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Three by Annie Dillard: The Writing Life, An American Childhood, Pilgrim at Tinker Creek
 
 
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Three by Annie Dillard: The Writing Life, An American Childhood, Pilgrim at Tinker Creek [Paperback]

Annie Dillard (Author)
4.1 out of 5 stars  See all reviews (8 customer reviews)

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Book Description

November 21, 1990
A stunning collection of Annie Dillard's most popular books in one volume.

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Three by Annie Dillard: The Writing Life, An American Childhood, Pilgrim at Tinker Creek + Teaching a Stone to Talk: Expeditions and Encounters + Holy the Firm
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Editorial Reviews

About the Author

Annie Dillard has written eleven books, including the memoir of her parents, An American Childhood; the Northwest pioneer epic The Living; and the nonfiction narrative Pilgrim at Tinker Creek. A gregarious recluse, she is a member of the American Academy of Arts and Letters.


Product Details

  • Paperback: 624 pages
  • Publisher: Harper Perennial (November 21, 1990)
  • Language: English
  • ISBN-10: 0060920645
  • ISBN-13: 978-0060920647
  • Product Dimensions: 7.9 x 5.2 x 1.2 inches
  • Shipping Weight: 1.4 pounds (View shipping rates and policies)
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #92,085 in Books (See Top 100 in Books)

More About the Author

Annie Dillard is the author of ten books, including the Pulitzer Prize-winner Pilgrim at Tinker Creek, as well as An American Childhood, The Living, and Mornings Like This. She is a member of the Academy of Arts and Letters and has received fellowship grants from the John Simon Guggenheim Foundation and the National Endowment for the Arts. Born in 1945 in Pittsburgh, Dillard attended Hollins College in Virginia. After living for five years in the Pacific Northwest, she returned to the East Coast, where she lives with her family.

 

Customer Reviews

8 Reviews
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4 star:
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3 star:
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Average Customer Review
4.1 out of 5 stars (8 customer reviews)
 
 
 
 
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28 of 29 people found the following review helpful:
5.0 out of 5 stars Unparalleled imagery and use of language, August 13, 1999
By A Customer
This review is from: Three by Annie Dillard: The Writing Life, An American Childhood, Pilgrim at Tinker Creek (Paperback)
For those who believe a declarative sentence in the Hemingway style is the nadir of literary style, Annie is not for you. For those who believe elegance of language enhances the reading experience, Annie is a joy and a treasure. Her images and allusions are the rich stuff of observation and imagination, poured straight and undiluted on the page. I'm sure she would say that this makes the act of writing sound far too easy (read "Writing Life" for a lucid rebuttal to any such misapprehension); I'm insanely glad that she endures the agonies of a writer to bring gifts like these remarkable books to us. Thank you, Annie.
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11 of 11 people found the following review helpful:
4.0 out of 5 stars Dillard's images smell of nature., January 5, 1999
By A Customer
This review is from: Three by Annie Dillard: The Writing Life, An American Childhood, Pilgrim at Tinker Creek (Paperback)
Dillard's polyphony of images creates a roundness and depth unfathomed by most modern nature writers. Overlapping images brings breath to observation. Her's are not images of nature upon the dissection table, but nature alive and exuding itself. Her observations pierce the bone and marrow of nature revealing the transcendence and sacrament that is man's experience with nature. Her writings give off the scent of true experience, true life and true thought. Dillard is quite possibly the premiere essayist of our period.
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19 of 26 people found the following review helpful:
4.0 out of 5 stars Nature in a Different View, April 22, 2000
By A Customer
This review is from: Three by Annie Dillard: The Writing Life, An American Childhood, Pilgrim at Tinker Creek (Paperback)
After reading Pilgrim at Tinker Creek by Annie Dillard, you will never look at nature the same way again. Her details are never ending and are so unique you feel like you are sitting in a field listening to her talk about her experiences. Her sense of care is much more deep than most people. Many citizens are uninterested about your life, but Dillard is over excited about these adventures. She is very honest throughout the book, and really justifies her thoughts well. Her feelings about religion are also a large part of the book. She believes in God, but wonders sometimes what he really does mean. Doesn't everyone do that? Her details are never-ending in that they explain everything from every dusty corner to things that you never would think about, or want to hear: "I scraped away the smooth snow. Hand fashioned of red clay, and now frozen, the bump was about six inches high and eighteen inches across. The slope, such as it was, was gentle; tread marks stitched to the clay."

