This Republic of Suffering: Death and the American Civil War [With Earbuds] (Playaway Adult Nonfiction) (Preloaded Digital Audio Player)

by Drew Gilpin Faust (Author), Lorna Raver (Narrator)

Editorial Reviews

From Publishers Weekly
Battle is the dramatic centerpiece of Civil War history; this penetrating study looks instead at the somber aftermath. Historian Faust (Mothers of Invention) notes that the Civil War introduced America to death on an unprecedented scale and of an unnatural kind—grisly, random and often ending in an unmarked grave far from home. She surveys the many ways the Civil War generation coped with the trauma: the concept of the Good Death—conscious, composed and at peace with God; the rise of the embalming industry; the sad attempts of the bereaved to get confirmation of a soldier's death, sometimes years after war's end; the swelling national movement to recover soldiers' remains and give them decent burials; the intellectual quest to find meaning—or its absence—in the war's carnage. In the process, she contends, the nation invented the modern culture of reverence for military death and used the fallen to elaborate its new concern for individual rights. Faust exhumes a wealth of material—condolence letters, funeral sermons, ads for mourning dresses, poems and stories from Civil War–era writers—to flesh out her lucid account. The result is an insightful, often moving portrait of a people torn by grief. Photos. (Jan. 10)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

From The Washington Post

Reviewed by Stephen Budiansky

Professional military men of the late 19th century were generally unimpressed by America's Civil War. "A contest in which huge armed rabbles chased each other around a vast wilderness," Prussian Field Marshal Helmuth von Moltke contemptuously sniffed, concluding there was nothing for the world's armies to learn from such an unmilitary spectacle that had so little to do with the established art of war.

But in 1901 a young member of the British Parliament accurately read the war's central and overwhelming implication -- one that would be borne out all too well in the bloody century of industrialized slaughter to come. "The wars of peoples," warned the 26-year-old Winston Churchill, "will be more terrible than those of kings."

The American Civil War was the first "war of peoples," and as Drew Gilpin Faust vividly demonstrates, the unprecedented carnage of this first modern war overwhelmed society's traditional ways of dealing with death. The customs, religion, rhetoric, logistics -- even statistical methods -- of mid-19th century America were unequal to slaughter on such a scale. How American society attempted to come to terms with death that broke all the rules about dying, and how the nation ultimately did -- and did not -- face up to this new reality of war are Faust's haunting and powerful themes. If nothing else, this finely written book is a powerful corrective to all the romantic claptrap that still envelops a war that took as many American lives, 620,000, as all other wars from the Revolution to Korea combined.

The extent to which the Civil War found America unprepared to deal with its carnage at the most basic levels is fascinatingly horrifying. "As late as Second Bull Run, in August 1862, a Union division took the field without a single ambulance available for removal of casualties," Faust writes. "Burying the dead after a Civil War battle seemed always to be an act of improvisation." Two and a half weeks after Antietam, unfathomable numbers of corpses lay unburied, stacked in rows a thousand long or still scattered about the field. Coffins were practically unheard of; no provision of any kind had been made by military authorities. A Union surgeon who took upon himself responsibility for burying "those he could not save" after Gettysburg had to send out a foraging party to locate a shovel.

Nor had provision been made for notifying families of the deaths of husbands, sons, brothers. The chaotic record-keeping led to many heartrending incidents of survivors of battles erroneously reported dead, or vice versa. "I read my own obituary," recalled a Confederate soldier. Union private Henry Struble, misidentified as a soldier killed and buried at Antietam, laid flowers on the grave of the unknown soldier occupying his place every year afterward on Memorial Day.

Charitable organizations attempted to fill the information void but were overwhelmed by the task. After the bloody battles in Virginia in the spring of 1864, the Washington "Directory Office" of the volunteer Sanitary Commission was besieged day after day by distraught families and friends seeking to learn the fate and whereabouts of loved ones.

The increasingly helpless efforts of comrades, chaplains, families and compassionate onlookers to maintain the customary forms of solace and dignified treatment of the dead are the poignant backdrop to Faust's exploration of the byways of death in wartime. "I insisted upon attending every dead soldier to the grave and reading over him a part of the burial service," wrote a Confederate nurse, Fannie Beers, in the fall of 1862. "But it had now become impossible. The dead were past help; the living always needed succor."

Soldiers and families alike tried hard to cling to the Victorian notion of the "Good Death," so much so, observes Faust, that "letters describing soldiers' last moments on Earth are so similar it is as if their authors had a checklist in mind." In the mid-19th century, a dying person was expected to pass away surrounded by family, conscious of and at peace with his impending fate, reconciled to his Maker, leaving inspiring last words to be remembered by. War, especially modern war, shattered all those assumptions. Death was often unpredictable, excruciatingly painful, absurd and squalid, the dying departing full of fury and agony. It came far from home; and when delivered by explosive artillery shell, it sometimes did not even leave any identifiable remains. A man could be literally "blown to atoms," wrote a Union chaplain at Gettysburg -- a fate, Faust observes, that civilians found incomprehensible.

