Most Helpful Customer Reviews
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7 of 9 people found the following review helpful:
5.0 out of 5 stars
fewer bells and whistles but still just fine, May 5, 2007
I'm fairly certain that the reviewer who gave this older edition one star has not actually seen it. If he had he'd know that the picture and sound are just fine, and from what I can tell about 60% of the features on the two disc edition are on this one too. You'll have to decide for yourself if the bells and whistles are worth the extra money, but if you want to save yourself a few bucks then you're not missing too much with the older version.
Honestly, Criterion would have done us all more of a service if they'd finally gotten "Our Man in Havana" out on DVD instead of putting out a deluxe edition of "The Third Man." But I do have to give them a lot of credit for releasing "The Fallen Idol" on DVD.
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5.0 out of 5 stars
Still One of The Greatest, June 4, 2009
Viewing "The Third Man" again brings back pleasant memories not only because it is a masterful movie, but because it helps to relive my personal experience in the Austrian capital. In 1954 I was stationed in Vienna with the U.S. military police company that included the International Patrol featured in the movie. Seeing the streets I knew so well was a treat. I saw the movie in 1949 and like many others was captivated by the Anton Karas's zither title theme and music from the movie.
What makes this a classic motion picture?--the superb acting (particularly Joseph Cotton, Orson Welles, Trevor Howard, and Alida Valli), the flashes of humor (witness the Wilfred Hyde-White scenes), the gripping black and white photography, the suspense, the chase sequences (especially the one with the little boy chasing and accusing the couple through the dark streets), the use of ominous shadows, the build-up of the mystery of the third person at the death scene, the use of Vienna as a major player, and the innovative zither sound track.
Also: the great direction by Carol Reed surpassing Hitchcock's similar work, the love interest, the enormity of Harry Lime's crime in human terms, the little insights into characters (Baron Kurtz and Dr. Winkel were probably lovers), the police procedural component (the British military police), and Graham Greene's great script based upon his novel. Like other golden movies, it is able to draw you into its being so you get completely enveloped in it like a Venus fly trap. Great movies transport you into their world.
Some footnotes: The movie has some eccentric characters as side effects. Reed focuses on little details that catch the viewer's attention like Lime's cat. The sleazy Casanova Club is part of the Viennese backdrop. Lime is a boy who "never grew up." Popescu says, "Everybody ought to be careful in a city like this." Lime hides in the shadows, and Cotton is unaware of it as he says, "Come out, come out, whoever you are." The giant ferris wheel in the Prader was a sight I had to see and ride for myself after having seen it in the movie. The chase in the sewers stays with you long after you have seen the movie.
It's a movie I never tire of.
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11 of 22 people found the following review helpful:
1.0 out of 5 stars
Get the newer version instead, April 11, 2007
THE THIRD MAN is a classic tale of suspense and betrayal with a terrific performance from Orson Welles and one of the most unusual film scores ever. However, I almost ordered this DVD by mistake not realizing that it is in fact the older version. Criterion is releasing a brand new version of this title in May which features better picture quality and an entire second DVD full of extra features that are not available on this version. That is definitely the version to get and I am really looking forward to it.
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