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Threads of Malice [Mass Market Paperback]

Tamara Siler Jones (Author)
3.9 out of 5 stars  See all reviews (12 customer reviews)

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Book Description

October 25, 2005
In this relentlessly gripping thriller, Compton Crook Award winner Tamara Siler Jones weaves together her unique blend of fantasy, forensics, and suspense to create a world terrorized by a killer out of our darkest nightmares. Now one man must follow a trail of savaged victims to save an innocent life hanging by the slimmest of hopes.…

One by one, young men in the kingdom’s outer reaches are vanishing into the dark. So far, two bodies have washed up on the local riverbank. But Dubric Byerly, head of security at Castle Faldorrah, soon realizes there are countless more victims…for it’s his curse to be forever haunted by the ghosts of those whose deaths demand justice.

The latest to vanish is Braoin, a seventeen-year-old painter whose mother came to Dubric’s aid when he most needed it. All Dubric knows is that the boy is still alive. But time is running out, and it isn’t only Braoin’s life hanging in the balance. If Dubric can’t untangle the twisted web of clues and lies and find his way to the killer, one of his own pages will be the next to die.…

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About the Author

Tamara Siler Jones lives in Iowa with her family. An avid mystery reader, this is her second novel, continuing the series that began with Ghost in the Snow, and its main sleuth Dubric Byerly.

Excerpt. © Reprinted by permission. All rights reserved.

Chapter 1

Braoin saw strings.

They streamed from somewhere above, dangling before his eyes. Black and shining in reflected firelight, they rustled in the slightest breeze and hung before him, just out of reach.

Not that he could move his hands to try to touch them. He felt like immovable sludge, thick and heavy and still. He lay on his belly, his head balanced upright on his chin, his muscles lax and uncooperative. He blinked and time strung away from him, fading to a dark river.

When he dragged his eyes open again the black strings had disappeared and his view had changed.

His head rested on its side and he stared at his right hand--at least it looked like his right hand, with paint on his knuckles as he remembered, but it lay slumped on a board like a dead slab of meat. Beyond it he saw only shifting darkness. He took a breath, determined to stay awake, and tried to move his fingers. One finger, the smallest, twitched, but the rest remained still.

Goddess, I've never been this drunk, he thought, letting his eyes fall closed again as he tried to think. He remembered eating supper with his aunt's family, but he'd had to leave before sunset, had to get home early because . . .

The dark! His eyes blinked open. His paint-stained right hand and his bare wrist and forearm lay still; there was no reaction when he tried again to move his fingers. He could not lift his head nor move his legs, which hung free beneath his hips. His nude upper body lay chest-down on a hard, scratchy surface, his arms were bare, and his back and shoulders felt cold. Braoin could tell from the breeze on his toes and testicles that he no longer wore his boots, or his pants.

No, no, no! Desperate to move, he forced a twitch through his dead fingers. A spasm gripped his hand, flipping it off the board like a fish out of a bucket.

"Waking, eh," a man's voice whispered from the dark. "Was afeared of that. Quit yer kicking if ye know what's good for ye."

"Let me go, please," Braoin said, his tongue thick. It sounded like "Eh ee ogh, eeh."

A sigh. "Talking ain't gonna make it no better." Fingers gripped Braoin's left ankle, then pain sliced around it, holding it fast, as the man tied him tight.

Braoin pleaded in nonsense syllables while the man moved on to fasten his right foot.

"Shh. He's coming."

Something moved far behind Braoin, something big and lumbering. "Don't talk to it," a second voice said with a low, threatening growl.

A mumbled apology, then Braoin heard steps hurry away.

He heard nothing for a long time, nothing but the rhythmic rush of blood in his ears. Try as he might, he could not move, and he saw only a long length of board leading into the dark.

A thick-bellied man in black robes walked into Braoin's line of sight. He reached down and lifted Braoin's escaped hand, slamming it on the board.

Braoin swallowed and tried to plead, but only terrified guttural whines escaped his throat.

Fat fingers wrapped black twine around the board and Braoin's wrist, holding his hand still and tying it tight. The man muttered a curse then walked toward Braoin's head.