Faust shows how American institutions adapted to the staggering burden of this new kind of war and wholesale death with a blend of can-do humanitarianism, pragmatic improvisation, mawkish sentimentality, political cant, commercial hucksterism and downright fraud. Freelance embalmers flocked to battlefields in the aftermath of the fighting. "Bodies taken from Antietam Battle Field and delivered to Cars or Express Office at short notice and low rates," read the business card of one entrepreneur. "Bodies Embalmed by us NEVER TURN BLACK! But retain their natural color and appearance," boasted another. In 1863, a Washington undertaker was imprisoned on charges of making a practice of recovering and embalming dead soldiers without permission and then extorting payment from families that wanted the bodies returned.

Faust convincingly demonstrates that the trauma of the Civil War revolutionized the American military's approach to caring for the dead and notifying families. After the war, a massive and superbly organized effort by the War Department to recover, identify and rebury Union dead in newly established national cemeteries was an act of atonement for the nation's failings during the war itself.

Faust is less convincing in making a case that the war's confrontation with death produced a permanent transformation in American belief, politics, character, habits of mind and modes of expression -- something that Paul Fussell did so insightfully for World War I in The Great War and Modern Memory. She notes, for example, Ambrose Bierce's bitingly ironic humor, which grew very directly out of his war experience, but it would be interesting and important to learn how this brand of cynicism went over with most people. She suggests that the war's unprecedented suffering posed a challenge to religious faith, but beyond offering a series of interesting anecdotes she never really presents a clear argument that the war, in the end, had a lasting effect one way or another on American religiousness.

But the real lesson may be the remarkable human capacity to forget and gloss over even the ugliest realities. Walt Whitman, who visited tens of thousands of wounded soldiers during the war and came to know its death and terrible suffering firsthand, wrote (in a speech he never delivered) the famous words, "The real war will never get in the books." But he then added, "I say will never be written -- perhaps must not and should not be." Those who read Faust's powerful account of "the real war" will almost surely beg to differ.

Copyright 2008, The Washington Post. All Rights Reserved. --This text refers to the Hardcover edition.

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Product Details

• Preloaded Digital Audio Player
• Publisher: Playaway (November 2008)
• Language: English
• ISBN-10: 1606407708
• ISBN-13: 978-1606407707
• Product Dimensions: 7.8 x 4.6 x 1.3 inches
• Shipping Weight: 5.6 ounces (View shipping rates and policies)
• Average Customer Review: 4.4 out of 5 stars See all reviews (76 customer reviews)

Customer Reviews

Most Helpful Customer Reviews

224 of 231 people found the following review helpful:

5.0 out of 5 stars "the dead, the dead, the dead--our dead--all, all, all, finally dear to me...", January 7, 2008

By	Kerry Walters (Lewisburg, PA USA) - See all my reviews (TOP 50 REVIEWER)    (REAL NAME)

This review is from: This Republic of Suffering: Death and the American Civil War (Hardcover)

So wrote a stunned and anguished Walt Whitman as he and the rest of the nation struggled to deal with the incredible carnage of the Civil War. In this eagerly awaited (certainly by me!) book, brilliant Civil War scholar Drew Gilpin Faust documents the social, religious, and psychological coping mechanisms adopted by Civil War America.

It's difficult for us today to appreciate just how deadly the Civil War was. The numbers are staggering--620,000 dead soldiers, at least 50,000 dead civilians, an estimated 6 million pounds of human and animal carcasses at Gettysburg, etc--can't convey the concrete horror of a nation living day after day with the shock, disorientation, and despair caused by the bloodiest war in the country's history. The war years surely did transform the nation into a "republic of suffering" (a phrase coined by Frederick Law Olmsted).

Faust argues that the nation tried to keep its head above water by, for example, ritualizing the final moments of wounded soldiers to make them more compatible with mid-nineteenth century models of a "good death"; justifying increasing levels of battlefield slaughter by invoking God, patriotic duty, and justice (which frequently was vengeance); trying to identify and bury bodies of the slain in such a way as to preserve some semblance of their humanity, despite the horrible maiming many of them suffered; creating public and private rituals of mourning; holding "the enemy" accountable for the carnage; and keeping the memory of the slain alive after the war (feeding into Lost Cause sensibilities on the one hand and Bloody Shirt ones on the other). To a certain extent, as Faust acknowledges, similar kinds of coping mechanisms are adopted by Americans during any war. But context determines precisely how these mechanisms will be enacted, and she does an excellent job of making sense of how they manifested in Civil War America.

