Customer Reviews

This Time It's Love

5 star:		(22)
4 star:		(3)
3 star:		(1)
2 star:		(0)
1 star:		(0)

 

 

Those who have read my first two reviews of Kurt Elling's first two sides already know how much I dig what the cat's puttin' down. Both of the first two sides has Elling flexing his virtuosic muscles of creativity and vocal stylings. Now, on the heels of The Messenger, Elling takes on the world of Jazz according to Sinatra. Well, this is almost the case, but Elling has a way of subtlety. He can be just as innovative in a set of standards as he can with his rants, scat solos, and vocalese lyrics.
This particular recording, however, was not made for to win new fans, or please old ones. In fact, according to interviews done with Elling, This record was made for a single fan. His biggest, no doubt. Jennifer Elling, Kurt Elling's bride. This side was cut as a wedding present from him to her. While some might say Elling has backed himself into an overdone corner by going the way of the lounge singer, let there be no question. He holds his own on this side. Once again, my take on his cuts for the third side Mr. Elling has blessed us with.
1. My Foolish Heart. Essentially the title cut. This Time It's Love is a line taken from the lyric of this beautiful piece. There is also a great cut of this on Elling's Live at Chicago record where he inserts a poem by St. John of the Cross.
2. Too Young To Go Steady. From the pages of Nat King Cole. A perfect ballad lost love. Need I say more?
3. I Feel So Smoochie. The title says it all. Up-beat, fun, and just plain happy. With a killer violin solo performed by jazz great Johnny Frigo. This is a cut that you will want to listen to over and over.
4. Freddie's Yen For Jen. Original title Delphia from Freddie Hubbard's Red Clay album. The first and most aggressive vocalese cut to make this side. A wonderfully energetic love song to his wife.
5. My Love, Effendi. Not sure if this song can technically be called a vocalese. Kurt's lyrical spin on McCoy Tyner's hip modal piece, Effendi.
6. Where I Belong. The only cut from this side written by Elling and pianist Laurence Hobgood. Great soft Bossa feel with a peaceful lyric about simply belonging to and with the one you love and the joy and contentment that goes along with it.
7. The Very Thought of You. Kurt did his homework and learned the verse. Bravo! Dig the bass solo put down by Elling's long-time bassist Rob Amster. Great cut for a romantic moment.
8. The Best Things Happen While You're Dancing. From the movie White Christmas. Irving Berlin's magical dance piece originally performed by the great Danny Kaye as he dances with Vera Ellen in a brilliantly choreographed number. Equal in it's brilliance is Elling overdubbing his voice to create multiple Kurt harmonies. Hobgood puts down a killer solo on this cut as well.
9. Rosa Morena. Not sure if this song is in Italian or Portuguese. Magnificent guitar backing underneath Elling's soft tone touch to make this song extra smooth and sweet.
10. She's Funny That Way. Elling puts down the verse beautifully. Then to the tune of Lester Young's tenor saxophone, he sings a beautiful vocalese love letter to his wife. No mistaking it. Elling even refers to her by name twice within the lyric. This song truly captures the spirit of true love.
11. A Time For Love. At one point I didn't really click with this song, but then I heard a cut Stan Getz did of it and was then able to understand where Kurt was coming from. Peaceful serenity is the of the game on this cut.
12. Ev'ry Time We Say Goodbye. How unpredictable for Kurt Elling to go the "predictable" route for the song to close this side. His dissection of the original melody is absolutely ingenuous. And who doesn't love a Cole Porter song?
Well that's just about does it for this side. This is the record that started me on my theory that Kurt Elling surpasses himself with every attempt. This is must have.

For one to say that Elling is the Sinatra of our time is in my oppinion, an understatement. He posesses a great un-matched skill to break the boundaries of conventional jazz and let the beautiful and melodic tones of his superior skatting lead it's listeners through a totally different world. It's easy to put on this cd and get lost in what seems like a totally new dimension of jazz that went unexplored for years. It's wonderful and inspiring to hear the sound of his vocal genius and to know that jazz is still alive and thriving. A definite must-have for those who truly appreciate vocal jazz, or any jazz for that matter.