Braoin cried out and tried to shake his head. Please, I'll do anything. I just want to go home.

The man grabbed Braoin's hair and yanked his head, wrenching it upright. "No, please." Braoin scrunched his eyes shut.

"Quiet! We're not allowed to play here." The man moved to the left, tying that hand as well, then he leaned close and whispered, dragging a finger up Braoin's bare arm, "Soon, though. I do so love to play, especially with lads like you. And I have the perfect place. Quiet and . . ." the fingertip moved across his bare shoulders and gouged into his spine as it scratched down toward his buttocks, ". . . private. Just you and me and the dark."

Held tight, Braoin prayed. He looked at the curtain of shining black strings hanging over the dais before him, and noticed slippered feet poking through. "Please," he said in his garbled, dead-tongue voice, raising his eyes and struggling to see the observer sitting above him. "Please let me go. I don't want to die. For Goddess' sake, I'm only seventee--"

The man slipped black twine around Braoin's neck and pulled, wrenching Braoin's head up and back. "Behold the master," he said, tightening the vise around Braoin's throat. "May he judge you worthy."

Braoin saw above the strings, above the slippered feet, until he could see his silent observer: a desiccated, nearly skeletal corpse holding a whip. Its long, dead teeth were gleaming and yellow and it grinned at Braoin while he was dragged into unconsciousness.



Dubric Byerly sat at his desk, his thoughts churning. An open letter lay before him from the mother of a member of the castle staff. After the murders the previous moon, her distraught daughter, the castle's morning cook, had journeyed home to fetch her family. Once there, in the dead of night, she had killed her children, then herself. The grieving grandmother wanted to know what had happened. What had drawn her beloved daughter to such despair. Why her daughter had killed herself. Why her son-in-law had done such terrible things.

These were not questions Dubric could answer.

He settled his mind and wrote a letter of condolence, expressing deep and heartfelt regret for the loss and offering to pay a stipend to ease the financial burden it wrought.

That done, he sealed the letter, set it aside for delivery, then sipped his tea.

The door burst open and Dubric started as Lars ran into the office. Gawky and tall as any lad on the cusp of manhood, Lars had cheeks that were flushed an urgent purple and his straw-colored hair was unkempt and windblown like a tousled halo. He smelled of mud and horse manure.

"Sir! We've received a messenger from the northern reach."

"What is it?" Dubric asked, standing.

Lars held Dubric's gaze. "A murder, sir, at least I believe that's what he's saying. He rode all night and he's terrified."

Not again, Dubric thought, groaning. Gathering his cloak, he followed Lars from the office.

By the time they reached the stables, Dubric had slopped a fair share of mud upon his boots and trousers. Flavin, the stable master, waited outside the door, crushing his hat in his hands. "The lad's nigh about spent," he said. "And his mule . . . I'll do what I can, but I ain't holding out hope, sir. Mules ain't meant to run like that. I've got Goudin walking her, but I can't tend her further 'til she cools."

Dubric nodded grimly and Lars opened the stable door for him.

Dubric's squire, Dien, knelt near an open stall door, holding a filthy, bleeding boy as the lad splattered Dien's boots and the straw on the ground with tendrils of vomit. Dien cradled the boy as if he could protect the lad from the horrors he had come to tell.

Dubric hurried toward them with Lars close behind. "What happened?"

"Not sure yet, sir," Dien said, patting the boy gently on the back as the retching eased. "Eachann hit his head and he's not making much sense. Someone killed, best as I can tell, from the northern reach. Beyond that, your guess is as good as mine. He's insisting he talk to you."

The stable door opened again and Otlee, Dubric's youngest page, ran through with physician Rolle behind him.

"Fetch him some water," Dubric said to Otlee.

"Yessir!" Otlee bobbed a quick bow and ran out of the stable.

Dubric approached the boy slowly, leaving Rolle plenty of room to work. "How old are you, son?"

The boy winced at the physician's touch. "Thirteen summers, m'lord, give er take. Never paid much 'tention."

"And your name is Eachann?"

"Yessir, I--" He grimaced, lurching away from the physician. "Cripes! Ye ain't gotta kill me, I'm a'ready half there!"