At the end of the day, Americans who lived through the Civil War needed to find a way to normalize their existences both during the actual conflict and afterwards, and to find some overarching meaning to the death and suffering that would justify the sacrifices. Given the war's unprecedented carnage, the task was as pressing as it was, ultimately, impossible. But in the aftermath of the war, the dead became, in the eyes of popular mythology, the sacrificial humus in which a newer, unified, and stronger nation would rise. Glorification of a nation's war dead may be inevitable. But it can also be a dangerous justification of future wars.

Faust's thought-provoking, sensitive, and ground-breakinig book will become a standard work. It's much more than a book about the Civil War. It's also a meditation on the meaning of war and the human need to somehow infuse meaning into an enterprise that often seems so bleakly wasteful and tragically brutal. Faust's book richly deserves at least the Lincoln Prize. Personally, I'd like to see it honored with a National Book Award.

55 of 58 people found the following review helpful:

5.0 out of 5 stars A powerful work on death in the Civil War, February 1, 2008

By	Steven A. Peterson (Hershey, PA (Born in Kewanee, IL)) - See all my reviews (TOP 50 REVIEWER)    (REAL NAME)

This review is from: This Republic of Suffering: Death and the American Civil War (Hardcover)

This is a powerful book that deals with one aspect of the Civil War in a very different context than normal--death. Many books speak of the sanguinary nature of the Civil War, death due to battlefield trauma as well as death due to disease, accident, and so on. But this book, written by Drew Gilpin Faust, addresses death on a much broader basis. As a result, this is a powerful work.

One simple fact to begin: the number of Civil War soldiers who died is about equal to the number of American dead from the Revolutionary War, War of 1812, Mexican War, Spanish-American War, World War I, World War II, and Korea combined. The focus of the book is briefly stated at the outset (Page xv): "Beginning with individuals' confrontation with death and dying, the book explores how those experiences transformed society, culture, and politics in what became a broader republic of shared suffering."

Each chapter has a poignancy that is almost palpable. Chapter 1 focuses on the dying by soldiers. The effort to die a good death was one that manifest itself for many a soldier--Yankee and Rebel. One interesting issue--soldiers appeared to fear death by disease more than death in the heat of combat. Soldiers often carried letters to battle, containing their last words to families and loved ones in case they perished. This is an eye opening chapter.

Chapter 2 deals with the other side of the coin--killing the enemy. Many were torn by their Biblical desire to avoid killing others versus their duty to try to do so. Killing others sometimes changed troops, numbing human feeling and producing aftereffects.

Chapter 3 addresses burying the dead. After battles, there was often little time and the dead were buried in mass graves, often with no identification (no dog tags then). Soldiers felt an intense desire to decently bury the dead--but this was often more easily said than done. Chapter 4 deals with a related issue, naming those who died. Without identification, large numbers of dead soldiers were buried in anonymous graves. Even if reburied with more dignity, the names were still absent. The chapter addresses many issues, including the effort by loved ones to find the remains of their dead soldier(s).

Other chapters deal with how people tried to make sense of the death of their loved ones; the nature of mourning; the relationship of death and religion; obligations to the dead; wondering how many actually died.

A harsh truth (Page 267): "Nearly half the dead remained unknown, the fact of their deaths supposed but undocumented. . . ." And, the final sentence in the work (Page 271): "We still work to live with the riddle that they--the Civil War dead and their survivors alike--had to solve so long ago." A powerful book, one that will disturb many as they read it. But it also illuminates a little told side of the Civil War. Strongly recommended. . . .

22 of 23 people found the following review helpful:

3.0 out of 5 stars The CW from a different perspective , June 7, 2008

By	Shannon Gaw (Roswell, GA USA) - See all my reviews

This review is from: This Republic of Suffering: Death and the American Civil War (Hardcover)

"The Republic of Suffering" began with a focus on death and dying in the Civil War for the soldiers, their families, and civilians. It put forth some interesting commentary on the Victorian concept of the "good death" and how it influenced the soldiers' preparation for and acceptance of their fate. The text offered insight into the minds and attitudes of the time as well as some traditions and practices not explicitly discussed in detail in other CW books.

Halfway through, the author seemed to leave the battlefield and meander off into a history of the mortuary business and short bios and commentary of late 19th century authors like Dickenson and Melville. I found the chapters "Accounting" and "Numbering", which discussed the bureaucracy of death from the military and government perspective, dry and disjointed. That's not to say there weren't points of interest, but the second half of the book just could not keep my attention on an ongoing basis.

The reader will come away disturbed by the detail on the carnage and the paucity of information available to the families fretting over loved ones fighting the battles. They will also gain knowledge of the influence the war had on shaping the modern practices of handling death. "The Republic of Suffering" has its place in augmenting one's understanding of the Civil War. I struggled between three and four stars and would have given a three-and-a-half if I could have.