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Three Cheers For The Broken-Hearted Single


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Audio CD, Single, November 3, 2009
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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. Come On, Come On 3:37$0.99  Buy MP3 
listen  2. The Lure of Dreams 5:52$0.99  Buy MP3 
listen  3. A Rose For Emily 3:09$0.99  Buy MP3 
listen  4. Sleep On 4:06$0.99  Buy MP3 
listen  5. The Mid-Life Weird 3:55$0.99  Buy MP3 
listen  6. A Bitter WInd 4:35$0.99  Buy MP3 
listen  7. The Curse They Weave 4:30$0.99  Buy MP3 
listen  8. Sun Down Shores 4:35$0.99  Buy MP3 
listen  9. Schrodinger's Lament 5:12$0.99  Buy MP3 
listen10. Hyperbole 7:38$0.99  Buy MP3 
listen11. Falling 4:36$0.99  Buy MP3 


Frequently Bought Together

Three Cheers For The Broken-Hearted + Culture Of Ascent + If
Price for all three: $46.50

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Product Details

  • Audio CD (November 3, 2009)
  • Number of Discs: 1
  • Format: Single
  • Label: Arion Records / Sound Resources
  • ASIN: B002Q3OBZY
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #289,741 in Music (See Top 100 in Music)

Editorial Reviews

Product Description

For well over a decade, Glass Hammer has been one of the most impressive and productive rock bands while remaining resolutely independent from the music industry s star-making and -consuming apparatus. Taking advantage of that independence and the liberty it affords, the Chattanooga, Tennessee-based group led by multi-instrumentalists and songwriters Fred Schendel and Steve Babb has produced some of the most musically impressive and thematically interesting albums of our time. Releases such as Lex Rex, Perelandra, On to Evermore, and The Inconsolable Secret are classics of modern rock, while Culture of Ascent and Chronometree are likewise impressive and thoroughly enjoyable. All are well worth owning, and the band s entire catalog, extensive as it is, is well worth exploring. Their musical and lyrical adventurousness and their virtuosic instrumental abilities placed Glass Hammer firmly in the category of progressive rock, an assessment which the group embraced without seeming to let it limit their creativity. As appears to be the case with most of those who gravitate to progressive rock, Babb and Schendel seem to revel in stretching their musical and compositional abilities and exploring far beyond the confines of three-chord rock music while always keeping in mind the premise that music should be entertaining and enjoyable. Thus it s interesting and pleasing to see them venture to the roots of the progressive rock and beyond in their latest album, Three Cheers for the Broken-Hearted, into a classic late-1960s sound incorporating elements of pop, soul, funk, folk, and psychedelia. It sounds as if the album might actually have been recorded in the late 1960s, when rock musicians enjoyed a level of creative freedom that only independent, self-financed artists such as Glass Hammer can have today. S. T. Karnick The American Culture

Review

Overall, the songs are driven strongly by Steve Babb s bass guitar, and the band largely avoids the virtuosic instrumental solos for which they have previously been known and rightly admired. Instead they work the various instruments together in intricate ways to create varying sound textures over the aggressive, driving rhythms Babb lays down. The songs are mostly in the three- to five-minute range, with just a couple stretching out toward six or seven minutes, just as one might expect to find on a popular late-1960s record by the Beatles, Moody Blues, or Traffic. Yet there is nothing nostalgic or archly retro about the album. The band works in a familiar style but brings their typical creativity to the effort, as a song-by-song outline makes clear. Somehow, Glass Hammer just keeps getting better and better. If you haven t heard of them before, be assured that this is part of what makes the band s work so enjoyable: their independence is essential to their brilliance. --S. T. Karnick - The American Culture

Customer Reviews

The arrangements have been dumbed down to the point where they don't even make good pop songs.
Stuck In The 70s
Gone are the long epics and in their place Glass Hammer presents an amazing mixture of ballads, psychedelic rock, layered power pop, and a few heavy tracks.
Barry
This is just another gold brick in the wall for them and I truly love this piece from beginning to end.
Michael A. Maffei

Most Helpful Customer Reviews

20 of 22 people found the following review helpful By Barry on November 8, 2009
Format: Audio CD
Sometimes a rock band is best when reduced to the core elements--Glass Hammer proves that on their new release Three Cheers for the Broken-Hearted. Previously Glass Hammer featured a talented revolving cast of vocalists and musicians held together by the core writer/producer/musicians Steve Babb and Fred Schendel. On Three Cheers for the Broken - Hearted most of the composing and instruments are handled by Babb and Schendel, while returning vocalist Susie Bogdanowicz steps up to the microphone to handle lead vox on seven of the eleven tracks.

