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Three Artists (Three Women): Modernism and the Art of Hesse, Krasner, and O'Keeffe (Ahmanson-Murphy Fine Arts Book)
 
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Three Artists (Three Women): Modernism and the Art of Hesse, Krasner, and O'Keeffe (Ahmanson-Murphy Fine Arts Book) (Hardcover)

by Anne Middleton Wagner (Author)
3.6 out of 5 stars See all reviews (5 customer reviews)


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Editorial Reviews

From Library Journal
In this scholarly new book, Wagner (history of art, Univ. of California, Berkeley) skillfully probes and tracks how each of these important American modernists at one time coped with life as both a professional artist and wife of a more famous one. "O'Keeffe's Femininity" demonstrates how infamous she was at rendering body imagery: "to imagine an impossible union?the passionate coupling of hygiene and scatology, the body and its absence." Lee Krasner is shown painting her own way through Jackson Pollock's as well as Arshile Gorky's conventions until she eventually achieved autobiographical essays in paint and collage. Eva Hesse is optimistically identified as an innovative commentator on new sexuality, focusing on her body, but not her body alone. This gendered interpretation of three of the foremost American modernist women artists presents an interesting blend of biographical and historical criticism. Recommended for most academic collections.?Mary Hamel-Schwulst, Towson State Univ., Md.
Copyright 1997 Reed Business Information, Inc.

Review
"A massive enrichment of the field of feminist studies. [Wagner]is a scrupulous historian and a subtle analyst of the visual arts. . . . An important book, which will both art historically and theoretically remap our studies of femininity, modernism, and representation." -- Griselda Pollock, Women's History

"Her excellent description and analysis of individual works will help general readers to better appreciate abstract art." -- Lisa Miller, Bloomsbury Review

See all Editorial Reviews

Product Details

  • Hardcover: 323 pages
  • Publisher: University of California Press; illustrated edition edition (December 20, 1996)
  • Language: English
  • ISBN-10: 0520206088
  • ISBN-13: 978-0520206083
  • Product Dimensions: 10.2 x 7.2 x 1.1 inches
  • Shipping Weight: 2.9 pounds
  • Average Customer Review: 3.6 out of 5 stars See all reviews (5 customer reviews)
  • Amazon.com Sales Rank: #2,035,175 in Books (See Bestsellers in Books)

    Popular in these categories: (What's this?)

    #8 in  Books > Arts & Photography > Artists, A-Z > ( J-L ) > Krasner, Lee
    #11 in  Books > Arts & Photography > Artists, A-Z > ( G-I ) > Hesse, Eva

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Customer Reviews

5 Reviews
5 star:
 (2)
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Average Customer Review
3.6 out of 5 stars (5 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
5 of 5 people found the following review helpful:
5.0 out of 5 stars Insightful, scholarly, and accessible, December 17, 2000
By A Customer
One is reluctant to criticize the reviews of other customers, yet the two reviews prior to mine attempt to force upon Wagner's book both an historical framework and a point of view that are outside of her intended goal. If one reads the book for what it is, one finds a work of analytical insight, scholarship, humanity, and understanding of historical context. Enjoy it, savor it, reflect upon it!
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1 of 1 people found the following review helpful:
5.0 out of 5 stars authoritative, engaging & personal, February 21, 2008
I greatly enjoyed Anne Wagner's work in Three Artists (Three Women). Not only did she write an exceptional Introduction for her work - something rare in my opinion - but she isn't afraid to tackle the idea that one of her subjects, Eva Hesse, might not have been such a commodity had she lived. Wagner doesn't insult the artist or offend the reader in her discourse about Hesse's semi-martyrdom. Instead she very matter-of-factly outlines reasons for considering that the sculptor might have been less novel. She is sharp but candid:

It is her (un)timely death that has meant that she has survived to play a special cultural role: forever under thirty-five, she answers a hunger for youthful tragic death. She is the `dead girl'...Much of the writing about the artist cannot resist taking advantage of the free mileage it gets from Hesse's early death. When it is harnessed to her troubled life, so called, an irresistible package results. (197)

Wagner's strong suit is her skill at assisting the reader to build an understanding of feminism, art and the history of women as artists. She draws on three rather conventional (in the academic sense) artists when one might prefer to see her focus on feminist artists who are a little more out of the ordinary - Shirin Neshat comes to mind. In all, however, the work is quite a valuable cornerstone for art study and her presentation of the subject of women as artists/artists as women and the discussion about the mutual exclusivity that has historically accompanied those two constructs is insightful.
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1 of 3 people found the following review helpful:
3.0 out of 5 stars inviting but not satisfying, August 8, 2002
By A Customer
I picked up this book after seeing the Hesse retrospective in San Francisco. Although it provides a lot of useful background, the reading the art are somehow too pat. I guess it is a problem to always refer to the artist's life, however fascinating, to explain their work? And the 'feminist' framework did seem forced -- the photos were very suggestive but the author seemed afraid to really go for it. Why is so much academic writing afraid to make a strong argument or provocative, unexpected analysis?
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Most Recent Customer Reviews

3.0 out of 5 stars well-reviewed feminist art criticism
Everyone who reviewed it seemed to love this overview of the careers of 3 artists: Krasner, Hesse. It's a fun read, with great photos, but I wish art historians would start to... Read more
Published on September 25, 1999

2.0 out of 5 stars disappointing account of three artists
Wagner presents 3 kay artists but her analysis is thin -- after 200+ pages, we get to the conclusion that "altho gender doesn't entirely determine our lives, it does inflect... Read more
Published on September 25, 1999

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