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Thom Pain (based on nothing) [Trade Edition] [Paperback]

Will Eno (Author)
5.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

April 1, 2005

“Astonishing in its impact. . . . One of the treasured nights in the theatre that can leave you both breathless with exhilaration and, depending on your sensitivity to meditations on the bleak and beautiful mysteries of human experience, in a puddle of tears . . . Thom Pain is at bottom a surreal meditation on the empty promises life makes, the way experience never lives up to the weird and awesome fact of being. But it is also, in its odd, bewitching beauty, an affirmation of life’s worth.”—Charles Isherwood, The New York Times

“Eno has emerged as one of the most original young playwrights on the scene. He is one of the few writers who can convert discomfort and outright agony into such pleasure.”—David Cote, TimeOut New York

“Will Eno is one of the finest younger playwrights I’ve come across in a number of years. His work is inventive, disciplined and, at the same time, wild and evocative.”—Edward Albee

When Will Eno’s one-person play Thom Pain opened in New York in February 2005, it became something rare—an unqualified hit, which soon extended through July. Before that, the play was a critical success in London and received the coveted Fringe First Award at the Edinburgh Festival. Dubbed “stand-up existentialism” by The New York Times, it is lyrical and deadpan, both sardonic and sincere. It is Thom Pain—in the camouflage of the common man—fumbling with his heart, squinting into the light.

Will Eno lives in Brooklyn, New York. His plays include The Flu Season, Tragedy: a tragedy, King: a problem play, and Intermission. His plays have been produced in London by the Gate Theatre and BBC Radio, and in the United States by Rude Mechanicals and Naked Angels. His play The Flu Season recently won the Oppenheimer Award, presented by NY Newsday for the previous year’s best debut production in New York by an American playwright.


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Editorial Reviews

About the Author

Will Eno's play Thom Pain (based on nothing) won the First Fringe Award with its Edinbugh Festival premiere, and had acclaimed productions in London and New York. His plays have been produced in London at the Gate Theatre, Soho Theatre Company, BBC Radio; in New York by Rude Mechanicals, NY Power Company, Naked Angels.

Product Details

  • Paperback: 64 pages
  • Publisher: Theatre Communications Group; First Trade Paper Edition edition (April 1, 2005)
  • Language: English
  • ISBN-10: 1559362758
  • ISBN-13: 978-1559362757
  • Product Dimensions: 8.4 x 5.1 x 0.2 inches
  • Shipping Weight: 1.6 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #179,176 in Books (See Top 100 in Books)

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2 of 5 people found the following review helpful:
5.0 out of 5 stars heart wrenching, March 14, 2007
This review is from: Thom Pain (based on nothing) [Trade Edition] (Paperback)
A bloody, brilliant, gnawingly humane cry from the gut. It broke my heart and was thought-provoking in the extreme. Eno is clearly gifted and just starting the ascension to the top of his game
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0 of 2 people found the following review helpful:
5.0 out of 5 stars Thom Pain the stand-up existencialism created by the brazilian company Sutil, March 6, 2011
Will Eno is certainly one of the most promising American playwrights of his generation, the play Thom Pain has been produced in several countries, has been appointed as the heir of the dramaturgy of Edward Albee and Samuel Beckett by a great number of critics. After the Brazilian production of The Flu Season staged by the Sutil Companhia de Teatro, Eno released to the company the rights of a new text entitled Thom Pain (based on nothing), a play that has been referred to as a mixture of existentialist philosophy and stand-up comedy. This study investigates the textual aspects and the mise en scène of the stage concretization of Thom Pain (based on nothing), taking into account contemporary issues related to postmodern theories. The question of "postdramatic" theatre has been problematized by means of a reflection on the historical, aesthetic and philosophical contexts, providing critical instruments for the analysis. Departing from this theoretical basis, the main postdramatic characteristics of the text and its stage concretization were identified and analyzed. The play can be firmly grounded in the contemporary panorama of postdramatic theatre, not only because of the successful mise en scène, which gives priority to the production of presence and flaunts the artifices that produce dramatic illusion, but also for the use of new strategies such as the stand-up comedy and the energy component in the theatre. The actor who realizes the performance directs the audience to the core of existential questioning when he strips away masks, illusions and all kinds of prejudice. He shows that rational analysis is insufficient to apprehend reality, and appoints fear as a disruptive element in the vital process. After activating a multiplicity of interrogations, the spectators are shaken out of their complacency, when the monologuist, subverting all expectations, announces that life is worthwhile and must be lived with intensity. The conclusion of this study aims to show that Will Eno's innovative integration of existential philosophy and stand-up comedy results in an adequate form to dramatize the ideas he has wished to project, thus contributing to the process of revitalization of contemporary drama.
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