A unique book for anyone who has ever wondered how movies really get made, by America's most brilliant independent filmmaker. Sayles gives an illuminating book about the choices that lie at the heart of every movie.
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Most Helpful Customer Reviews
15 of 16 people found the following review helpful:
5.0 out of 5 stars
An well-written snapshot of independent film making,
By A Customer
This review is from: Thinking in Pictures: The Making of the Movie "Matewan" (Paperback)
"Thinking in Pictures" is a very good guide to the processes involved in making movies. Sayles writes about the germination of the movie and then the myriad decisions and compromises and joys that went into realising it on screen. If you've ever wondered about the tensions between the creative and the logistic and financial, here's a book that lays out, with wit and detail, the ups and downs of an interesting small production. It's also relatively ego free. "Matewan" was an interesting small film, but this book is a gem.
4 of 4 people found the following review helpful:
5.0 out of 5 stars
excellent book about making movies,
By A Customer
This review is from: Thinking in Pictures: The Making of the Movie "Matewan" (Paperback)
I thought this book was very effective in taking me on the journey that John Sayles took while making the movie Matewan. I love movies and was fascinated with this book. Other books of this kind that I have enjoyed are Robert Rodriguez's Rebel Without a Crew.
2 of 2 people found the following review helpful:
5.0 out of 5 stars
Movies as History,
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Amazon Verified Purchase(What's this?)
This review is from: Thinking In Pictures: The Making Of The Movie Matewan (Paperback)
I teach American History and Film, my goal being how to get students to critically evaluate American history as portrayed by Hollywood. I have used John Sayles'"Matewan" about the West Virginia coal field wars and learned much from his discussion of how he created the film. It is possible to learn about history from films, but it must be done with a critical eye, and Sayles helps explain how one does that--as a film maker and as a viewer.
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