From Publishers Weekly
In Kwa's debut novel already published in Canada four narrators tell two stories, one of a contemporary Chinese-Canadian psychologist mourning the death of her father, another of two Chinese prostitutes in early 20th-century Singapore. As the novel opens in 1994, Wu Lan has just begun a year's leave of absence from the Vancouver, B.C., clinic where she sees patients: her father committed suicide at home in Singapore, and Wu Lan has had a breakdown after returning from the funeral. To distract herself, she begins researching the sex trade in Singapore, and Kwa introduces three other narrators: Lee Ah Choi, whose parents sell her into prostitution for three sacks of rice; Chow Chat Mui, who flees her father's sexual abuse only to find herself tricked into prostitution; and Mahmee, Wu Lan's mother, who grieves over her husband's death and her daughter's flight from her native city. As the novel progresses, Wu Lan slowly makes peace with her memories of her father, her roots and the recent loss of her girlfriend, while Ah Choi and Chat Mui fall in love and try to escape the usual fate of Chinese prostitutes (or ah ku), death by opium. The two stories are narrated at entirely different paces; the ah kus lives are telescoped into short passages while Wu Lan's account lingers over domestic details. Kwa does a lovely job of intertwining these two stories; her research is thorough, and her writing is often vivid. But it can also be clumsy, as when Wu Lan resorts to psychological explication, and Kwa introduces many more themes than she develops. She takes care, however, to show the complexities of ah ku life circa 1900, and even if the novel is not gripping, it sheds light on a little-explored world. (Mar.)Forecast: There are few Asian/lesbian-themed novels, and this worthy addition to the subgenre should find a small and devoted readership.
Copyright 2002 Cahners Business Information, Inc.
--This text refers to an alternate Paperback edition.From Booklist
A vast emptiness at the core of Wu Lan's life deepens in the wake of her father's startling suicide. Understandably depressed and despondent, Wu Lan is inexplicably drawn to the arcane journals of two prostitutes living in her native Singapore at the turn of the century, seeking answers and finding solace in their impassioned chronicles of barbaric brothel life and illicit lesbian love. Superficially, these three lives appear dissimilar, yet the longing each woman feels for a love that will complete her and fill the void that envelops her existence transcends time and place. This is as much Ah Choi and Chow Mat's story as it is Wu Lan's, as Kwa seamlessly weaves their past into Wu Lan's present, unlocking a familial mystery in the process. Kwa incisively juxtaposes divergent cultures and tender psyches, paying homage to the resiliency of the spirit with beguiling imagery in this psychologically complex tale. Lush and lyrical, Kwa's spellbinding portrait of dispirited women haunted by ghosts and hampered by circumstance echoes with raw, emotive drama. Carol Haggas
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.