This example from page 50, first full paragraph, is a wonderful illustration of how thorough she is in her writing. Instead of saying the bump was small and sloping, she decides to write with more action and feeling in the sentences. This helps the reader feel like she is actually there and enjoying the nature around her. Her interest in creatures seems to be unlimited . I have never seen anyone so interested in the concern of insects. The following passage shows this unending love of creatures: "Under the ice the bluegills and carp are still alive; this far south the ice never stays on the water long enough that fish metabolize all the oxygen and die. Farther north, fish sometimes die in this way and float up to the ice, which thickens around their bodies and holds them fast, open-eyed, until the thaw."

This section from page 48, first full paragraph, demonstrates care in that she knows so much information about fish and their habitats. This illustrates care and concern for so many in not just fish in general, but animals as a whole. So many times people ask us why, but we never really do have an answer, but it seems not to be the case for Dillard. She can justify anything with a credible answer. This passage shows her talent in answering questions to her full capability: "Is our birthright and heritage to be, like Jacob's cattle on which the life of a nation was founded, "ring-streaked, speckled and spotted" not with the spangling marks of a grace like beauty rained down from eternity, but with the blotched assaults and quarryings of time?"

This passage from Pilgrim at Tinker Creek, page 242, continued paragraph, is an example of her justification. Even though she may have the story's background confused from the Bible, she does relate to "Jacob's cattle" several times. This gives the book strength and depth in that she knows her information. Religion is a big factor throughout the book. Dillard states what she thinks is equitable. Many of her statements speak that she is a believer, but she does ask what He means several times. Page 90, third paragraph, shows a great deal of Dillard's feelings: "I have never understood why so many mystics of all creeds experience the presence of God on mountaintops. Aren't they afraid of being blown away? God said to Moses on Sinai that even the priests, who have access to the Lord must hallow themselves, for fear that the Lord may break out against them. This is the fear. It often feels best to lay low, inconspicuous, instead of waving your spirit around from high places like a lightning rod. For if God is in one sense the igniter, a fireball that spins over the ground of continents, God is also in another sense the destroyer, lightening, blind power, impartial as the atmosphere. Or God is one 'G.' You get a comforting sense, in a curved hollow place, of being vulnerable to only a relatively narrow column of God as air."

The passage is extremely strong throughout and makes the reader reread the section. It is very deep and thoughtful. Dillard seems to have a awfully strong interest in the power of God. This subject and nature really brings about energy for the audience that is unusual in most authors. Annie Dillard writes exceptionally strong in Pilgrim at Tinker Creek. She mentions exceedingly sturdy statements, which justify her thoughts, but she is concerned and caring for the things around her. Her details throughout help make readers more involved in the book. They feel like they lived with her during the past five years. Religion has a large impact on Dillard's view of nature. She feels that very day should be appreciated and welcomed.

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Inside This Book (learn more)
First Sentence:
I USED TO HAVE a cat, an old fighting tom, who would jump through the open window by my bed in the middle of the night and land on my chest. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
sycamore log bridge, bunts one, tree with the lights, quarry pond, maple key, giant water bug, rock barnacles, wave breast, buckeye trees
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Tinker Creek, New York, Penn Avenue, Lake Erie, New Orleans, Frick Park, Richland Lane, Tinker Mountain, Edgerton Avenue, Paw Paw, United States, Man Walking, Ohio River, Allegheny River, Edwin Way Teale, American Standard, Carvin's Creek, Dallas Avenue, Ellis School, Homewood Library, Mount Baker, Pin Ford, Shadow Creek, Walter Milligan, West Virginia
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