Three Cheers for the Broken-Hearted could be considered a reboot for the band...Glass Hammer 2.0 if you will. This is a fresh, current sound, and a natural progression from their last album Culture of Ascent. That project had Glass Hammer experimenting with more modern progressive rock elements. Three Cheers for the Broken-Hearted veers further away from the band's classic progressive rock roots while maintaining a prog foundation--Babb's booming bass is dramatically present in the mix, and Schendel's keyboard tones are classic. Gone are the long epics and in their place Glass Hammer presents an amazing mixture of ballads, psychedelic rock, layered power pop, and a few heavy tracks. Glass Hammer 1.0 was for fans of Yes, Emerson, Lake, and Palmer, and Genesis. This version of Glass Hammer will appeal to fans of Porcupine Tree, Muse, The Beatles, Jellyfish, and even Dream Theater.

Three Cheers for the Broken-Hearted is nicely layered with great sounds and sonic icing that make for a great headphone experience. Even after listening several times there are new and interesting elements to discover. The album features Babb and Schendel's best production yet...it sounds crisp, expansive, and punchy.
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10 of 11 people found the following review helpful By Stuck In The 70s on January 10, 2010
Format: Audio CD
If you are new to Glass Hammer, check out "The Inconsolable Secret" instead. If you are already a Glass Hammer fan, you may feel broken-hearted when you hear what this GREAT BAND has produced on "Three Cheers".

Susie Bogdanowicz has a beautiful voice. I was glad to see her finally take the lead vocalist role on this album. Unfortunately, that is the only good thing I can say about this album.

There is nothing particularly bad about this album. However, most of the elements that made previous Glass Hammer albums great are completely missing here. The arrangements have been dumbed down to the point where they don't even make good pop songs. I was trying to think of another band that had made music as bland as this. I was going to say The Carpenters, but then I realized that some of The Carpenters songs were actually far more compelling than this album.

There is no longer any trace of progressive rock in this music. The complex, epic arrangements are gone. There are no displays of virtuosity. The imaginative lyrics are missing. All we are left with are pleasing, but subdued vocals flowing over hollow, uninspired 4/4 arrangements that may leave you feeling empty.
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7 of 8 people found the following review helpful By Todd O. Thompson on February 11, 2010
Format: Audio CD Verified Purchase
The other day I came home to see the familiar Amazon packaging for a CD...I eagerly tore it open, and instantly threw the new Glass Hammer CD that I was thoroughly looking forward to hearing into stereo system.

I actually thought I had put the wrong CD into the system. Track after track went by with no progressive influences at all, very little melody, almost no songcraft.

What happened? If this is their attempt to try to hit the popular market it will fail--hugely. These are completely unremarkable songs, and they'll completely turn off their fanbase that's looking for a modern band that utilizes the classic 70's prog platform as a starting point.

I give this two stars instead of one due to the impeccable production. The CD sounds great. It's too bad the music that sounds so good was just as good.

Best tunes: The Mid-Life Weird, Hyperbole, and Falling.

To be honest, I can't see a single song from this disc making my Glass Hammer best-of. I hope they resurface with a return to form soon!
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Format: Audio CD
Well this time it's an embarassing moment, just a bit, to evaluate this work by G.H.!!
Don't get me wrong, this US ensemble has not forgotten to play music, but rather I remark their difficulty in creating a few original pop melodies, above all because there are some typical missing features, that made their previous albums (especially the early ones) so good!! For instance I'm not satisfied about the arrangement, sometimes simplistic, nor I like their new tendency to avoid the typical structure characterizing a kind of progressive rock (this time They are not so original...), like within their old symphonic suites!! Nevertheless Susie Bogdanowicz is always a remarkable singer and after all the core elements and their essential melodies as well, could make our listen more relaxing (perhaps too much relaxing...). So, no complexity and no creative moments you can find here, but there's a polished sound anyway!! However, despite of facing their new music travel without a precise direction, G.H. stand alone in the world music market, being former pioneers of such "Modern Progressive Rock". Unfortunately this latter music-genre has been taking a glance to the past for many years, but They try to create something desirable for the common listener still today, even though denying their roots...so, nevermind if They have forgotten the true language of progressive rock, because their product is interesting after all!

Ok, at the end you could also erase an half star at least...but- as They've often been a good or even sometimes a remarkable band- make your own choice!!
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