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| 1. Chronos & Kairos: Time (fabricated) | |||
| 2. Chronos & Kairos: Time (retrograde) | |||
| 3. Chronos & Kairos: Sine (of the Times) | |||
| 4. Chronos & Kairos: Pavane | |||
| 5. Chronos & Kairos: Kairos (storm) | |||
| 6. Chronos & Kairos: Chronos (night) | |||
| 7. Import: Port of Origin | |||
| 8. Import: 1st Movement | |||
| 9. Import: 2nd Movement | |||
| 10. Import: 3rd Movement | |||
| 11. Import: 4th Movement | |||
| 12. Import: 5th Movement | |||
| 13. Import: 6th Movement | |||
| 14. Import: 7th Movement | |||
| 15. Import: 8th Movement | |||
| 16. Import: 9th Movement | |||
| 17. Import: 10th Movement | |||
| 18. Import: 11th Movement | |||
| 19. Import: 12th Movement | |||
| 20. Import: Port of Call | |||
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This World has been a project that presented a lot of challenges along the way, some good challenges and some just plain difficult! Working in a long suite-like form was very interesting and these two pieces took quite different approaches to this task. Chronos and Kairos plays itself out in large chunks, covering a lot of ground between the melody centered statements of the opening and closing chapters. The use of abstract sound, whether highly processed sampling or oscillator-produced drones, is complimented by harmonic clusters and the literal 'picture audio' of field recordings. Import works on a different time table, using one minute movements to play out ideas of time and place, presenting and re-presenting it's themes through many permutations.
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