Customer Reviews

Thirty-Nine Steps

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1 star:		(3)

 

 

An effortless adventure classic that spans the void between dime shocker and quality literature. The rapid elaboration of the plot, that is so well known that it has passed many images into popular conciousness, is still satisfying after many reads. Richard Hannay returned to England, after making his fortune in South Africa, is unwillingly ensnared in a tortured plot to assassinate Karolides the Greek premier and so plunge Europe into war. Scudder, an American journalist turned spy has coded information relating to the plot but is murdered in Hannay's luxurious flat before he can pass on the code. Hannay, with all fingers pointing to him as the murderer escapes by Scottish express and with Scudder's coded notebook .Decamping from the train in the Sottish lowlands ( the Forth Bridge escape from the train was created with the 1935 Hitchcock film adaptation ) he is pursued across hill and dale by the police and the enemy agents intent on seizeing the notebook. In his flight he holes up in a remote wayside inn with a literary inn keeper, who can quote Kipling. It is here that he masters the code and learns Scudder's secrets. From then on it's a race to get to London and notify the authorities. One of the brilliant scenes on the way, concerns Hannay posing as road mender to evade his pursuers. To do this, Hannay explains how you must become one with the environment you're using as a cover; one of Buchans's favourite ploys and one employed in many of his novels. Hannay exchanges pursued for pursuer and tracks the agents to their escape channel and ultimately the title of the book is explained. Every reading of this splendid and timeless novel reveals further delights that may have been missed before and even well remembered scenes take on a fresh vividness and charm. My praise may seem fulsome but after experiencing 'The Thirty Nine Steps' you too will be won over

It was not until recently that actor Douglas Fairbanks, Jr. and others learned and revealed the information that John Buchan, author of "The Thirty-nine Steps" as well as the highly successful Greenmantle series, had been the head of the secretive British domestic intelligence agency which parallels the FBI in the United States, MI-5. With that knowledge it is increasingly easier to see how the Scotland-born Buchan was able to write such penetrating spy stories, which contain such a strong tone of believability.

"The Thirty-nine Steps" traces the activities of Richard Hannay into the world of master spies. This gripping first person account details how an innocent was drawn into the grimy world of espionage after an American called Scudder who lived in his Portland Place apartment building contacted him one day, telling him he was about to be assassinated by a group of master spies. When the act is accomplished Hannay becomes a sought after potential victim as the spy group fears what he might know about their enterprise. He is also pursued by police as a murder suspect in Scudder's death.

Hannay, a former international mining engineer, tells adventure stories about his foreign experiences and uses common sense resourcefulness to prevent the police from arresting him as the suspected killer of Scudder and the spy masters who want him dead for what he might have learned from his former neighbor Scudder.

Buchan, a former mountain climber and a distinct man of action, presents Hannay as a man much like himself, using mental and physical resourcefulness to stay out of harm's path. Scotsman Buchan presents excellent descriptions of chase sequences in the Scottish moors as Hannay hides in and steps through heather and brush, eluding those who chase him.

Eventually Hannay is able to solve the case by using logic in the way of Arthur Conan Doyle's presentation of Sherlock Holmes. Buchan was influenced by Doyle. This influence is particularly notable at the story's fascinating conclusion.

John Buchan's novel The Thirty-Nine Steps is the prototype of the modern thriller novel, what he called a "shocker." In it, Buchan introduced Richard Hannay, the prototype of the resourceful, intelligent, and tenacious hero of the modern thriller. And while the story may not be as intricate or exciting as its descendents', The Thirty-Nine Steps still succeeds at what Buchan set out to do--entertain.

The novel's story is very straightforward--Hannay, recently returned to "the Old Country" of England from a life spent in Africa, finds himself thoroughly bored with his new life in London. After an American spy is murdered in his apartment, Hannay finds himself on the run not only from the police, who believe him to be the murderer, but from a mysterious and malevolent organization called "The Black Stone." The Black Stone has a secret it wants to keep hidden, and eliminating Hannay would help them keep their cover.

From London into the Scottish countryside, pursued by detectives, sinister Germans in touring cars, and newfangled "aeroplanes," The Thirty-Nine Steps never stops moving, and even at its conclusion one barely has a chance to catch their breath. The story is so gripping I can easily see how it caught Alfred Hitchcock's attention as film material.

The novel is fast-moving and short--barely 100 pages. I read this book in a few hours at a slow deskjob. If I have to find fault with any one part of the book, it's that the conclusion--indeed, the very last half-page or so--didn't make perfect sense. I had to read it twice. But that's only a small problem for this otherwise fun and exciting book.

Almost a century of imitators and innovators in the spy and espionage genres--from Ian Fleming to Tom Clancy--owe Buchan a great debt. Buchan paved the way for these later authors with shockers like The Thirty-Nine Steps and its hero, Richard Hannay.

Recommended rainy-day reading.

39 Steps by John Buchan is the font for virtually all action thrillers of the 20th century. The concept of introducing the character (hero), listing the problem and starting the clock, all virtually on the first page influenced not only Alfred Hitchcock but many other writers and film makers.

While dated with some allusions which are at best quaint, the story fills in with myriad problems, solutions and questionable characters, it is fun to read. The chase across the moors is a classic, the lying of most of the antagonists will have you sitting on the edge of your morris chair. This is a fun book and I am elated to have it on my Kindle.

