Customer Reviews

This Earth of Mankind (Buru Quartet)

5 star:		(30)
4 star:		(8)
3 star:		(3)
2 star:		(0)
1 star:		(1)

 

 

The Kirkus review printed above damns Toer's novel with faint praise when it states that the book is "too obvious a polemic." Too obvious for whom? I wonder if the reviewer would take the same view of any other number of political novels which were used by their authors as a barely disguised fictional framework to attack flawed or unjust cultural values. Is The Grapes of Wrath too obvious a polemic? Of course not, and neither is This Earth of Mankind. Toer makes no effort to disguise the nature of his critique of the social and political values of colonial Indonesian society. Toer's narrative is brilliant; the characters are vivid and developed so well that we have no trouble identifying with them personally, and yet at the same time they are patently obvious symbols of the different racial and social strata in the world of which the novel is set. Toer has been accused of being overly melodramatic in this novel, and while I think that is a reasonable criticism, I have to disagree. The antagonists here are hissable characters, but Toer plays fair with them. They have a clear rationale for what they do and the justification for their actions may seem reasonable and even honorable to them even if we view it as an outrage. Toer balances this all with a tone that never comes across as angry, although given the hardships he himself has endured would make it perfectly understandable if the novel had been tinged with more brimstone. But the narrative does give one the sense of social and political displacement felt by Minke, the book's narrator, and by the family he meets in whose fate he becomes entangled. In This Earth of Mankind, Toer exposes the evils of a society based on and obsessed with castes of race and money, and in doing so has produced one of the essential political novels of the 20th Century.

This is a good start to understanding how colonialism can affect culture and history.
The narrative is perceptive and well-written. Indonesians, especially the Javanese, will find this book compelling and all can walk away with a better understanding of the history of Southeast Asia.

The history of South East Asia is often misunderstood and misrepresented. By itself, this book stands as a classic love story of a timeless beauty. As an historical passage, this book brings home an understanding of the seeds of Indonesian nationalism. Anyone wishing to learn more about South East Asian history around the period of colonial rule and/or the struggles of a people against a cycle of abuse will find this story compelling, especially given the circumstances under which it was written. I loved the book from both the love story and historical perspectives.

I am impressed by this English translation of BUMI MANUSIA, but the original is still more rich and colorful. I lived for a decade 30 miles from Pramoedya's home town of Blora, presumably the B____ from which Minke comes. All of Pram's books were banned then and Pram himself was in the midst of his imprisonment on Buru, but I had discovered what an amazing opening they provided to the world of turn-of-the-century colonial Java. I am a student of Javanese history and culture, but Pram's works, beginning for me with TJERITA DARI BLORA (Stories from Blora), provided a florid vision to the realities of that world for people of every caste of the colonial social structure. Every time I went into a used book shop I searched for his works. THIS EARTH OF MANKIND is in my mind an unparalleled gift to Indonesia and the world, providing innumerable images of the range of human experience in colonial Java. The Kirkus reviewer needs to know that "nyai" is not a person's name but an appelation applied to unofficial "rightless" wives of European men who were part of the colonial system. There were many of them in every town. Read CHILD OF ALL NATIONS to learn how this particular woman became Ndoro Mellema's nyai. Pram's story opens the window for us to see a whole range of human experience heretofore hidden from public view even from present-day Indonesians who were denied access to Pram's works until recent years. The subsequent novels in the quartet carry on the stunning and poignant revelations. Grievously last month when I out of habit looked again for Pram's works in bookstores in Indonesia they had again disappeared from the shelves of major stores! The story goes on.

This is THE Indonesian novel, by that country's most originalwriter. Perfect for courses in comparative or post-colonialliterature, "This Earth" is accessible enough for the casual reader who just wants to try something truly different. For reviews and further background, see: The Nation, 2/3/92; The New Yorker, 5/27/96; New York Times Book Review, 6/9/96; Time, 7/22/96; and The Washington Post, 8/11/96.

Plunged in economic, religious, social, and racial turmoil, the children of the "Jewel of the Pacific" nation today are left with a deep silent cry for the fate of their beloved land. They are stunned by the entire mumble-jumble political storm happening around them. They know their ancestors did something right by the fact of their independence from colonialism, but something is missing...

