Most Helpful Customer Reviews
58 of 62 people found the following review helpful:
4.0 out of 5 stars
Joyous celebration of life., December 10, 2006
It was the 2004 album 'The Girl In The Room' that showcased Krall's own songwriting talents, inspired by her own collection of records and artists she admired such as Tom Waits and Joni Mitchell and highlighting the melancholic side of life and its complex ambiguities.
This proved to be one of the critical successes of the year and a surprise at that.
Krall returns to more familiar territory this time with a collection of standards, enlisting once again the talents of Jeff Hamilton and Jeff Clayton as part of her regular trio (and adding their big band) and the contemplative guitar licks of Anthony Wilson, son of orchestral maestro Gerald.
The melancholy of the previous album has dissipated to be replaced by a joyous celebration of life.
This is reflected in tunes such as 'Isn't This A Lovely Day' and 'Come Dance With Me', while 'Exactly Like You' is given a mid-tempo latin feel.
On the reflective side Jobim's 'How Sensitive' receives a Claus Ogerman-style arrangement. In general the trio playing is near flawless and the Basie-esque big band swings to good effect.
A recording guaranteed to appeal to audiophiles of jazz sensibility. While awaiting more challenging and eclectic musical explorations from Diana Krall in the future, for the present this will do just fine.
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
84 of 93 people found the following review helpful:
2.0 out of 5 stars
Diana Crawls from this moment on, October 4, 2006
To establish my credentials as a long-time Diana Krall fan, My wife and I bought airline tickets and hotel room to see her in Washington, D.C. I have all her CDS, and have seen her live twice. Her last three outings - Room, Christmas, and this CD have been huge disappointments. Diana seems to lack the sparkle she had as Trio and Live in Paris. The band revs up, but she doesn't come along. She is bending her notes like a bad carnival ride at most every turn. Her range is compressed. All in all, a very dissapointing CD with few thrills and a lot of mediocrity. My earlier reviews had compared DK with Ella Fitzgerald and Sarah Vaughn. I see now those comparisions were grossly premature and I wish to apologize to these late greats. I truely hope Diana finds her form again, but it all seems down hill from after Live in Paris. I wish her well with her new family and miss her earlier outstanding output.
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
60 of 66 people found the following review helpful:
3.0 out of 5 stars
Not quite what I had hoped for, September 26, 2006
I'm with the reviewers who have expressed a longing for Diana's smaller band days. Only Trust Your Heart and Love Scenes are my favorites, as well as Live From Paris. Even on When I Look In Your Eyes, in the midst of all of those orchestral arrangements, there was still a sense of soulfulness to her songs. The Big Band sound on this CD really undercut what I love most about Diana's voice-- the sultry intimacy of it.
I pre-ordered this CD because Diana's name alone is good enough for me to invest in her projects, but this one felt stunningly empty, like a shell without a core. But I understand that artists must try any and all things to grow. Some things will resonate with a lot a people, while others won't. It's all a matter of personal taste. I will continue to buy Diana's music, but this one was lukewarm for me.
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No
|