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From director J.J. Abrams comes the next installment in the Star Trek saga, Star Trek Into Darkness. Watch it in theaters now and pre-order on Blu-ray, 3D Blu-ray, DVD, and the Exclusive Starfleet Phaser Gift Set. Shop Star Trek Into Darkness and more in the Star Trek Store. Learn more |
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Special Features
- 10 deleted scenes with commentary
- Making-of featurette
Editorial Reviews
Customer Reviews
At the start of the movie, Tracy (played by Evan Rachel Wood) is a good student with a not-so-great family life. Her mother is struggling to put food on the table and under a lot of pressure to hold family and home together.
So it makes sense that Tracy would be drawn to "the coolest girl in school", Evie, a wild rebel with a penchant for danger. Evie gladly takes Tracy under her wings, often pushing her into Tracy into situations she isn't prepared for (parents should be aware that some of the scenes are graphic, including sexuality and nudity).
It is impressive that this film is so utterly believable and the sensational and often shocking scenes make sense in the context of Tracy and Evie's lives. Adding to the strength of this film is Holly Hunter's strong performance as a mother who is desperate to save her daughter but isn't quite sharp enough to find the right path. One of the best films of the year, bar none!
Tracy's (the remarkable Evan Rachel Wood) descent into the world of drugs, casual sex, and smiling lies is a descent I have seen far too often in real life. Some reviewers were suspicious of the quickness of her progression into this world. However, one must remember that these are middle schoolers, not twenty-somethings, and the overwhelming insecurity of most 13 year olds allows them to change their images daily. Also, Tracy is not necessarily a "good girl" when the movie begins. She already smokes, and seems to feel stuck in her life both at school and at home. This is evident in scenes she shares with her friends, and a particular scene with her mother (Holly Hunter in an incredible performance), where despite her best efforts, Tracy cannot get the attention she needs from her mother, who is wrapped up in most aspects of her own life, especially romantically.
Thirteen is not for those who wish to shut their eyes to what is truly happening to our culture and society. However, I would recommend that every parent see Thirteen with their child to know the reality of the environment their child is growing up around. If you are a parent, do not believe for a moment that the experiences of Tracy are experiences that take place everywhere else. Whether you know it or not, this movie does indeed hit close to home.
A few more notes before I end this review. Evan Rachel Wood deserves an Oscar for her harrowing performance as Tracy, Holly Hunter is better than I have ever seen her, and Nikki Reed is inspiringly truthful in both her writing and her performance as a character she had not intended to play. Catherine Hardwicke, as the director, uses her own emotions and vibrant colors to convey the truths hidden behind the masks each character wears. The obsessive need of the two girls for each other, as a replacement for lack of love in other aspects of their lives, is perhaps the most honest part of this movie.
Whether you enjoy it or not, Thirteen is a movie that must be seen. More than a social commentary, Thirteen is almost a mirror of reality.
Although most critics give the film massive acclaim, some have shuddered at the shocking horror of the explicit nature of the teen lifestyles of Thirteen and many perhaps deny the possible accuracy of the film. "Are kids really that bad?" No, not all kids are drug-users dealers hypersexed or criminals but one must admit with a generation raised on MTV and Hollywood scandal , where many kids have to go to school in fear if their classmates may kill them, a generation where many believe oral sex isn't as intimate as kissing, or being a "pimp" or a "thug" is the true aspiration of life...the mood of the film is an unflinching cinematic opus to a generation sadly spiralling out of control.