Being victim of a corrupt system from the past few decades by their own government blinds and robs them from the connection with the past when their grandfathers and grandfather's fathers fought shoulder to shoulder to free the nation from the oppression of colonialist dogs that robbed, raped, exploited, and enslaved the people.

Mr. Toer through his vivid depiction and powerful character projection from the missing era reconnects the children of Indonesia today with their own buried past to rekindle the fire of genuine nationalism. He drew the map to let them find their root and solidarity as a nation. Through drawing a picture of the past, Mr. Toer provides a guide for the nation's future. The tetralogy is a must-read for today's Indonesian generation while the social drama presented in his writing also provides a peek for all humanity to see its own strength, pitfalls, and potential for greatness. No readers will be left behind.

I am a child of that nation that selfishly used to be called Dutch East Indies and from the depth of my heart I would like to thank Mr. Toer to endure such barbarism in his life in order to pass on the knowledge that otherwise will be buried by hypocrisy and ignorance. Merdeka!

The most stunning thing about this novel is the fact that Toer composed it, orally, while in prison. That accomplishment alone puts him in a league way above any to which most modern writers even pretend to aspire. However, if you're looking for a book that is an easy read, this isn't it.

Originally composed in Indonesian, This Earth of Mankind follows a year in the life of a young Javanese student in 1898. At eighteen Minke is a true tabula rasa - guileless, impressionable, awed by the Dutch academic institution in which he finds himself. He is a child with his feet in two distinct worlds, the world of Dutch colonialism, and the world of his native culture, Java. But even as his intellect and education appear to open doors of opportunity for him, he discovers that the fact of his birth will restrict and oppress him. For Minke is not European, nor even Indo (half European, half native), but merely a native Javanese. Like other native peoples subjugated by European colonials, the Indonesians suffered humiliating restrictions in every arena: legal, political, financial, educational and social.

Although the story line is reminiscent of other classic works of drama and fiction, Toer does not invest his characters with any emotional energy. The star crossed romance of Minke and Amelie, reminiscent of Romeo and Juliet, lacks the intensity that makes us weep for Shakespeare's lovers. Minke's stunned recognition of the cruelty of white man's justice is bland if one compares it to the sharp, satiric edge of Twain's Huckleberry Finn. Toer seems to be less interested in creating memorable characters than in revealing the character and history of the Indonesian people. If read with that in mind, the book is fascinating and rewarding.

Toer's purpose, in the end, is political. For him, art and politics are two strands of the same rope. But his political agenda comes at a price. The story, as literature, suffers. Still, it does instruct.....especially someone as woefully ignorant about Indonesian history as myself.

Once, when writing about _This Earth of Mankind_ I quoted Bertolt Brecht:"...But the compassion of the oppressed for the oppressed is indispensable. It is the world's one hope." I believe one of the central ideas of this novel is encapsulated quite well in these lines. Pramoedya, whose own voice of a political prisoner and persona non grata had been silenced for years, serves as a loudspeaker of sorts through which the voice of Nyai Ontosoroh is delivered to a large audience. Nyai, an Indonesian Native and a Dutchman's concubine, by law is denied of all political, financial, and legal freedoms. Yet her voice and her very presence are resolutely powerful despite many obstacles.

Exaggerated pathos aside, Pramoedya narrates a compelling story, full of revelations into the nature of Indonesian societal structure, national history, and into the nature of all humankind.

A couple of years ago I had the privelege of attending a conference where Pramoedya's life and works were discussed and where he was in attendance. Being in his presence, along with dozens of others in the auditorium, was an incredible experience. I'm grateful to Pramoedya Ananta Toer for his existence, his strength, and his words. His work is an important part of recorded human experience, and I recommend it highly.

I loved the first three of this series. The fourth book is good, but a bit slower. I could not put these down. The first novel starts out a bit slow (first forty pages) and then takes off with such rich characters and narrative that I was transported. I learned a great deal about the period, colonialism from a native perspecive and the Indonesian history. In my mind he's one of the greats.

Wow! This book is excellent, if I had to discribe it in one word it would be --POETIC-- Every sentence in this book has some sort of deep value, whether historical, poetical, or impressional. I have learned alot from this novel about the Javanese people and the Dutch colonial times in Indonesia. I am currently reading the rest of the quartet and it is just as fabulous as the first volume.