Dubric offered a consoling smile. "You were saying?"

"Geese, m'lord. I tends 'em." The physician touched Eachann's bleeding shoulder and the boy yelped again.

The physician grasped the boy's chin, holding him still while moving a finger in front of the boy's eyes. "As well as a variety of contusions, he has a dislocated shoulder, a broken ulna . . ." the finger dropped and Rolle leaned close to look into his patient's eyes, "and a concussion, apparently." He stood, sighing. "I do believe he will survive questioning, but please, get him bathed and into a warm bed as soon as possible. You have no business keeping him here in a stable."

Rolle gathered his things. "Send a runner to inform me when he's settled so I can set the arm and give him something for the pain. Until then, I leave him to your care."

"Thank you," Dubric said as Rolle walked past.

Wincing, Eachann cradled his broken arm and looked at Dubric. "Yer him, ain't ye? Lord Dubric hisself."

"Yes. What brings a battered goose farmer to my castle?"

Eachann looked up at Dien before returning his pained gaze to Dubric. "The dark, m'lord. T'was the dark."

"That's the same thing he's been telling me," Dien said, drawing his cloak higher over the boy's shoulders. "The fall rattled his brain."

Dubric knelt stiffly before them, his knee resting beside steaming vomit. "Why the dark, Eachann? What happened in the dark?"

"The dark, it took another one," Eachann said. "This time it was one I knew."

Dubric watched the boy's fingers clench into the fine wool of Dien's cloak, crushing it. "What do you mean the dark took another one? Who? Why did you come for me, and not an official messenger?"

&quo...

Product Details

  • Mass Market Paperback: 528 pages
  • Publisher: Spectra (October 25, 2005)
  • Language: English
  • ISBN-10: 0553587102
  • ISBN-13: 978-0553587104
  • Product Dimensions: 4.5 x 1.2 x 7 inches
  • Shipping Weight: 8.8 ounces (View shipping rates and policies)
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (12 customer reviews)
  • Amazon Best Sellers Rank: #298,775 in Books (See Top 100 in Books)

More About the Author

Hey everyone! Just wanted to let you all know that 100% of my royalties from short story sales (current titles are FIRE, SID, and ENDORPHINS) goes to charity. Every penny. Spread the word!

 

Customer Reviews

12 Reviews
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Average Customer Review
3.9 out of 5 stars (12 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

9 of 9 people found the following review helpful:
4.0 out of 5 stars The shame of this book is that more people are not reading the series, August 30, 2006
By 
moria2 (St. Louis, MO USA) - See all my reviews
(VINE VOICE)   
This review is from: Threads of Malice (Mass Market Paperback)
Threads of Malice, like its predecessor Ghosts in the Snow, is extremely compelling and engaging. I couldn't put either of them down and read each of them in one sitting. However, they are not for the squeamish. Both books are very graphic and rather violent.

Durbric Byerly is the equivalent of a detective or inspector. His particular quirk is that he sees ghosts. Now, these ghosts don't talk, but they communicate in other ways and, unfortunately, the ghosts are often ambiguous in their wants, needs, goals, stories, help etc... esp. when Durbric gets rash or impatient with them and reads them wrong. In a region near Castle Faldorrah, young men are disappearing and turning up murdered. Durbric and his small group of apprentices stay with friends in the region as they investigate the murders, which soon prove to be serial killings of the worst kind. The region being investigated holds the part of the tale of Durbric's personal history, beyond the death of his wife mentioned in the first book, and this history blends in with the current case. While all of the "good" characters are focused on solving the crimes, there are a few subplots to advance the series. One of the things I like about the books is that the answers to the puzzles and mystery do not come easy and the stumbling along the way seems honest, not contrived.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars This will keep you up all night!, October 25, 2005
By 
Galora_K (Central NY United States) - See all my reviews
This review is from: Threads of Malice (Mass Market Paperback)
This was a hard one to put down. In fact, I didn't get to bed until 1 am, after finally giving in to my husband's eye rolling. Then I was up at 7 am with my nose in the book by 5 after. I LOVED IT! What a spectacular job Tamara Siler Jones did. I highly recommend this book. Enjoy!