I've been a fan of Kurt Elling's for years. His concurrent sophistication with a musical line, understanding of the lyric, and his vocal control make him unsurpassed among contemporary jazz singers, and on this "record" he wields his ax sublimely. For example, the Freddie Hubbard tune (Frddie's Yen for Jen) is a multi-leveled tour de force with vocal licks so true to Freddie's trumpet form and intent, it's amazing. Unfortunately his sophistication doesn't have mass appeal and so he'll never sell as many CDs as the popular wanna-be jazz vocalists. While I would subjectively argue that "Close Your Eyes" is his best CD, "This Time It's Love" is a great introduction to Kurt if you are new to the fold. If you like jazz, do yourself a favor and get this CD. Live he is even better.

Kurt Elling is genius. He has a very classy but innovative style that will give you no choice but to play this album over and over. His originals are stunning and his versions of the jazz standards he has selected for this collection are creative without being over the top. I have owned this CD for two years now and it is still in high rotation in my collection. No matter what mood you're in, this album will suit it.

After exhausting the catalogs of Frank Sinatra, Nat King Cole, and Johnny Hartman, I was hungry for more great male vocalists. In exploring the new young vocalists, no one has (so far) impressed me more than Kurt Elling. He has the richness of tone and catchy phrasing that makes a crooner a classic! Sorry Kevin Mahogany, you're a bit too bland for my taste. Kurt Elling is much, much better than you!!

Living in Chicago, I have had the good fortune of having seen Kurt many times at his usual Wednsday night gig at the Green Mill and have followed Kurt before his first CD was released. His show, is in my opinion, is the one must see if you are in the Chicago area. I gave this CD four stars which might be a little harsh. Having seen Kurt in live performances take his music to the edge with remarkable improvisation leaving his audience in awe, I was left a little wanting for the experimental Elling that I have come to admire. However, for a straight ahead albumn of great tunes, the recording is remarkable. I doubt that any lover of vocal music could be dissapointed in this recording. In my opinion, there is no greater young male vocal jazz artist on the scene today.

"This Time It's Love" is Kurt's most accessible album and a joy to hear each and every time. "She's Funny That Way" will break your heart wide open and "Freddie's Yen for Jen" is one of the strongest expressions of love ever captured. You don't have to be a hard-core Jazz fan to enjoy this great music performed by the greatest living male Jazz artist.

If you've heard Kurt Elling's work before, you know that any recording he makes is worth a listen. If you've never heard his work before, now's the time to try it. And whether you've heard him before or not, I can almost gaurantee you a listening experience that you will not soon forget. Elling's talents as a singer are beautifully showcased on this assortment of mostly romantic tunes. His abilities as a stylist and scat singer and the sheer beauty of his voice all come through superbly. It is as if these standards were all written for him. Most remarkable of all is the depth of feeling in all the performances on this disk. You really get the feeling he understands love, loss, whatever he is singing about, an astounding thing in a person so young (only 30!) and something that really puts him head and shoulders above most performers today. I've been listening to the disc steadily since I bought it, and I like it more every time I listen. Do yourself a favor -- get it.

If you don't own this album - you need to. The musicianship is on par with the jazz masters - this is bound to become a historic album. Kurt Elling is the new jazz legend we have been looking for and his musical legacy will live on just like John Coltrane and Miles Davis. The proof is in the listening - buy this album!

I absolutely adore Kurt Elling, but oh my goodness.....he sure is pitchy on some of these songs. It's actually painful for me to listen to "A Time For Love" and "She's Funny That Way." He is sharp about every 5th word. Is this live? Couldn't they fix it in the mix?
Then I come upon "Too Young To Go Steady" and it's the best version I have ever heard. Almost all on pitch.
Mind you folks, I have bought EVERY one of Elling's CDs, this being my latest purchase. He is my current absolute favorite male singer. He knocked Mark Murphy right out of the ball park for me.
From listening to his whole repertoire I think he's improved tremendously in the past 11 years.
On his new CD - Night Moves - he's almost perfectly on pitch on every song.
Back to this CD - On My Foolish Heart - off key again.
But when he did recorded it again for "Live In Chicago" it is brilliant and perfection. Plus it's a 12 minute version. "Apart" as in "fade and fall apart" is the only sharp note I found.
I still wouldn't give up my copy of "This Time It's Love" for anything.