Customer Reviews

Thrak

5 star:		(6)
4 star:		(1)
3 star:		(1)
2 star:		(0)
1 star:		(1)

 

 

The first thing I noticed about King Crimson's eleventh studio LP s is how surprisingly brutal, heavy and most of all inventive these rock granddads sound. It's astonishing to think how old these guys were when they came together for "Thrak"...you've got Robert Fripp - 49, Adrian Belew - 46, Tony Levin - 49, Trey Gunn - 35, Bill Bruford - 46 and Pat Mastelotto - 40. Supremely old in relation to the 90s rock scene - yet they sound more inspired, more fresh and inventive than 99% of the material being churned out at this time.

While "Thrak" is not considered a metal album, it is undoubtedly brutal and retains a "heavy" feel without ever cranking the guitar distortion. This is partly down to the "double trio" line-up consisting of two drummers (Bruford and Mastelotto), two bassists (Levin and Gunn) and two guitarists (Fripp and Belew). The resulting sound is immense. Just one listen to the bewildering "Vrooom" gives a sense of what "Thrak" is all about. Classic Fripp guitar melodies and riffs, complex, jazzy and intertwining drum patterns and thundering baselines. As I mentioned "Thrak" is not a metal album, but to me this sounds as (if not more) brooding, intense and relevant when compared to the majority of metal acts around today. Then there's "B'boom" and the title track, the former being a drummers heaven with a duet solo that builds to a bewildering, syncopated groove. This gives way to the scary onslaught of the title track - evolved around blasts of intense guitars and difficult rhythms, the song sounds more like modern metal gods Meshuggah than anything King Crimson has ever put out.

Amidst this mayhem, "Thrak" also showcases King Crimson at their classic rock best. "Dinosaur" sounds like 70s prog rock given a twisted revamp. The verse flows and eases, giving way to a booming chorus in which Belew croons "I'm a dinosaur, somebody's digging my bones". The song shows how KC fear being overtaken in the music world, and this would certainly explain the inventive and heavy sound elsewhere. "People" and "Sex Sleep Eat Drink Dream" are both funky rock numbers, fully equipped with off-beat grooves and catchy choruses. Both songs also continue a theme of social satire, of cynically stepping back and viewing the world, with "People" attacking our single-minded visions and lack of wider appreciation, and "Sex Sleep Eat Drink Dream" focusing on the mundane and pointless. "Walking on Air" and "One Time" showcase KC at their delicate best, two superb ballads that would fit right in with their classic 60s and 70s material.

"Thrak" sees a band of old-timers, of rock granddads, pushing their sound to incredible and unexpected new places. At times harsh and chaotic, sometimes downright heavy and brutal, "Thrak" is the band's most adventurous album. Of course, they always come back to their classic rock roots, and this really sets off "Thrak" as a wonderfully eclectic yet balanced album. Highly recommended.

(This is the 2006 remastered version which I would very much recommend over the old version.)

With the album Thrak, we see King Crimson enter another stage in its evolution. To the quartet of Robert Fripp, Adrian Belew, Tony Levin, and Bill Bruford, they add stick specialist Trey Gunn, and another drummer, Pat Mastelotto. With the addition of these two new members the band develops a broader artistic expression and musical presence, further refining the King Crimson sound in a way very interesting to the listener.

I find the album Thrak takes the listener in a slightly more introspective direction, than, say Discipline. With songs like Walking On Air, and One Time, along with Inner Garden I&II, and RadioI&II, you get a more somber feel. Contrast these with the brilliant instrumentals, particularly the growling title track Thrak, and you get an earful of progressive rock goodness. Highly recommended to all King Crimson fans.

King Crimson began the 21st Century in 1995, when they put out this outstanding record. From ballads to heavy metal with a progressive classic edge: essential stuff.

This is actually a very good record. It also shows the double trio (Robet Fripp, Adrian Belew, Tony Levin, Bill Bruford, Trey Gunn, and Pat Mastelotto) doing a very fine job. starting off with the cool instrumentals VROOOM and Coda:Marine 475 thru great harder edge songs like Dinosaur to mellower tunes like One Time and instant classics like People this album is the best of their latter efforts.

Well, you know, King Crimson had made a lot of albums up to this point, four as symphonic prog pioneers, three as murky prog-metal pioneers in the mid-70's and three as a streamlined new-wave prog-pop band in the early-mid 80's. Then they re-appeared in the next decade as a 'double trio' (some people know this as a sextet, but such a sexy sounding word could never really apply to a band like King Crimson) that released Thrak.

But 'Thrak' is a glory. It's got some of their hardest, heaviest rocking songs with the title track and Vroom Vroom. But then there are some down-to-Earth pop songs with lyrics that actually mean something! (actually, this is the band King Crimson, so it should be '!!!!' it's strange to hear them string a sentence together). And then there are some avant-garde songs but, seriously, the longest song is under 7 minutes, and this album actually avoids self-indulgence.

The vocal tracks are generally not the typical 'admiring my own eccentricity'-fests that this band can so often concoct, but actually they got down and wrote some excellent songs.

'Walking on air' is a gorgeous ballad with backward guitars and surreal, beautiful textures. It really is as the title suggest, like 'waling on air'. Then there's 'Dinosaur', one of the most infectious songs these guys ever did. Songs like 'People' and 'Sex sleep eat drink dream' put on a real groove. If I heard 'One Time' on the radio without knowing before-hand who it was, I might of thought it was 'Simply Red', a bleak blues-ballad that is possibly thier most simplest song ever. But then the rockers are heavier, leaner, meaner and more menacing than ever before. They also have a 'machine-like' feeling to them.

Then there are a few oddities like 'Raio' and 'Inner Garden' to keep things interesting.

In short: It's great, get it!

great purchase, beautiful cd and i hope first of several king crimson and adrian belew

If you like Crimson and after listening to this in HDCD you'll love Crimson. A great exercise in audio and musicianship!! Highly recommend!

I just love The Power to Believe, and was looking for another gem from KC, but this is dull by comparison. Or maybe it is just dull. The musicianship is fine, but there is too much repetition in the rockin' songs. The more mellow songs are forgettable. My overall impression of the CD is "whatever".

I have all King Crimson works from "In the court..." until "Red". After "Red", only "Discipline" and maybe "Beat" are good works. King Crimson have always alternated fantastic music with moments of stupid, banal and also depressive music. Robert Fripp has ceased to produce decent music at least 10 years ago, and sometimes the impression is that he's literally kidding the audience, with a sort of despise. Adrian Belew has never produced a single decent work. Sorry, but this record is really an insult to the old King Crimson. It is stupid, brutal and dissonant music, mixed up with very commercial, silly and heard 10000 times tunes. I really cannot figure out how people may like it. If you want good progressive music, the last good work is that of the Keith Emerson Band.