High adventure, serious chases, and master disguises play against WW1 background. Although very different from the movie, The 39 Steps, this is a very good read.

An innocent conversation with a neighbor on the stairs draws colonial Richard Hannay into a vortex of political intrigue and danger. Events rapidly develop as Hannay is framed for a murder and decides to run for it. Even though he's wanted by both murderous spies and the British police, he's determined to uncover the riddle and stop an impending catastrophe for the British Empire. All the while he's on the run - sometimes literally - in the wilds of Scotland. The book is a colorful 103-page action adventure and, like most spy novels, sometimes unbelievable. However, it's an entertaining read. I recommend it to anyone who likes action, adventure, or spy novels.

(By the way, I noticed the British author used "on the weekend" in this 1915 publication. Interesting, because now almost all English say "at the weekend".)

This is a very good book. Buchan has created a great character in Richard Hannay. Many people will know the book because of the famous movie by Alfred Hitchcock based on it. The film was made twenty years after the publication of the book, and Hitchcock felt that the book as it was could no longer be translated into film and be effective. The book, in my opinion, is even better than the wonderful film. It introduces the reader to a character they care about, and the imagery of the Scottish countryside almost comes alive with Hannay's adventures. My only complaint is the somewhat vagueness of the spy element of the foreign agents. It is not delt with in sufficient detail, and is confusing in sdope and characters. Still an enjoyable read.

Some modern Scottish thriller writers are contrasted (not always favourably) with two perceived greats of Scottish fiction - Robert Louis Stevenson and John Bucahn. I love Stevenson, the fast pace of his stories, and his characterisation. This was the first Buchan I read. While it will not be the last I felt a little disappointed.

The Thirty Nine steps is said to be one of the most important novels in the thriller genre. Featuring Richard Hannay a former South African miner, who is caught in a spy story, the effects of which may lead to war in western Europe.

The story is fast moving. Hannay is placed in predicament after predicament (like the Perils of Pauline) following the discovery of a body in his London flat. He escapes to Galloway, then Dumfriesshire (rural south west Scotland). Pursued by both police and foreign agents Hannay's life is at risk - and we witness his use of a number of disguises, and his experience as a mining engineer, in escaping each predicament.

At times the novel feels like a loosely related series of escapades, but the final chapters (as in Childers' The riddle of the sands) pull the disparate strands together satisfyingly. Fast paced with an appealing central character, the novel is recommended as a quick and easy entertainment. However, there are some flaws readers ought to be aware of.

In the Scottish sections of the novel Buchan writes the dialogue of the locals in dialect, contrasting this with the the "received pronunication" of the other characters. As a technique it appears to belittle the validity of the dialect spoken, and appears to patronise the locals. Although, Buchan's sleight here is countered by his portrayal of the locals. They share a certain cunning and deviousness. Additionally, the use of dialect (and a particular type of lowland Scots dialect) renders parts of the text difficult to follow.

Most concerning about the book is the inherent anti-semitism. Analgoies and metaphors rely on negative imagery of jews; and one of the characters (scudder) is overtly anti-semitic in his comments. While this was a prevalent attitude in a certain strata of British writing pre- World War Two, it jars today - and rendered parts of the novel, for this reader, offensive.

Buchan is certainly readable, but his work has dated. His influence is apparent in the work of Greene, and inherent in his work are the influences of American thriller writers of the early twentieth century, and Conan Doyle's Holmes, Challenger, and Brigadier Gerard stories.

If you enjoyed this novel you might want to try Graham Greene's Gun for sale; The Confidential Agent; Stamboul Train; and The Ministry of fear.

John Buchan claims to have written this fast-paced "dime novel" while recovering from an illness. The story of how Richard Hannay stumbles upon and then escapes from a pre-WWI German spy plot DOES have that "Perils of Pauline" flavor to it: in each chapter our hero Hannay seems to get himself in an impossible bind, then magically right out of it again. (A sample: Hannay is tied up and locked in a windowless shed in which, remarkably, the crooks have left a flashlight (!) and some explosives (!). And, boom boom, on we go to the next chapter).

The underlying scheme is never fully explained (what ARE the Germans up to, why is the visit of the Balkan consul so important, etc.), but it doesn't really matter. The scent of the heathered hills of Scotland over which Hannay escapes rises from the pages, and the black-and-white specter of the classic movies Alfred Hitchcock made on the basis of this book will run through your mind's eye in the few short hours it will take you to finish it.

I agree, however, with others who mention that Buchan's occasional gratuitous anti-Semitism is jarring and put this book beyond the pale for many readers.

Buchan describes this tale as a "shocker" or what "Americans call the dime novel...where the incidents defy the probabilities and march just inside the borders of the possible." I would have to agree. It's an adventurous espionage story set in Britain before the outbreak of WWI. It's written in the first person and although some of the language is certainly of the time, I enjoyed it and felt it fit with the characters and period.

The chapters have titles like "The Milkman Sets Out On His Travels" or "The Adventure Of The Bald Archaeologist" which reminded me of the Enid Blyton titles of my youth, although the story itself, which touches on politics, is less childish. It's a short book, 149 pages so you could read it in one sitting if you've a couple of hours to spare and I certainly enjoyed it enough to do that.