) by Petra Press on page 433, and page 434
- Public Fantasy by Judith Barry in Table of Contents, and page 311
See all 100 books this book cites
- Visual Methodologies: An Introduction to the Interpretation of Visual Materials by Gillian Rose on 4 pages
- Museums After Modernism: Strategies of Engagement (New Interventions in Art History) by Griselda Pollock on 4 pages
- Museums After Modernism: Strategies of Engagement (New Interventions in Art History) by Griselda Pollock on 4 pages
- Heritage, Museums and Galleries: An Introductory Reader by Gerard Corsane on page 102, page 212, and page 213
- Fuseli's Milton Gallery: 'Turning Readers into Spectators' (Oxford English Monographs) by Luisa Calï¿1/2 in Front Matter (1), Front Matter (2), and Back Matter
See all 45 books citing this book
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