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12 of 12 people found the following review helpful:
3.0 out of 5 stars
For the Acquired Styron Taste.., July 28, 2006
This review is from: Set This House on Fire (Paperback)
I love William Styron, I have read all his books, yet I would not recommend picking up "Set This House on Fire" unless you've read some of his other works first. It's lengthy-in certain cases, such as the voluminous number of pages devoted to Cass Kingsolving's abysmal drunkenness, to the point of excess-and at times seems aimless. The story is told from the point of view of a character who is relatively uninvolved in the rape, death, and depression that ensue. Some of the most interesting passages are those which give us glimpses into the main characters' pasts. Taken separately, many of these sections make for wonderful, lucid parts of a story. But, when interspersed with lengthy, often difficult, descriptions of dark emotion and personal despair, they can be a bit drowned out.
On the up side, there are many passages that are delightful to read, and Styron's elegant prose doesn't fail to shine through. Definitely worth reading if you've read and enjoyed "Sophie's Choice" or "Lie Down in Darkness." Otherwise, you'll probably be overwhelmed by the density (both lengthwise and in terms of content) of this novel.
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21 of 24 people found the following review helpful:
5.0 out of 5 stars
even just reading it is a redemption, July 29, 2000
This review is from: Set This House on Fire (Paperback)
This book, Styron's finest, is about redemption. Heralded by the epigraph from John Donne, the intricately structured tale with its Marlowian manipulations of narrative points of view soon becomes so enthralling that it's impossible to put down. But it's also to Styron's great credit that the novel's theme, redemption through confrontation with death and violence, is reflected through its feverish style. There are not many books in the postwar era, and none in the United States, that have such a non-moralistic but intensely moral character and impact. Echoes of the Greek tragedians (several times evoked in the text) and of Dostoyevski abound. Finally, the crucial role by the most-fleshed out non-expatriate character, a philosophical Italian small-town cop named Luigi, elevates the moral drama to a metaphysical dimension that most contemporary writers don't even seem to understand, let alone approach. It's a shame that Styron has not received the Nobel Prize yet.
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10 of 10 people found the following review helpful:
4.0 out of 5 stars
Set the middle half of this book on fire!, July 22, 2001
This review is from: Set This House on Fire (Paperback)
In search of a challenging read, and intrigued by the Italian locale of much of the story, I picked up this 500+ page book at the library one day during lunch. Styron's vocabulary is immense, and his prose is quite enjoyable to read. The 1st part of the book is pretty absorbing, but the middle part is so slow and drawn out that it makes getting to the fairly interesting end rather tedious. The main problem I had was the inordinate focus on Cass' recollections. His recollections of North Carolina and the South I liked, but Cass' actions are not particulary considerate towards his family, and he is not an especially sympathetic character (esp. given his own self-destructive tendencies). I did not view Mason as some kind of evil incarnate, and ultimately the character of Leverett is not developed and fades into the background. Finally, given the book came out in 1960, some of the cultural differences and clashes brought out in the book (e.g. Mason talking about the Beats) seem a little dated. Nevertheless, the European setting and exquisite writing style compelled me to see the book to its (largely satisfactory) ending. If you have the time, and patience, this book may well be worth your while.
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