Thirty-five Years at Crown Point Press: Making Prints, Doing Art [Paperback]

Karin Breuer (Author), Ruth E. Fine (Author), Steven A. Nash (Author)

Book Description

ISBN-10: 0520210611 | ISBN-13: 978-0520210615 | Publication Date: July 24, 1997 | Edition: 1

Crown Point Press in San Francisco, founded in 1962 by Kathan Brown, is a world-renowned center of contemporary printmaking. It has published work by such major figures as Richard Diebenkorn, Helen Frankenthaler, Sol LeWitt, and Wayne Thiebaud, while bringing to attention prints by many younger artists, including April Gornik, Anish Kapoor, Eric Fischl, and Francesco Clemente. Crown Point Press is known for presenting social and political issues in a range of printmaking media, from hard- and soft-ground etching to drypoint, aquatint, and mezzotint.
The Fine Arts Museums of San Francisco acquired the Crown Point Press archive in 1991. This collection of nearly 800 works contains one impression of every print the Press has ever produced. Also included are over 2000 working proofs and preparatory sketches. Now, in collaboration with the National Gallery of Art, the Fine Arts Museums of San Francisco has organized an exhibition of these distinctive prints. Chronicling Crown Point Press's dedication to artistic quality and commitment to innovation in printmaking technique and subject matter, this book also presents Kathan Brown's notable contributions in transforming the printmaking landscape of the twentieth century.
Published in association with The Fine Arts Museums of San Francisco

Editorial Reviews

Amazon.com Review

Over the course of the past 35 years, California-based fine art publisher Crown Point Press has established one of the finest reputations in the printmaking and publishing world. Founded by Kathan Brown, the press is most renowned for its innovative and experimental uses of the oldest and most traditional printmaking processes: etching and woodcut. Under Brown's direction, Crown Point's master printmakers have worked on an astonishingly broad array of projects, including those of John Cage, Tom Marioni, and Pat Steir. The press has also printed and published important minimalist and conceptual graphics, as well as editions by such painterly painters as Richard Diebenkorn, Francesco Clemente, and Helen Frankenthaler. More than 200 full-color, beautifully reproduced prints in this softcover volume document the entire history and development of Crown Point, confirming its unique and enduring contribution to the transformation of 20th-century printmaking.

About the Author

Ruth Fine is Curator of Modern Prints and Drawings at the National Gallery of Art in Washington, D. C. Karin Breuer is Associate Curator of the Achenbach Foundation for Graphic Arts, the prints and drawings department of The Fine Arts Museums of San Francisco. Steven A. Nash is Associate Director and Chief Curator of the Fine Arts Museums of San Francisco.

Product Details

• Paperback: 216 pages
• Publisher: University of California Press; 1 edition (July 24, 1997)
• Language: English
• ISBN-10: 0520210611
• ISBN-13: 978-0520210615
• Product Dimensions: 12.1 x 9 x 0.6 inches
• Shipping Weight: 2.2 pounds
• Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
• Amazon Best Sellers Rank: #1,467,616 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews

9 of 9 people found the following review helpful:

4.0 out of 5 stars A Record of Achievement, June 2, 2002

By 

"krchicago" (Chicago, IL United States) - See all my reviews

This review is from: Thirty-five Years at Crown Point Press: Making Prints, Doing Art (Paperback)

Crown Point Press is one of the leading American printer/publishers of original fine prints, emphasizing intaglio (etching) techniques (although at various periods it has also sponsored woodblock projects). This book is a celebration of 35 years (as of 1997) of printing at Crown Point, and consists of three essays, plus the catalogue of the exhibition that followed the acquisition of the Crown Point archive by the Fine Art Museums of San Francisco.

The first essay is a history of Crown Point Press, and particularly of the unique vision and direction given to the Press by its founder and first printer, Kathan Brown. Although occasionally tedious (as when it lapses into lists of the artists who worked at the Press during a particular period), this essay provides interesting discussions of Brown's evolving philosophy, her interactions with artists belonging to various art movements, the different goals of the artists, and so on. You also get a small glipse into the economics of print publishing.

The second and third essays were what I found most interesting. Karin Breuer shows how the working proofs contained in the Press's archive document the artist at work, and the very different working methods that can be effective for different artists. Steven Nash discusses the interrelationships between an artist's work in printmaking and his or her work in other media.

Two-thirds of the book is the exhibition catalogue, which shows the truly amazing breadth and quality of the work done at Crown Point over the years. Although Brown has had a particular affinity for Minimalist and Conceptual art, she has invited interesting artists across a wide spectrum of "isms" to work at the Press, and the list of participating artists reads like a "who's who" of American art in the second half of the 20th Century. Particularly significant artists at Crown Point have included Richard Diebenkorn, John Cage, Wayne Thiebaud and Sol LeWitt, all of whom are well represented in the catalogue.

This is certainly not a "how to" book, and it is probably still too soon to be able to look back and really say "yes, this artist or movement was significant," or "this Press made a difference in American art," or even "this is the lasting contribution made by the post-WWII resurgence in printmaking." This book provides an important record, however, of 35 years at one of the most important American printer/publishers, and as such makes it easier to think about these questions and begin to glimpse answers.

4.0 out of 5 stars A great history of Crown Point Press, July 23, 2009

By 

Gary Comoglio "blockprinter" (SF, CA) - See all my reviews
(REAL NAME)   

This review is from: Thirty-five Years at Crown Point Press: Making Prints, Doing Art (Paperback)

If you are familiar with Crown Point Press, this book offers some of the printmaking highlights over the past 35 years. My favorite section is on the 1980's where CPP used skilled japanese printmakers to create some of the most challenging woodblock prints I have ever seen. The lucky artists that were invited to publish works during this time period include: Chuck Close, Wayne Thiebaud, and William t. Wiley.