From Publishers Weekly
This stellar new stand-alone from Morgan, known for his compelling future noir thrillers (Altered Carbon, etc.), raises tantalizing questions about the nature of humanity. Future governments have used genetic manipulation to create subhumans twisted to fit specialized tasks. Normal people are intrigued as well as repulsed, but they instinctively dread variation thirteen, an aggressive, ruthless throwback to a time before civilization. When a thirteen escapes from exile on Mars and apparently goes on an insane killing spree, Carl Marsalis, a soul-weary freelance thirteen hit man, is hired to help track him down. Morgan goes beyond the SF cliché of the genetically enhanced superman to examine how personality is shaped by nature and experience. Marsalis is more empathetic than the normal people around him, but they can see him only as an untrustworthy killer. At the same time, surveying corrupt, fractured normal society, the novel questions whether the thirteens are just less successful at hiding their motives. Without slowing down the headlong rush of the action, the complex, looping plot suggests that all people may be less—or more—than they seem. (July)
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Winner of the Philip K. Dick Award for Altered Carbon
(see below), his debut novel, and the author of successful follow-ups Broken Angels
(**** July/Aug 2004) and Woken Furies
, as well as the stand-alone Market Forces
(*** May/June 2005), Richard K. Morgan and his characters are hardly strangers to violent dystopias. Thirteen
, published simultaneously in Britain as Black Man
, tackles some difficult issues, including race and identity. The result is perhaps less compelling than some of Morgan's previous work, and the novel could have been shorter. Still, the author can hardly be accused of simply retreading familiar ground. Thirteen
is a solid effort for Morgan's devotees, as well as a good read for fans of military sci-fi with a twist.
Copyright © 2004 Phillips & Nelson Media, Inc.