Threads of Malice is the continuing story of Dubric Byerly, the head of security at Castle Faldorran, who just happens to see dead people. Cursed since the murder of his wife, Dubric has spent the last forty or more years seeing the ghosts of people who have been murdered. These ghosts physically drain him, causing severe headaches and fatigue. And they hang on until he solves their murders. While this is the second book by Jones, it's a stand alone novel. I highly recommend you read Ghosts in the Snow first though, to get to know the world and characters.

This visit to Faldorran finds young men vanishing in the far reaches of the kingdom. A body has been found in the river and a young painter has vanished. Dubric, his squire Dien and two young pages Lars and Otlee set out to get to the bottom of the disappearances.

Fast paced, violent, disturbing, gripping and horrifying in the best possible way, Threads of Malice is a book you don't want to read alone at night. It only took about 2 pages to capture my interest and Tamara Siler Jones' excellent writing and story held it in a death grip until the final page.

The blend of forensics, suspense and fantasy is something I've never read before finding Jones and I think it's safe to say she is the master. I was wondering "who done it" until the very last pages and there were plenty of red herrings that I swallowed hook, line and sinker. There is nothing predictable about this book.

I highly recommend it to lovers of suspense and fantasy. It's only fair to warn you though, it's graphic and gory. There are scenes of rape, torture, pedophilia, murder and unbelievable brutality that are disturbing. It's good vs. evil in the most profound sense. In the end though, it's all well done, helps move the story forward and ratchets up the fear for characters you've come to know and love. She even manages to work a romance in. Incredible.
Bravo Tamara, I can't wait until the third book comes out.
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8 of 9 people found the following review helpful:
4.0 out of 5 stars What good are ghosts that can't talk...?, December 28, 2005
This review is from: Threads of Malice (Mass Market Paperback)
Threads of Malice takes up about a month after the events in Ghost in the Snow. It's the proverbial dark and stormy night when a young boy, Eachann, rides his donkey nearly to death to arrive at Castle Faldorrah to beg Dubric Byerly to come to The Reach because young boys are being taken by The Dark. Dubric learns that the people of The Reach have written repeatedly begging for assistance from the castle and no one has answered their call. Dubric gathers his men immediately to go to The Reach and he's very curious to learn why those letters have never reached him. There's no time to loose for The Dark is taking young boys and men without a trace...and so far there's only been one body found.

Dubric knows The Reach, he fought there in the magic wars when the Mages were being killed for their oppression of and demented, horrific treatment of the people. The wars have been over for years and Byerly killed the worst of the lot, Foiche, freeing The Reach from his tyranny. When Dubric enters The Reach he begins to hear stories that remind him of Foiche and then he meets the ghosts; over twenty of them, clambering for justice. They have all been extensively tortured, abused, and then murdered. All the ghosts are of young, slim boys and men. No women are among them. Dubric begins his investigation with Otlee as his assistant and gets little help from the Lord of the land or the other men in high places.

Dien and Lars move on to Dien's wife's family's home as the center of their part of the investigations. Dien's father in law is seemly insane but as the investigation goes on it begins to look like not all his babble is insanity. When Dubric visits the farm Lars begins to note that maybe there is a range to Dubric's ghosts and that might be a clue to finding the killer or killers. There are enough suspects and suspicious people to keep Dubric and his men feeling like they are tilting at windmills. The mystery keeps you guessing until the final pages because the clues are laid spare but clear and with each new one the suspect list reshuffles.

Much of the story rest on some back filling of Dubric's past. We learn more of his wife and his actions in the magic wars. We learn more about the world and the kingdom of Faldorrah--that leaves the reader with more questions than answers. Dubric must face his past and his actions to solve these crimes for they have been years in the making--and all to return a madman to power.

This is definitely not a book for the faint of heart. While descriptions are crisp and non-voyeuristic they can give a person with an active imagination nightmares and a vile taste in the back of the throat. I think the worst part is knowing that people do indeed do these things to each other and that other people look away. There's the mystery and the story and there's also the growth and change in the characters we met in the first book. No one will be the same after this story -- not the characters and certainly not the reader.
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