Thomas Demand provokes confrontations between photography's poles of fact and fiction. True-to-size paper models are photographed and then scaled down, while traces of event and person are systematically removed, leaving phantom images of the proposed "crime scene" that seem at once familiar and dreamlike. Demand's 2009 Nationalgalerie (Berlin) exhibition and catalogue bring together his work on German history since 1945--a scrutiny of the "Deutschlandbild," the "German image." These reflections, reconstructed in photographs from a variety of scenarios in the postwar period, encourage the viewer to consider the complexity of the photographic document. Demand's representations of the social and historical are introduced not as monoliths but as places of multiple possibility, halls of mirrors in which the viewer is forced to confront--rather than be fed--potential distortions. His concern for the pliability of human memory and the play between the central and peripheral image contributes to the vibrancy of his art. For Demand, the photographer's accomplishment lies in "re-privatisating that which is constructed as a public opinion."
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About the Author
Thomas Demand was born in Munich in 1964 and now lives in Berlin and London. His work has been exhibited internationally at the Tate Gallery, the Carnegie International 1999/2000, the Kunsthalle in Zurich, the Sydney Biennial, and elsewhere.
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1 of 2 people found the following review helpful:
5.0 out of 5 stars
Master of Illusion,
By Stop Motion Maniac "Elroy Jetson" (Toonville) - See all my reviews
This review is from: Thomas Demand (Hardcover)
If you are unfamiliar with Thomas Demand's work it's almost a shame to say something before you look at his work. He works with paper (and I think other materials sometimes) to create scenes that look real. For example, one of his pieces is a simple view of a house looking through tree leaves, but you realize the entire scene is created from cut out paper. Quite amazing.
This hardback book accompanies the exhibition at the Museum of Modern Art in 2005. There is no dust cover and the work is gorgeously reproduced on nice paper stock. The book is divided into the following chapters: Foreword - Glenn D. Lowry Acknowledgements Paper Moon - Roxana Marcoci Photographic Memory - Jeffrey Eugenides The Photographs The Films Exhibitions and Selected Bibliography I am interested in dioramas, toy theatres, miniature set design (e.g. Gerry Anderson productions) etc. and I can imagine this title and Demand's work would be of interest to many creative types for a variety of reasons. Highly recommended.
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