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19 of 20 people found the following review helpful:
5.0 out of 5 stars
WILL SOMEONE LET THE WOMAN SPEAK?, May 24, 2008
Whose work are we actually reading at this point? There were major differences in punctuation, word choices, and scene breaks between the original Collins and Dodd Mead editions of this novel. There were further differences between the Dodd Mead editions republished by Random House/Avenel and the Dodd Mead editions republished by Simon & Shuster/Pocket. There are further additions still in the recent Signet, Berkley, and Leventhal and Black editions. For every publishing house putting out her works, there seem to be a new batch of editors altering Agatha Christie's words and the sound of her voice. Here the publishers at Collins, dissatisfied with their own earlier efforts, put still more distance between author and public with a "New Ed" edition. What's the matter with these publishers? Whose voice do they think we want to hear when we sit down to a novel by Agatha Christie? And what will she sound like twenty years from now? It's frightening that her estate has failed to see the importance of guarding her words as she wrote them. Please tell me I'm not the only one here who senses that a crime has been committed.
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21 of 23 people found the following review helpful:
4.0 out of 5 stars
Christie Gives Us A Mystery Set In Modern London, June 15, 2001
This book, first published in 1966, gives us a very different look at London than the wonderful novels Christie wrote in the 40's did. Poirot amongst the swinging Bohemians? Well, it happens. Christie and Poirot both changed with the times and the result is interesting, although probably not her best work. The term "third girl" refers to a way of leasing flats, very similar to the term "roommates" in the US. One girl rents a flat, then advertises for a second and third girl to share accommodations and expenses. Ariadne Oliver once more assists Poirot in this tale of impersonation, drugs, smuggling, forgery, blackmail, and a young girl who can't remember committing a murder. This is a great commentary on English life in the sixties and, as always, excellent plotting and character development in the Christie tradition.
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8 of 9 people found the following review helpful:
5.0 out of 5 stars
Another great Agatha Christie book!, July 16, 1997
By A Customer
Another classic by Agatha Christie. The setting
is very much 60's-ish, but I've never minded that
Agatha's books are set solidly in the era they are
written in.
Only bad part, it can be a bit hard to keep all the characters straight. But without many characters, it wouldn't be much of a mystery would it? Agatha does a good job of reviewing the clues in the book through, preventing you from having to keep track of them in a notebook.
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