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"Star Trek Into Darkness" Available for Pre-order on Blu-ray and DVD
From director J.J. Abrams comes the next installment in the Star Trek saga, Star Trek Into Darkness. See it at Cinemark theaters now and pre-order on Blu-ray, 3D Blu-ray, DVD, and the Exclusive Starfleet Phaser Gift Set. Shop Star Trek Into Darkness and more in the Star Trek Store. Learn more |
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The level of paranoia as well as the multiple levels of deceit and deception depicted in the film seemed a bit outlandish at the time, but given the temper of the times, it somehow seemed much more plausible in the backwash of Watergate and all that was revealed about the machinations of the so-called "invisible government" then. The hero's ability to parse together the facts and learn and adapt as he progresses makes the movie work especially well, and one can relate to his growing frustration as he realizes there just may not be any way out alive. And between the margins of the scenes lie some intriguing questions regarding the role of secrecy in an open and supposedly democratic society that add a measure of intellectual acumen and "gravitas" to the tale.
So popular was this movie at the box office that it spawned a number of other spy thrillers in its wake. The film's cast included not only Redford as the hero, but also starred Fay Dunaway, and Cliff Robertson. This movie makes for an absorbing evening of entertainment, and a surefire way to escape the humdrum of everyday life with a stunning tale of murder, mayhem, and betrayal. I highly recommend this flick. Enjoy!
First, the paucity of dialogue -- in other words, what Redford displays and emotes rather than says -- is powerful. It seems that for the first time in his career, Redford is really challenged to act instead of being just another pretty cinematic face. If ever a man could give the impression of being both haunted and hunted, Redford's a cinch in "Condor."
This is also a great New York City film. Its streets, back alleys, and buildings -- in particular, the World Trade Center -- all play supporting roles. Sidney Pollack makes good use of the then-newly finished twin towers in "Condor," and this viewer lamented their destruction after watching scenes featuring the main lobby and a top-floor office inhabited by CIA deputy director Cliff Robertson.
The grainy quality of the film, matched with an often funky, sometimes melancholy soundtrack scored by Dave Grusin, also adds to the aura of "Condor." It's as if Pollack attempted to do an American sendup of a French intrigue film. Grusin's music also is not what you'd expect in a spy film, in that it has not a hint of the James Bond sound. Then again, the film is not a romantic spy thriller, so it works.
In fact, Pollack and Redford successfuly convey a post-Watergate paranoia that the citizens' government is 'out there' and will stop at nothing to hunt down the truth-seeking rogue. Phone taps and plumbers (disguised, this time, as mailmen) abound. Suitably, "Three Days of the Condor" ends with a very anti-establishment message.
This film deserves to be placed in the list of top twenty great American films of the modern cinematic era (however one judges that). "Condor" is good the first time around and seems to be more enjoyable with subsequent viewings. Far from being a period piece, it stands the test of time as a thriller that is also thoughtful.
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